Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Claiming rock art, claiming indigeneity: spaces and scales of recognition in Khoe and San identity claims | 2025 | Journal of social archaeology 25 (1): 25-47 | H6/KE [JOURNAL-] | 1469-6053 | |||
The resilience of the San of the southern Kalahari: a spiritual connection to the land | 2025 | Cultural Survival quarterly 49 (1): 16-17 | H6/KD [CULTURAL-] | 0740-3291 | |||
Becoming traditional: contemporary San art and the production of (non-) knowledge | 2024 | Ethnography 25 (2): 187-207 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Advocating for indigenous peoples' land rights through theater | 2024 | Cultural Survival quarterly 48 (2): 23 | H6/KD [CULTURAL-] | 0740-3291 | |||
Promoting San education in Namibia: Patricia Dinyando | 2024 | Cultural Survival quarterly 48 (3): 20 | H6/KD [CULTURAL-] | 0740-3291 | |||
Blood symbolism at the root of symbolic culture? African hunter-gatherer perspectives | 2024 | Journal of anthropological archaeology 76 (): 1-22 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Acting like others: analysis of caregiver-child interactions among the !Xun | 2024 | Bulletin of the National Museum of Ethnology (Osaka) 49 (1): 67-92 | H6 [OSAKA-] | 0385-180X | |||
Articulations of inferiority: from pre-colonial to post-colonial paternalism in tourism and development among the indigenous Bushmen of Southern Africa | 2023 | History and anthropology 34 (2): 303-22 | H6 [HISTORY-] | 1477-2612 | |||
Living museums in Namibia: between empowerment and exploitation | 2023 | Anthropology Southern Africa 46 (1): 34-50 | *H6 [SOUTH-] | 2332-3256 | |||
Original power pointing: legibility and opacity in the deictic field | 2023 | Ethnos 88 (4): 819-36 | H6 [ETHNOS-] | 1469-588X | |||
‘The stars know where he is’: world-making, wayfaring, and navigational theory in Southern African |Xam forager folklore | 2023 | Folklore 134 (4): 462-84 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Thin red lines symbolising air, sound and N|om energy | 2023 | Digging stick 40 (2): 11-16 | H6/KE [SOUTH-] | 1013-7521 | |||
How access and benefit sharing entrenches inequity: the case of rooibos | 2023 | Journal of southern African studies 49 (4): 589-610 | H6/KY [JOURNAL-] | 1465-3893 | |||
San paintings of Boophone disticha in the Cederberg and De Hoop nature reserve | 2023 | Digging stick 40 (1): 4-9 | H6/KE [SOUTH-] | 1013-7521 | |||
Challenges to the integration of the Platfontein San in South Africa between 1990 and 2003 | 2022 | Anthropology Southern Africa 45 (2): 105-19 | *H6 [SOUTH-] | 2332-3256 | |||
The rock arts of Metolong: paintings, archaeology and cultural resource management in western Lesotho | 2022 | Journal of African archaeology 20 (2): 176-201 | H6/KE [JOURNAL-] | 1612-1651 | |||
‘The real history of the country’? Expropriation without compensation and competing master narratives about land (dis)possession in South Africa | 2022 | Journal of southern African studies 48 (4): 825-42 | H6/KY [JOURNAL-] | 1465-3893 | |||
Etnografia della transizione culturale nelle comunità San del Kalahari | 2022 | Archivio per l'antropologia e la etnologia 152 (): 197-216 | H6 [ARCHIVIO-] | 0373-3009 | |||
Exhibiting Bushman art in Switzerland. Revisiting the curatorial process of the exhibition 'Kuru. L'art d'un monde en mutation' | 2022 | Tsantsa 27 (): 16-39 | H6/KF [TSANTSA-] | 2673-5377 | |||
'Mijnheer Lochenberg': on the construction of Khoesan as a criminal class | 2022 | Southern African humanities 35 (): 31-70 | H6/KY [NATAL-] | 1681-5564 | |||
'The real history of the country'? Expropriation without compensation and competing master narratives about land (dis)possession in South Africa | 2022 | Journal of southern African studies 48 (5): 825-42 | H6/KY [JOURNAL-] | 1465-3893 | |||
The state as a whiteman, the whiteman as a /'hun: personhood, recognition, and the politics of knowability in the Kalahari | 2022 | Journal of the Royal Anthropological Institute (New Series) 28 (2): 477-95 | H6 [JOURNAL-] | 1359-0987 | |||
‘van die oorspronklike lippe’ (‘from the original lips’): the 19th-century Cape Colony, holographic archaeology and the historicity of Gideon von Wielligh’s/Xam–Afrikaans Collection | 2022 | Journal of southern African studies 48 (6): 993-1011 | H6/KY [JOURNAL-] | 1465-3893 | |||
Etnografia della transizione culturale nelle comunità San del Kalahari | 2022 | Archivio per l'antropologia e la etnologia 152 (): 197-216 | H6 [ARCHIVIO-] | 0373-3009 | |||
