Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Presentación | 2025 | Fronteras de la Historia 30 (1): 13-22 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
“The viceroys are copies of the majesty”. Armendáriz, alter ego of the King in Viceregal visual culture | 2025 | Fronteras de la Historia 30 (1): 24-52 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Illicit media, reflexivity and sociocultural change in North Korea | 2024 | International journal of cultural studies 27 (2): 165-80 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The flood, the traitors, and the protectors: affect and white identity in the Internet Research Agency’s Islamophobic propaganda on Twitter | 2024 | Ethnic and racial studies 47 (5): 982-1008 | H6/KD [ETHNIC-] | 1466-4356 | |||
Classical tradition in the celebrations of the Centenary of the Republic of Chile (1910) | 2024 | Iberoamericana 24 (85): 155-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Black extras and actors in Francoist cinema | 2024 | Ethnic and racial studies 47 (7): 1420-37 | H6/KD [ETHNIC-] | 1466-4356 | |||
Racial rhetoric in black and white: situational whiteness in Francoist Spanish Guinea through Misión blanca | 2024 | Ethnic and racial studies 47 (7): 1478-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
Victory Day in Russia: performative patriotism and state discourse | 2024 | Anthropology today 40 (5): 14-18 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
Putting out the candle: Sufism and the orgy libel in late Ottoman and modern Turkey | 2024 | Culture and religion 24 (2): 135-55 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
El ascenso de las identificaciones sociales en sustitución de la identidad esencial | 2024 | Archivos 22 (): 59-81 | H6/KUL [ARCHIVOS-] | 1668-4737 | |||
Visual propaganda and Biafran national identity: artists constructing a nation during wartime | 2024 | African studies review 67 (4): 888-919 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Prisoner as propaganda in 16th-century Iran | 2023 | Asian textiles (84): 16 | H6/KGG [OXFORD-] | 1757-0670 | |||
Institutional denialism as public policy: using films as a tool to deny the Armenina genocide in Turkey | 2023 | Ethnic and racial studies 46 (12): 2677-97 | H6/KD [ETHNIC-] | 1466-4356 | |||
If it ain't Dutch, it ain't much: Vereeniging Nederlandsch Fabrikaat, and the citizen-consumer and Dutch nationalist consumption in the interwar Netherlands | 2023 | Journal of consumer culture 23 (1): 45-62 | H6 [JOURNAL-] | 1469-5405 | |||
Czechoslovakia and its position within the solidarity network of Chilean Communism: a reflection on the coup and resistance against Pinochet from a country with worn-out revolutionary ideals | 2023 | Bulletin of Latin American research 42 (4): 501-13 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
The media operations of postcolonial mobility regimes: the cases of Filmstichting West Indië and Vereniging Ons Suriname in 1940s and 1950s Netherlands | 2023 | International journal of cultural studies 26 (6): 672-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
"We live in the country of the victorious Kafka": witchcraft and magic in present-day Russia | 2023 | Martor: revue d'anthropologie du Musée du Paysan Roumain (28): 31-55 | H6/KVQ [MARTOR-] | 2734-8350 | |||
When women speak phallocentric positionalities: biopolitics of female loneliness in the Russian cinemascape | 2023 | Visual anthropology 36 (4): 397-420 | *H6 [VISUAL-] | 1545-5920 | |||
An authoritarian spectacle: visual biopolitics and the dramaturgy of the Poland-Belarus border migration crisis | 2023 | Visual anthropology 36 (4): 373-96 | *H6 [VISUAL-] | 1545-5920 | |||
The guerrilla war on ZANLA and ZIPRA as presented in Zimbabwean nationalist propaganda | 2023 | International journal of African historical studies 56 (3): 413-34 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Wie entscheidet die Truppe? Agitprop- und Performancekollektive im Vergleich | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 89-102 | H6/KF [PARAGRANA-] | 0938-0116 | |||
Kollektive Entscheidungsprozesse in der Probenpraxis intervenierender Chöre. Zu Chöre der Angekommenen (2017) und Wem gehört Lauratibor? (2021) | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 103-23 | H6/KF [PARAGRANA-] | 0938-0116 | |||
