Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Two processes of dehumanization: an in-depth study of racial biases in real-life officer-involved shootings of black citizens | 2024 | Ethnic and racial studies 47 (1): 234-57 | H6/KD [ETHNIC-] | 1466-4356 | |||
The Tadamon massacre: archiving violence through the perpetrator's gaze | 2024 | Visual anthropology 37 (1): 56-73 | *H6 [VISUAL-] | 1545-5920 | |||
Afterword | 2024 | Visual anthropology 37 (1): 92-7 | *H6 [VISUAL-] | 1545-5920 | |||
Soft nationalism and China: a case study of nationalism in short videos by US-Chinese rapper MC Jin | 2024 | International journal of cultural studies 27 (2): 234-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
A pentadic analysis of TikTok marketing in tourism: the case of Penang, Malaysia | 2024 | Tourist studies 24 (1): 75-103 | H6/KD [TOURIST-] | 1468-7976 | |||
What’s cooking? The normalization of meat in YouTube recipe videos consumed by South Asian British Muslims | 2024 | Food Culture and Society 27 (2): 363-81 | H6/KF [FOOD-] | 1751-7443 | |||
The queers are all right: a content analysis of LGBTQIA + mental health on TikTok | 2024 | Culture, health & sexuality 26 (6): 778-89 | H6/KGT [CULTURE-] | 1464-5351 | |||
Tuning ourselves into place: enhancing multivocality with video | 2024 | Qualitative research 24 (2): 305-23 | H6 [QUALITATIVE-] | 1468-7941 | |||
Filming home: Isuma's media world and the making of Arctic cultural sovereignty | 2024 | Inuit art quarterly 371 (): 47-55 | *H6/KFY [INUIT-] | 0831-6708 | |||
Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
Ritual dynamics of Qur'an burning | 2024 | Temenos: Nordic journal of comparative religion 60 (1): 57-80 | 2342-7256 | ||||
Using recorded visual data: doing online interviews | 2024 | Social science information 63 (2): 193-212 | H6/KF [SOCIAL-] | 0539-0184 | |||
Cooptation, hijacking, or normalization? The discursive concession of body politics on Douyin | 2024 | International journal of cultural studies 27 (5): 585-604 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Reconfiguring the use of video in qualitative research through practice of filmmaking: a post-qualitative cinematic analysis | 2024 | Qualitative research 24 (4): 1000-20 | H6 [QUALITATIVE-] | 1468-7941 | |||
Human-animal interactions: camera traps as research agents | 2024 | Anthropology today 40 (4): 22-6 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
The domestic life of Buyi videos: the ‘home mode’ in ethnic rural Southwest China | 2024 | Ethnos 89 (4): 634-56 | H6 [ETHNOS-] | 1469-588X | |||
Lived religion and digital homemaking: the case of Indonesian marriage migrants | 2024 | International journal of cultural studies 27 (6): 769-75 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Struggle over control: sound in home video | 2023 | International journal of cultural studies 26 (1): 120-36 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Abridged anime and the distance in fan-dubbing: interpreting culture through parody and fan appropriation | 2023 | International journal of cultural studies 26 (2): 182-99 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Chinese genius. Viral video, major projects and occult ecologies in Sub-Saharan Africa | 2023 | Cahiers d'études africaines (249): 37-62 | H6/KY [CAHIERS-] | 0008-0055 | |||
Materializing nostalgia: feet, YouTube, and the pilgrimage to Santiago de Compostela | 2023 | Material religion 19 (1): 34-54 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Medea: experience in video performance | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-4 | 2525-3123 | ||||
Chasing the concrete dragon: China's urban landscapes in skate video | 2023 | Space and culture 26 (1): 89-102 | H6 [SPACE-] | 1206-3312 | |||
A new sensibility towards unfinished ruins: affective knowledge translation through experimental video | 2023 | Space and culture 26 (1): 130-43 | H6 [SPACE-] | 1206-3312 | |||
Videos for neural networks: the negotiation of success with the YouTube recommendation system | 2023 | Disparidades: revista de antropologia 78 (1): e003 | H6/KVE [REVISTA-] | 2659-6881 | |||
Transnational online research: recongnising multiple contexts in Skype-to-phone interviews | 2023 | Qualitative research 23 (2): 252-71 | H6 [QUALITATIVE-] | 1468-7941 | |||