Fluidities of personhood in the idioms of the Maloti-Drakensberg, past and present, and their use in incorporating contextual ethnographies in southern African rock art research | 2022 | Time and mind: the journal of archaeology, consciousness and culture 15 (2): 101-41 | H6/KH [TIME-] | 1751-696X | |||
Changing perspectives on the link between San folktales and rock art | 2022 | Digging stick 39 (1): 8-12 | H6/KE [SOUTH-] | 1013-7521 | |||
Lucy Lloyd and the University of Texas copy of Bleek's a Brief Account of Bushman Folk-lore and Other Texts | 2022 | Digging stick 39 (2): 5-8 | H6/KE [SOUTH-] | 1013-7521 | |||
First and second creation: the transformation experiences during San male initiation | 2022 | Digging stick 39 (2): 17-18 | H6/KE [SOUTH-] | 1013-7521 | |||
L'imagination anthropologique par le dessin. Croquis des jeux d'enfants san en Afrique australe | 2021/2022 | Techniques et culture (76): 56-69 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Fighting fences and land grabbers in the struggle for the commons in N≠a Jaqna, Namibia | 2021 | African affairs 120 (480): 417-43 | H6/KY [AFRICAN-] | 0001-9909 | |||
San servility in the Omajeke, Namibia | 2021 | International journal of African historical studies 54 (2): 217-40 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Rock art, regionality and ethnography: variations in Southern African rock art | 2021 | Rock art research 38 (2): 138-51 | H6/KE [ROCK-] | 0813-0426 | |||
|hu|hu?a? |ne e: ?kak?n au hi |enni |emm (Europeans are those who talk with the tip of their tongue): colonialesque knowledge, attuned thinking and the bloody body of scholarship known as Bushman studies | 2021 | Southern African humanities 34 (): 59-82 | H6/KY [NATAL-] | 1681-5564 | |||
Rock paintings which may depict live eland being used in Sam rites | 2021 | Southern African humanities 34 (): 111-36 | H6/KY [NATAL-] | 1681-5564 | |||
Three painted rock panels from 'Upper Cingati' rock shelter | 2021 | Southern African humanities 34 (): 205-33 | H6/KY [NATAL-] | 1681-5564 | |||
Indigenous peoples to share in tea industry profits | 2021 | Cultural Survival quarterly 44 (2): 8-9 | H6/KD [CULTURAL-] | 0740-3291 | |||
Contemporary Bushman art: the work of the !Xun artist Flai Shipipa | 2020 | Visual anthropology 33 (4): 333-47 | *H6 [VISUAL-] | 0894-9468 | |||
Botswana’s hunting ban and the transformation of game-meat cultures, economies and ecologies | 2020 | Journal of southern African studies 46 (4): 723-41 | H6/KY [JOURNAL-] | 1465-3893 | |||
The plight of the Kalahari San: hunter-gatherers in a globalized world | 2020 | Journal of anthropological research 76 (2): 164-84 | H6 [SOUTHWESTERN-] | 0091-7710 | |||
Humans and elephants, transforming and transformed: two Naro myths about ontological mutability | 2020 | Folklore 131 (4): 371-85 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Controlled fermentation, honey, bees and alcohol: archaeological and ethnohistorical evidence from southern Africa | 2020 | Southern African humanities 33 (): 1-31 | H6/KY [NATAL-] | 1681-5564 | |||
An entangled cosmos: contextualising a close reading of a nineteenth-century |Xam San narrative | 2020 | Southern African humanities 33 (): 33-62 | H6/KY [NATAL-] | 1681-5564 | |||
Imagining a 'pleasant place': a rock engraving site in the Trans-Gariep Nama Karoo, South Africa | 2020 | Southern African humanities 33 (): 63-98 | H6/KY [NATAL-] | 1681-5564 | |||
'The hunting-field and its doings': subjectivities of territory of the |Xam Bushmen of the northern Cape | 2020 | Southern African humanities 33 (): 99-117 | H6/KY [NATAL-] | 1681-5564 | |||
Troubled times: the history and rock art of bandit groups in the Winterberg | 2020 | Digging stick 37 (1): 5-9 | H6/KE [SOUTH-] | 1013-7521 | |||
Sound and song lines in the rock art of Cederberg | 2020 | Digging stick 37 (1): 17-21 | H6/KE [SOUTH-] | 1013-7521 | |||
Some interesting San rock paintings | 2020 | Digging stick 37 (2): 5-8 | H6/KE [SOUTH-] | 1013-7521 | |||
Coronovairus healthcare communication in endangered languages of Southern Africa: report on the use of funds donated by ArchSoc | 2020 | Digging stick 37 (2): 20-2 | H6/KE [SOUTH-] | 1013-7521 | |||
Gender and northern Eastern Cape San rock art | 2020 | Digging stick 37 (3): 1-7 | H6/KE [SOUTH-] | 1013-7521 | |||
San male initiation paintings in the rock art of the Cederberg | 2020 | Digging stick 37 (3): 19-24 | H6/KE [SOUTH-] | 1013-7521 |