Archival reading of the visible and invisible images and traces of (or about) social care and health care in Bulgaria in the period 1945 – 1989 | 2023 | Bulgarska etnologiia 49 (2): 170-88 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
The reception of COVID-19 denialist propaganda in Tanzania | 2023 | Journal of southern African studies 49 (4): 697-716 | H6/KY [JOURNAL-] | 1465-3893 | |||
It’s time to decolonize 'Donbas' stereotypes | 2023 | Konteksty 77 (4): 31-6, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
When war is a context | 2023 | Konteksty 77 (4): 45-50, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
The overlooked historical context of folk tradition related to King Matthias | 2023 | Studia mythologica slavica 26 (): 121-43 | H6/KVP [STUDIA-] | 1408-6271 | |||
'Being cultured', changing culture. Public health messaging in COVID-era Ulaanbaatar | 2023 | Curare 46 (1): 29-45, 153, 156 | H6/KGT [CURARE-] | 0344-8622 | |||
Object metamorphosis in colonial contexts: maintaining diversity through global commodities in New Kingdom Nubia (1550–1070 BCE) | 2023 | World archaeology 55 (5): 494-507 | H6/KE [WORLD-] | 1470-1375 | |||
Exporting the Chavista model: the Venezuelan case for autocracy promotion in the region | 2022 | Bulletin of Latin American research 41 (1): 123-40 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
The West agains the rest? Democracy versus autocracy promotion in Venezuela | 2022 | Bulletin of Latin American research 41 (1): 141-58 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
“For a significant support of the Araucanian mission”. The Bavarian Capuchin Museum in Altötting (1906-1932) | 2022 | Revista Tefros 20 (2): 9-43 | 1669-726X | ||||
Twitter and political discourses: how supporters of Zimbabwe's ruling ZANU PF party use Twitter for political engagement | 2022 | Journal of Eastern African studies 16 (2): 269-88 | H6/KY [EASTERN-] | 1753-1063 | |||
Pith and power: colonial style in France and French West Africa | 2022 | Journal of material culture 27 (3): 280-312 | H6/KF [JOURNAL-] | 1359-1835 | |||
Putin's descent: iconography of the Last Judgement and politics in contemporary Ukraine | 2022 | Material religion 18 (2): 182-202 | H6/KFO [MATERIAL-] | 1743-2200 | |||
“He begins by targeting Mexicans and he will end with Puerto Ricans”: unpacking Florida Puerto Ricans’ politics of immigration | 2022 | Ethnic and racial studies 45 (16): 237-60 | H6/KD [ETHNIC-] | 1466-4356 | |||
The propaganda of business behavior as a cultural and psychological imperative in the work of Edward Bernays | 2022 | Boletín de antropología (Antioquia) 37 (63): 93-107 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Apprendre à coudre ou savoir consommer? Les travails d'aiguille dans les illustrés français pour petites filles du premier XXe siècle | 2022 | Techniques et culture (77): 112-29 | *H6 [TECHNIQUES-] | 0248-6016 | |||
'I dress in silk and velvet': women, textiles and the textile-text in 1930s Uzbekistan | 2022 | Central Asian survey 41 (1): 1-21 | *H6/KW [CENTRAL-] | 0263-4937 | |||
From 'mercy' to 'banner of labour': the Bukharan Jewish press in late Tsarist and early Soviet Central Asia | 2022 | Central Asian survey 41 (1): 22-40 | *H6/KW [CENTRAL-] | 0263-4937 | |||
Performing Chineseness overseas. Peking Opera, photography, and the KMT's Chinese nationalism during the Cold War | 2022 | Journal of Chinese overseas 18 (1): 90-117 | H6/KW [JOURNAL-] | 1793-0391 | |||
No longer a prison: the logistics and politics of transforming a prison as work of architecture | 2022 | Space and culture 25 (3): 415-33 | H6 [SPACE-] | 1206-3312 | |||
Slavic Blackface. From the Archive of the Visual Colonial Complex of the Inter-war Period | 2022 | Konteksty 76 (3): 44-55, 270 | H6/KVM [POLSKA-] | 1230-6142 | |||
Influences from the interwar period on the photography of socialist realism in Croatia and Serbia | 2022 | Studia Ethnological Croatica 34 (): 85-101 | H6 [STUDIA-] | 1330-3627 | |||
Gas pipeline. Album of the Bulgarian builders in the USSR | 2022 | Bulgarska etnologiia 48 (4): 496-507 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Politics of humour in extremis: cabaret and propaganda in the Netherlands during the Second World War | 2022 | European journal of cultural studies 25 (2): 389-405 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Movies about the First World War: shaping the collective memory. Cases of Serbian/Yugoslav and Greek cinematography | 2022 | Balcanica 53 (): 95-113 | H6/KVO [BALCANICA-] | 0350-7653 |