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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Dating perishables to refine the chronology of Shrine Cave use, the goggle-eye motif, and other Jornada and Mimbres Mogollon iconography | 2024 | Kiva 90 (1): 98-127 | *H6/KE [KIVA-] | 2051-6177 | |||
| Chihuahuan Desert shrine caves: refining chronologies of religious iconography and social histories for the Jornada and Mimbres Mogollon regions of the North American Southwest | 2024 | American antiquity 89 (1): 37-57 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Rock painting within southern Peru in the context of physiochemical analysis of pigments | 2024 | Rock art research 41 (1): 5-27 | H6/KE [ROCK-] | 0813-0426 | |||
| Categorising catfish, jewfish and eel motifs in Laura (Quinkan) rock art, Cape York peninsula, Australia | 2024 | Rock art research 41 (1): 28-40 | H6/KE [ROCK-] | 0813-0426 | |||
| Wurranderra's symbols: an exploration and contextualisation of the Thurk petroglyph site (Kingston-on-Murray) on the Murray River, South Australia | 2024 | Rock art research 41 (1): 41-57 | H6/KE [ROCK-] | 0813-0426 | |||
| Stretching the surrogate: an initial test combining Dstretch image enhancement with photogrammetry modelling at Bunjil's shelter and Gulgurn Manya, Australia | 2024 | Rock art research 41 (1): 74-87 | H6/KE [ROCK-] | 0813-0426 | |||
| Shamanism and brain illness in rock art production | 2024 | Rock art research 41 (1): 89-107 | H6/KE [ROCK-] | 0813-0426 | |||
| Analysing the black pictograms of Takhte Chan, Pol-e Dokhtar, Iran | 2024 | Rock art research 41 (1): 108-11 | H6/KE [ROCK-] | 0813-0426 | |||
| Painting as relationship: interactions between people and paintings on rock walls | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (1): 1-34 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90 | H6/KFY [MEXICO-] | 0185-1276 | |||
| First approaches to the archaeological landscape of Cerro Tres Tetas, central plateau of Santa Cruz | 2024 | Comechingonia: Revista de Arqueología 27 (2): 23-45 | 2250-7728 | ||||
| Analysis of rock art superimpositions in Cerro de los Indios 1 (Lago Posadas, Santa Cruz) | 2024 | Comechingonia: Revista de Arqueología 27 (2): 91-110 | 2250-7728 | ||||
| Rituality and rock art in the Villicum mountain range (San Juan). The case of Quebrada la Pola site | 2024 | Comechingonia: Revista de Arqueología 28 (1): 47-69 | 2250-7728 | ||||
| Monumental snake engravings of the Orinoco River | 2024 | Antiquity 98 (399): 724-42 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Contemporary art, Amerindian rock art heritage, and decolonization in the Guadeloupean archipelago | 2024 | American anthropologist 126 (2): 317-20 | *H6 [AMERICAN-] | 0002-7294 | |||
| Initial surveys and stratigraphic studies in Paso Gregores locality, northeast of Santa Cruz, Argentina | 2024 | Comechingonia: Revista de Arqueología 28 (2): 291-316 | 2250-7728 | ||||
| Petroglyphs in context: another look at the Chillihuay archaeological complex in southern Peru | 2024 | Andean past 14 (14): 101-37 | *H6/KE [ANDEAN-] | 1055-8756 | |||
| The Caborca rock art style and the archaeology of La Proveedora, Sonora | 2024 | Kiva 90 (3): 407-19 | *H6/KE [KIVA-] | 2051-6177 | |||
| Why should we explore contemporary relationships to the archaeological record? | 2024 | Australian archaeology 90 (1): 14-16 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
| Animals of the Serranía de la Lindosa: exploring representation and categorisation in the rock art and zooarchaeological remains of the Colombian Amazon | 2024 | Journal of anthropological archaeology 75 (): 1-13 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Implications of rock art aesthetics in Olmec sculpture | 2024 | Latin American antiquity 35 (2): 521-41 | *H6/KE [LATIN-] | 1045-6635 | |||
| Shonquilpampa: camelid pictographs of Cordillera Blanca, Perú | 2023 | Ñawpa Pacha 43 (1): 117-37 | H6/KE [NAWPA-] | 0077-6297 | |||
| Rock art and archaeological surveys in El Salvador. Results and interpretations | 2023 | Anales de antropología 57 (1): 47-61 | H6/KUL [ANALES-] | 2448-6221 | |||
| El Tecomate. A solar sanctuary in north-central Sinaloa | 2023 | Revista española de antropología americana 53 (1): 11-28 | H6/KUL [MADRID-] | 0556-6533 | |||
