Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Globally connected, nationally restrained: platform ambiguities and censorship in Turkey's drama production | 2025 | International journal of cultural studies 28 (1): 99-115 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Materializing storyworld, battles of transmedia storytelling: trans-fandom cultures of The King's Avatar on Chinese social media platform | 2025 | International journal of cultural studies 28 (2): 497-519 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Beyond peace: media encounters between Israeli Jews and Palestinians as a new potential for connection in the face of violent conflict | 2024 | International journal of cultural studies 27 (2): 181-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Disrupting Brazilian television: streaming and the decline of Globo's hegemony in video cultures | 2024 | International journal of cultural studies 27 (1): 9-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘They are now pocket videos, not home videos’: streaming and reconfiguration of video consumption in Nigeria | 2024 | International journal of cultural studies 27 (1): 82-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘Terebi banare’: historicising Internet-distributed television and the ‘departure from television’ in Japan | 2024 | International journal of cultural studies 27 (1): 99-118 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Beyond Netflix: ownership and content strategies among non-US-based video streaming services | 2024 | International journal of cultural studies 27 (1): 119-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
#MournHub and @GrieveWatch: mediating monarchy and mourning in the digital age | 2024 | International journal of cultural studies 27 (3): 428-43 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
'Samin Nosrat’s Salt, Fat, Acid, Heat: cooking on TV gets a decolonial makeover’ | 2024 | Food Culture and Society 27 (2): 326-41 | H6/KF [FOOD-] | 1751-7443 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
"The many faces and shades of blackness": race, class, and geography in early twenty-first-century telenovela representations | 2024 | Studies in Latin American popular culture 42 (): 97-123 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Utopia lost? The cultural incorporation of the subcultural kitchen | 2024 | Journal of folklore research 61 (1): 85-115 | H6/KF [INDIANA-] | 0737-7037 | |||
Making and breaking bread: the promises and pitfalls of migration discourse in food tour television | 2024 | Food Culture and Society 27 (4): 1073-90 | H6/KF [FOOD-] | 1751-7443 | |||
The future of knowledge sharing: why #AncientApocalypse and #HomoNaledi are smashing it and we're not | 2024 | Australian archaeology 90 (1): 112-13 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Best friends forever - really? The group of friends as the ideal model of sociability in children's animations | 2024 | European journal of cultural studies 27 (2): 215-31 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Inheriting a dynasty: family succession dramas and the moral economy of Downton Abbey | 2024 | European journal of cultural studies 27 (4): 701-19 | H6/KF [EUROPEAN-] | 1367-5494 | |||
De-celebrifying the problematic wanghong: interlocking tensions in Chinese digital anti-fandom | 2024 | International journal of cultural studies 27 (6): 776-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Cultural proximity and gender representation: why Italian women are drawn to Turkish TV serials | 2024 | International journal of cultural studies 27 (6): 869-88 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Marginalized disappearances: shaping the power relations of the search for the missing | 2024 | European journal of cultural studies 27 (6): 1285-303 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Markers of self-identities for young Polish diasporic female viewers of The magnificent century (Turkish TV series, 2011-2014) | 2024 | European journal of cultural studies 27 (5): 803-18 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The travelogue cooking show in a sub-state nation: representing Scotland in British food television | 2024 | European journal of cultural studies 27 (5): 947-64 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Equity, diversity and inclusivity: once more, with feeling | 2024 | European journal of cultural studies 27 (5): 985-1003 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Water, earth, fire, air: banal nationalism and Avatar: the last airbender | 2024 | European journal of cultural studies 27 (5): 1021-36 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Minority representation in the streaming era: an analysis of Jewish identity in competing subscription video on-demand platforms | 2023 | International journal of cultural studies 26 (2): 145-63 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Teenage pregnancy and neoliberal subjectivity in Mexican television series La Rosa de Guadalupe | 2023 | Bulletin of Latin American research 42 (1): 67-80 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Reading oil (back) into media history: the case of postwar television | 2023 | International journal of cultural studies 26 (4): 410-26 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The rise and fall of the synthetic: the mediatization of Canada's oil sands | 2023 | International journal of cultural studies 26 (4): 427-44 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Cocinando las alegrías: imagen y discurso en Bizarre Foods America | 2023 | Studies in Latin American popular culture 41 (): 95-108 | *H6/KUL [STUDIES-] | 0730-9139 | |||
The memefication of Squid Game and mimicry of Asian images | 2023 | International journal of cultural studies 26 (5): 497-517 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Political fiction and historical imaginaries of the return of African heritage to Senegal. About L’or de Ninki Nanka, a series by Sokhna Benga | 2023 | Cahiers d'études africaines (251-252): 691-709 | H6/KY [CAHIERS-] | 0008-0055 | |||
Gendered fandom in transcultural context-female-dominated paratexts and compromised fan culture | 2023 | Journal of consumer culture 23 (4): 1017-35 | H6 [JOURNAL-] | 1469-5405 | |||
Opening archives to society: the experience from the Folklore Archive at Rovira i Virgili University | 2023 | Folklore (Tartu) 91 (): 179-96 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan | 2023 | Journal of visual culture 22 (2): 222-42 | H6/KF [JOURNAL-] | 1470-4129 | |||
Introduction to a special Cultural Commons section on It's a sin | 2023 | European journal of cultural studies 26 (1): 80-4 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Telephone networks and transactional motherhood in Channel 4's It's a sin | 2023 | European journal of cultural studies 26 (1): 85-94 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The consequences of the television closet: It's a sin (Red Production Company for Channel 4/HBO Max, 2021) as a meditation on the presence and absence of queer lives on British television | 2023 | European journal of cultural studies 26 (1): 95-101 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'Healthy publics' and the pedagogy of It's a sin | 2023 | European journal of cultural studies 26 (1): 102-9 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Tell the story of a virus | 2023 | European journal of cultural studies 26 (1): 110-14 | H6/KF [EUROPEAN-] | 1367-5494 | |||
It's a sin: AIDS as incipient crisis | 2023 | European journal of cultural studies 26 (1): 115-21 | H6/KF [EUROPEAN-] | 1367-5494 | |||
AIDS melodrama now: queer tears in It's a sin and Pose | 2023 | European journal of cultural studies 26 (1): 122-8 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Platforms, politics and precarity: Hong Kong television workers amid the new techno-nationalist media agenda | 2023 | European journal of cultural studies 26 (3): 289-312 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Conceptualising change in equality, diversity and inclusion: a case study of the Irish film and television sector | 2023 | European journal of cultural studies 26 (3): 336-53 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Ticking off the (pink) diversity box? Production views on LGBT+ in children's fiction | 2023 | European journal of cultural studies 26 (3): 371-87 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Enduring inequalities: fifty years of gender equality talk in the media and cultural industries | 2023 | European journal of cultural studies 26 (3): 428-45 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Beyond the Giralda: residents' interpretations of the Seville portrayed in fictional movies and TV series | 2023 | European journal of cultural studies 26 (4): 510-27 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Brexit, ugly feelings and the power of participatory art in Grayson Perry: divided Britain | 2023 | European journal of cultural studies 26 (5): 744-60 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'I'm just not gay-gay': exploring same-sex desire and sexual minority identity formation in SKAM and its Western European remakes | 2023 | European journal of cultural studies 26 (6): 863-79 | H6/KF [EUROPEAN-] | 1367-5494 |