| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Magdalene Odundo: rites of passage | 2025 | Tribal art (115): 110-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Transactional acts: sculpture in the Nsukka School | 2025 | African arts 58 (2): 40-52 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The permanence of Meta Vaux Warrick Fuller’s painted plaster | 2025 | Nka: journal of contemporary African art (56): 6-17 | H6/KY [NKA-] | 1075-7163 | |||
| In the shadow of humanity: monsters and mimicry in the works of Jane Alexander | 2025 | Nka: journal of contemporary African art (56): 36-48 | H6/KY [NKA-] | 1075-7163 | |||
| Making the “village” shine. Aesthetic experiences of African art lovers in Burkina Faso | 2025 | Gradhiva: revue de anthropologie et museologie (39): 188-209 | H6 [GRADHIVA-] | 0764-8928 | |||
| A Lulua maternity | 2025 | Tribal art (117): 124-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| That the House May Stand Again: veranda posts in Ọyọ́ Palace | 2024 | African arts 57 (1): 46-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| La escultura en piedra de Valle de Bravo y la región del Río Cutzamala | 2024 | Arqueología mexicana 30 (184): 80-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Kaminaljuyu, the unpublished research of Gustavo Espinoza, and the great Preclassic decline | 2024 | Revista española de antropología americana 54 (1): 27-44 | H6/KUL [MADRID-] | 0556-6533 | |||
| Educational poster and carved bird effigy | 2024 | Florida anthropologist 77 (1): 75-7 | H6/KUB [FLORIDA-] | 0015-3893 | |||
| Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| An ancient terracotta figure from Sierra Leone | 2024 | African arts 57 (2): 76-85 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Vie et mort di marbre de Carrare: le changement sociotechnique au prisme de la pierre | 2024 | Techniques et culture (79): 143-57 | *H6 [TECHNIQUES-] | 0248-6016 | |||
| Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
| Esculturas tipo Chac Mool en Michoacán | 2024 | Arqueología mexicana (115): 88-92 | *H6/Kul [ARQUEOLOGIA-] | 0188-8218 | |||
| A Weeden Island human effigy vessel from the Mayport Mound (8DU96) | 2024 | Florida anthropologist 77 (2): 85-90 | H6/KUB [FLORIDA-] | 0015-3893 | |||
| Featured photographs: Anne Reynolds, Nona's site tooth, carved wooden cat | 2024 | Florida anthropologist 77 (2): 123-6 | H6/KUB [FLORIDA-] | 0015-3893 | |||
| Commanding sculpture: Fred Graham at Te Uru | 2024 | Art New Zealand (91): 54-7 | H6/KX [ART-] | 0110-1102 | |||
| The Dhayemlaab and the sun-fire: an approach to the mnemonic operativity of the plastic and figurative components of the sacred garment of the Teenek women | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 79-118 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Implications of rock art aesthetics in Olmec sculpture | 2024 | Latin American antiquity 35 (2): 521-41 | *H6/KE [LATIN-] | 1045-6635 | |||
| Public art forms as image and cultural identity of indigenous towns in the Òkè-Ògùn regions of Òyó state, Nigeria | 2024 | African arts 57 (4): 28-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The Ñu'us in the belfry of Coixtlahauaca's main church | 2024 | Mexicon 46 (5): 100-4 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Conceptual realism concerning the understanding of sculptures and images in ancient societies: a psychological contribution relevant to ethnology, history, and archaeology | 2024 | Human evolution 39 (3-4): 159-83 | H6/HB [HUMAN-] | 0393-9375 | |||
| Sculpture and architecture in the middle Mundo River in the Iberian period: news from Cercado de Galera (Liétor, Albacete) | 2024 | Munibe 75 (): 51-63 | H6/KE [MUNIBE-] | 2172-4555 | |||
| Circulations: mobility, fluidity, impediments and implications | 2024 | Journal of southern African studies 50 (3): 413-29 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Sculpting gender in Teotihuacan anthropomorphic sculpture | 2024 | Anales. Museo de América (Madrid) (30): 173-203 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
| Sculptural traditionalism and innovation in the Classic Maya kingdom of Sak Tz'i', Mexico | 2023 | Ancient Mesoamerica 34 (1): 160-83 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Warfare, sacrifice, and the captive body in the Late Classic Maya sculpture | 2023 | Ancient Mesoamerica 34 (1): 249-65 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Between Cuauhxicalli and temalacales | 2023 | Estudios de cultura náhuatl 65 (): 115-41 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| The immobilised elephant at Dhauli | 2023 | Journal of the Royal Asiatic Society 33 (1): 201-2 | H6/KW [ROYAL-] | 1356-1863 | |||
| Multispecies Brno: encounteres in a Central European city | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-20 | 2525-3123 | ||||
| Como una piedra que rueda: 45 años de difusión en el Templo Mayor | 2023 | Arqueología mexicana 29 (178): 88-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| From demon to deity: forging a new iconography for Mahishasur | 2023 | Journal of material culture 28 (1): 106-30 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Figures in the mire: towards transformative art and a respectful mire relationship | 2023 | Folklore (Tartu) 89 (): 47-76 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
| Bill Nasogaluak: W.3-1258 | 2023 | Inuit art quarterly 36 (1): 18-19 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The goddess’ new clothes: the carving and polychromy of the Parthenon sculptures | 2023 | Antiquity 97 (395): 1173-92 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| The Aztec rain god from the church of La Enseñanza, Mexico City | 2023 | Mexicon 45 (6): 128-33 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Memory and pain of the witnesses of the Pacific War and their sculptural proposals to commemorate the fallen heroes. Peru 1883-1897 | 2023 | Iberoamericana 23 (84): 217-48 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Reclaiming legacies and radical futures: Meta Vaux Warrick Fuller's Ethiopia | 2023 | Nka: journal of contemporary African art 53 (1): 16-33 | H6/KY [NKA-] | 1075-7163 | |||
| Bonnie Divine: Serpent River Ojibwa installation artist, painter and sculptor | 2023 | First American art magazine (40): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Melanie Yazzie: Navajo printmaker, painter, sculptor and jeweler | 2023 | First American art magazine 39 (): 88-93 | H6/KUB [FIRST-] | 2333-5548 | |||
| The sorrow and desire of abysmal life machines | 2023 | Art Asia Pacific Magazine (135): 50-7 | H6/KFY [ART] | 1039-3625 | |||
| Journeys across sound | 2023 | Art Asia Pacific Magazine (135): 58-65 | H6/KFY [ART] | 1039-3625 | |||
| The stories we tell | 2023 | Art Asia Pacific Magazine (136): 48-55 | H6/KFY [ART] | 1039-3625 | |||
| Une image du Buddha marchant et son inscription de 1375 apr. J.-C. conservées au musée national à Ayutthaya (Thaïlande) | 2023 | Bulletin de l’Ecole Française d’Extrême-Orient 109 (): 211-36 | H6/KWY [ECOLE-] | 0336-1519 | |||
| Le 'Rapport sur le transfert en septembre 1944 de statues du Buddha et d#un piédestal de la commune d'Angkor Borei, district de Prey Kabbas, province de Takéo', de Kam Doum (Kâ̆m Dŭm) | 2023 | Bulletin de l’Ecole Française d’Extrême-Orient 109 (): 237-74 | H6/KWY [ECOLE-] | 0336-1519 | |||
| Power objects. On the transient nature of classifications, with examples from the Kwilu region in Congo-Brazzaville | 2022 | African arts 55 (2): 26-35 | H6/KFY [AFRICAN-] | 0001-9933 |