| The cognitive processus behind Neolithic schematic rock art. Archaeological implications and research hypothesis | 2023 | Cambridge archaeological journal 33 (1): 157-79 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| The acoustics of aggregation sites: listening to the rock art landscape of Cuevas de la Araña (Spain) | 2023 | Journal of field archaeology 48 (2): 130-43 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| Scientific research at the Hongshangkou petroglyphs site complex in the eastern Tianshan range, northwest China | 2023 | Rock art research 40 (1): 3-12 | H6/KE [ROCK-] | 0813-0426 | |||
| Discovery of a new genre of rock paintings at Luobiao Town, Sichuan province, China | 2023 | Rock art research 40 (1): 13-18 | H6/KE [ROCK-] | 0813-0426 | |||
| Ichnology in rock art science: examples from Southern Africa | 2023 | Rock art research 40 (1): 19-31 | H6/KE [ROCK-] | 0813-0426 | |||
| Regional trends in rock art production across Andean foothill valleys on north-central Chile | 2023 | Rock art research 40 (1): 32-44 | H6/KE [ROCK-] | 0813-0426 | |||
| Images of stone in Sharjah Emirate and reverse engineering technologies | 2023 | Rock art research 40 (1): 45-56 | H6/KE [ROCK-] | 0813-0426 | |||
| Stranger than fiction: distinguishing between anthropogenic and non-anthropogenic rock markings | 2023 | Rock art research 40 (1): 57-69 | H6/KE [ROCK-] | 0813-0426 | |||
| Birds, dream-flying, avian metaphors and rock art | 2023 | Rock art research 40 (1): 70-88 | H6/KE [ROCK-] | 0813-0426 | |||
| Negotiating, interpreting and representing the natural world: cognitive aspects of indigenous Australian dreamings | 2023 | Rock art research 40 (1): 89-101 | H6/KE [ROCK-] | 0813-0426 | |||
| A new calibration coefficient for microerosion analysis secured in sotheast China | 2023 | Rock art research 40 (1): 102-5 | H6/KE [ROCK-] | 0813-0426 | |||
| Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
| A new look at the rock art on the island of Gökçeada, northeast Aegean | 2023 | Rock art research 40 (1): 107-9 | H6/KE [ROCK-] | 0813-0426 | |||
| Revealing the earliest animal engravings in Scotland: the Dunchraigaig Deer, Kilmartin | 2023 | Cambridge archaeological journal 33 (2): 281-307 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| The archer and the shield-bearing warrior | 2023 | American antiquity 88 (2): 252-60 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Rock art and early cultural dynamics in eastern Mongolia | 2023 | Asian perspectives 62 (1): 2-20 | H6/KE [ASIAN-] | 0066-8435 | |||
| Formas y relaciones: un análisis diacrónico de la comunicación visual en el arte rupestre de grupos cazadores-recolectores del extremo sur del Macizo del Deseado (Patagonia, Argentina) | 2023 | Latin American antiquity 34 (1): 59-78 | *H6/KE [LATIN-] | 1045-6635 | |||
| Paraje del Malpais (AZ FF:12:69, ASM): a Vázquez de Coronado expedition encampment in the San Bernardino valley, Arizona | 2023 | Kiva 89 (2): 208-40 | *H6/KE [KIVA-] | 2051-6177 | |||
| Interacción humano-camélido en la Puna de Atacama (área surandina): caza y demografía humana desde el arte rupestre | 2023 | Latin American antiquity 34 (2): 276-94 | *H6/KE [LATIN-] | 1045-6635 | |||
| Sailing the deep blue sea: the rock art of Wetang Island, Maluku Barat Daya, Indonesia | 2023 | Journal of island and coastal archaeology 18 (3): 398-425 | H6/KE [ISLAND-] | 1556-4894 | |||
| Officially classifying Venezuelan rock art sites as protected assets | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (2): 1-24 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Ethnography, shamanism, and Far Western North American rock art | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 275-99 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Qualia in late precolonial Pueblo rock art: an exploration of conventionalized sensorial experiences in Rio Grande style petroglyphs | 2023 | Journal of social archaeology 23 (1): 51-75 | H6/KE [JOURNAL-] | 1469-6053 | |||
| New rock art sites in Tigrai, northern Ethiopia, and their relevance to the understanding of the rock art and dating of domesticates elsewhere in Ethiopia | 2023 | Journal of African archaeology 21 (1): 20-32 | H6/KE [JOURNAL-] | 1612-1651 | |||
| Art, rock art engravings (γράφειν), and techniques: thoughts from the anthropology of technology through a case study at La Sixtina and El Hornero Rock Shelters (La Tunita, Ancasti, Catamarca) | 2023 | Anales de arqueología y etnología 78 (1): 273-309 | H6/KUL [MENDOZA. Universidad Nacional de Cuyo. Instituto de Etnografia Americana. Anales] | 2591-3093 |
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