Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Educational poster and carved bird effigy | 20247 | Florida anthropologist 77 (1): 75-7 | H6/KUB [FLORIDA-] | 0015-3893 | |||
That the House May Stand Again: veranda posts in Ọyọ́ Palace | 2024 | African arts 57 (1): 46-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
La escultura en piedra de Valle de Bravo y la región del Río Cutzamala | 2024 | Arqueología mexicana 30 (184): 80-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
Kaminaljuyu, the unpublished research of Gustavo Espinoza, and the great Preclassic decline | 2024 | Revista española de antropología americana 54 (1): 27-44 | H6/KUL [MADRID-] | 0556-6533 | |||
Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
An ancient terracotta figure from Sierra Leone | 2024 | African arts 57 (2): 76-85 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Vie et mort di marbre de Carrare: le changement sociotechnique au prisme de la pierre | 2024 | Techniques et culture (79): 143-57 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
Esculturas tipo Chac Mool en Michoacán | 2024 | Arqueología mexicana (115): 88-92 | *H6/Kul [ARQUEOLOGIA-] | 0188-8218 | |||
A Weeden Island human effigy vessel from the Mayport Mound (8DU96) | 2024 | Florida anthropologist 77 (2): 85-90 | H6/KUB [FLORIDA-] | 0015-3893 | |||
Featured photographs: Anne Reynolds, Nona's site tooth, carved wooden cat | 2024 | Florida anthropologist 77 (2): 123-6 | H6/KUB [FLORIDA-] | 0015-3893 | |||
Commanding sculpture: Fred Graham at Te Uru | 2024 | Art New Zealand (91): 54-7 | H6/KX [ART-] | 0110-1102 | |||
The Dhayemlaab and the sun-fire: an approach to the mnemonic operativity of the plastic and figurative components of the sacred garment of the Teenek women | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 79-118 | H6/KFY [MEXICO-] | 0185-1276 | |||
Implications of rock art aesthetics in Olmec sculpture | 2024 | Latin American antiquity 35 (2): 521-41 | *H6/KE [LATIN-] | 1045-6635 | |||
Sculptural traditionalism and innovation in the Classic Maya kingdom of Sak Tz'i', Mexico | 2023 | Ancient Mesoamerica 34 (1): 160-83 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Warfare, sacrifice, and the captive body in the Late Classic Maya sculpture | 2023 | Ancient Mesoamerica 34 (1): 249-65 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Between Cuauhxicalli and temalacales | 2023 | Estudios de cultura náhuatl 65 (): 115-41 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
The immobilised elephant at Dhauli | 2023 | Journal of the Royal Asiatic Society 33 (1): 201-2 | H6/KW [ROYAL-] | 1356-1863 | |||
Multispecies Brno: encounteres in a Central European city | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-20 | 2525-3123 | ||||
Como una piedra que rueda: 45 años de difusión en el Templo Mayor | 2023 | Arqueología mexicana 29 (178): 88-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
From demon to deity: forging a new iconography for Mahishasur | 2023 | Journal of material culture 28 (1): 106-30 | H6/KF [JOURNAL-] | 1359-1835 | |||
Figures in the mire: towards transformative art and a respectful mire relationship | 2023 | Folklore (Tartu) 89 (): 47-76 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Bill Nasogaluak: W.3-1258 | 2023 | Inuit art quarterly 36 (1): 18-19 | *H6/KFY [INUIT-] | 0831-6708 | |||
The goddess’ new clothes: the carving and polychromy of the Parthenon sculptures | 2023 | Antiquity 97 (395): 1173-92 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The Aztec rain god from the church of La Enseñanza, Mexico City | 2023 | Mexicon 45 (6): 128-33 | *H6/KUL [MEXICON-] | 0720-5988 | |||
Memory and pain of the witnesses of the Pacific War and their sculptural proposals to commemorate the fallen heroes. Peru 1883-1897 | 2023 | Iberoamericana 23 (84): 217-48 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Reclaiming legacies and radical futures: Meta Vaux Warrick Fuller's Ethiopia | 2023 | Nka: journal of contemporary African art 53 (1): 16-33 | H6/KY [NKA-] | 1075-7163 | |||
Bonnie Divine: Serpent River Ojibwa installation artist, painter and sculptor | 2023 | First American art magazine (40): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Melanie Yazzie: Navajo printmaker, painter, sculptor and jeweler | 2023 | First American art magazine 39 (): 88-93 | H6/KUB [FIRST-] | 2333-5548 | |||
The sorrow and desire of abysmal life machines | 2023 | Art Asia Pacific Magazine (135): 50-7 | H6/KFY [ART] | 1039-3625 | |||
Journeys across sound | 2023 | Art Asia Pacific Magazine (135): 58-65 | H6/KFY [ART] | 1039-3625 | |||
The stories we tell | 2023 | Art Asia Pacific Magazine (136): 48-55 | H6/KFY [ART] | 1039-3625 | |||
Power objects. On the transient nature of classifications, with examples from the Kwilu region in Congo-Brazzaville | 2022 | African arts 55 (2): 26-35 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Enchantment in ancient Peru: Salinar period murals and architecture | 2022 | World art 12 (1): 67-94 | H6 [WORLD-] | 2150-0908 | |||
Between African sculpture and Black diasporic experiences: Hugh Hayden and Simone Leigh | 2022 | African arts 55 (3): 70-83 | H6/KFY [AFRICAN-] | 0001-9933 | |||
La Yollotlique: vida, muerte y resurrección | 2022 | Arqueología mexicana 28 (173): 12-23 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Redescubriendo una escultura de pez de Xochicalco, Morelos | 2022 | Arqueología mexicana 28 (173): 24-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
A place crowded with gods. Preliminary note on the sculptural program of substructure II C of Calakmul, Campeche, Mexico | 2022 | Journal de la Société des Américanistes 108 (1): 153-93 | H6/KUB [SOCIETE-] | 0037-9174 | |||
De la piedra del sol | 2022 | Arqueología mexicana 29 (175): 82-3 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Harold Cousins’s Plaiton sculpture | 2022 | Nka: journal of contemporary African art (51): 6-20 | H6/KY [NKA-] | 1075-7163 | |||
Waswad the animator | 2022 | Nka: journal of contemporary African art (51): 22-33 | H6/KY [NKA-] | 1075-7163 | |||
Nueva evidencia "olmeca" en la Boca Costa de Guatemala: los sitios arqueológicos Casa Blanca y San Julián | 2022 | Mexicon 44 (4): 86-90 | *H6/KUL [MEXICON-] | 0720-5988 | |||
Sacred spirits: Songye at the Palatine Chapel in Naples | 2022 | Tribal art (106): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Epa masks of Moshood Olúsomo Bámigbóyè | 2022 | Tribal art (106): 72-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Bari sculpture from South Sudan | 2022 | Tribal art (106): 80-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
Viendo lo invisible | 2022 | Arqueología mexicana (104): 34-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Tiempo y espacio | 2022 | Arqueología mexicana (104): 43-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Buscando el origen de la escultura olmeca | 2022 | Arqueología mexicana (104): 58-63 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Un contexto de belicosidad | 2022 | Arqueología mexicana (104): 64-72 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 |