Participatory video from a distance: co-producing knowledge during the COVID-19 pandemic using smartphones | 2023 | Qualitative research 23 (3): 509-25 | H6 [QUALITATIVE-] | 1468-7941 | |||
Online video-portraits of factory workers depicting temporary housing in Poland's special economic zones (SEZs) | 2023 | Journal des anthropologues (174-175): 75-92 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan | 2023 | Journal of visual culture 22 (2): 222-42 | H6/KF [JOURNAL-] | 1470-4129 | |||
Rolling our eyes towards god: an intervention arising from Mormon missionary YouTube activity and the cultural (mis)appropriation of haka | 2023 | Culture and religion 23 (1): 46-80 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Conventionalised imagination and cultural invention: images of the Awá-Guajá, Tupi-Guarani in Maranhão | 2023 | Cadernos de arte e antropologia 12 (): 10-29 | |||||
Changes in religious rituals in the context of the epidemic: a case study of live streaming during processions of the Johor ancient Chinese temple (2020-2021) | 2023 | Taiwan journal of anthropology 21 (2): 173-33 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Join our team, change the world: edibility, producibility and food futures in cultured meat company recruitment videos | 2022 | Food Culture and Society 25 (1): 32-48 | H6/KF [FOOD-] | 1751-7443 | |||
Epistemology of Eshu and audiovisibility in the 2020 pandemic: writexperience and gestures in images on digital platforms | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-22 | 2525-3123 | ||||
Rewinding the tape: archeology of videotape in villages | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
The sound of blackness in Apeshit | 2022 | Revista de antropología (São Paulo) 65 (2): 1-18 | H6/KUL [REVISTA-] | 0034-7701 | |||
“I like it!” Experiencing mediascapes in the artisanship of Prahova County | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 139-52 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Epu Püllü, Epu Pillan and other sexuality-affectivity themes in the Mapuche context: approaching Poyewün | 2022 | Estudios Atacameños 68 (): 1-28 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
From voiceless to voicing: the communication empowerment of sex-trafficking survivors by using participatory video | 2022 | Asian journal of social science 50 (1): 62-9 | H6/KW [ASIAN-] | 1568-4849 | |||
Schlager und Pop. Ethnografisch-kulturwissenschaftliche Perspektiven auf Annäherungen und Abstossungen | 2022 | Schweizerisches Archiv für Volkskunde (2): 89-107 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
"Why I protect my wheat": the community of farming YouTubers and their videos on pesticides | 2022 | Etudes rurales 209 (): 106-27 | H6 [ETUDES-] | 0014-2182 | |||
Conducting cross-cultural qualitative interviews with mainland Chinese participants during COVID: lessons from the field | 2022 | Qualitative research 22 (1): 154-65 | H6 [QUALITATIVE-] | 1468-7941 | |||
Implementing continuous consent in qualitative research | 2022 | Qualitative research 22 (3): 795-810 | H6 [QUALITATIVE-] | 1468-7941 | |||
Visibilities and invisibilities in date reuse: video records of practice in education | 2022 | Qualitative research 22 (6): 951-68 | H6 [QUALITATIVE-] | 1468-7941 | |||
Speaking through Manbhum films: between song, dance and peripheral video industries | 2022 | South Asian popular culture 20 (1): 61-75 | H6/KW [SOUTH-] | 1474-6689 | |||
A chronology of seeing: subverting gender norms through a long-term participatory video project with rural women in Iran | 2022 | Visual anthropology review 38 (2): 234-54 | H6 [PROGRAM-] | 1053-7147 | |||
'This gave me a Mastodong': a decolonial analysis of the Black twerking dancers in Mastodon The Motherload music video | 2022 | European journal of cultural studies 25 (2): 761-77 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Predatory porn, sex work and solidarity at the border | 2021 | Ethnic and racial studies 44 (9): 1629-47 | H6/KD [ETHNIC-] | 1466-4356 | |||
Cuerpo, memoria y empatía: procesos de creación colectiva en torno a la figura de Violeta Parra | 2021 | Studies in Latin American popular culture 39 (): 40-60 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Translating YouTube vlogs for a global audience: innovative subtitling and community building | 2021 | International journal of cultural studies 24 (5): 767-90 | H6/KF [INTERNATIONAL-] | 1367-8779 |