Title | Date | Reference | Authors | Call # | ISSN | ||
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Materials and techniques used for Portrait of Yi Bok Shin oiled paper sketches: scientific analysis and practical application | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (1): 171-89 | H6/KW [ROYAL-] | 1356-1863 | |||
The travel of a thangka: crossing gender and cultural boundaries with Lutso's stories | 2024 | Journal of material culture 29 (1): 102-21 | H6/KF [JOURNAL-] | 1359-1835 | |||
Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
Paṇḍit Seu to Mānaku: a pictorial Rāmāyaṇa with text | 2023 | Journal of the Royal Asiatic Society 33 (1): 37-53 | H6/KW [ROYAL-] | 1356-1863 | |||
Painting the town: an urban perspective in New Zealand art | 2023 | Art New Zealand (187): 99-105, 110 | H6/KX [ART-] | 0110-1102 | |||
Livre d'images: portraits à facettes | 2023 | Journal des anthropologues (174-175): i-ix | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Acheulean handaxes in Medieval France: an earlier 'modern social history for Palaeolithic bifaces | 2023 | Cambridge archaeological journal 34 (2): 253-69 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
The Codex Mendoza and Lienzo de Tlaxcala, two examples of codigophagy | 2023 | Res 79-80 (): 81-98 | *H6 [RES-] | 0277-1322 | |||
The prehistoric secret of Magritte's boulders. The handaxe paintings | 2023 | Res 79-80 (): 299-312 | *H6 [RES-] | 0277-1322 | |||
Sam Joseph Ntiro: mapping the path of a pioneering artist, educator, scholar, diplomat, and civil servant | 2023 | African arts 57 (3): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The doctor, Ghana, and me | 2022 | African arts 55 (1): 55-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The caciques and their Incas | 2022 | Tribal art (104): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Street to Mbari. Jacob Lawrence and the influence of the "international" on local modernism | 2022 | Nka: journal of contemporary African art (50): 64-75 | H6/KY [NKA-] | 1075-7163 | |||
Picture windows into the past | 2022 | Hali (212): 94-9 | *H6/KGG [HALI-] | 0142-0798 | |||
An illustrated Shi'i pilgrimage scroll in the collections of the Royal Asiatic Society | 2022 | Journal of the Royal Asiatic Society 32 (1): 187-211 | H6/KW [ROYAL-] | 1356-1863 | |||
From Crete to Singapore via Rome and St. Louis: an Orthodox icon becomes Catholic | 2022 | Res 77-78 (): 141-56 | *H6 [RES-] | 2327-9621 | |||
A momentous homecoming: Dance in a Subterranean Roundhouse at Clear Lake, California | 2022 | News from native California 35 (3): 26-31 | *H6/KUB [NEWS-] | 1040-5437 | |||
Requiem for life: on pollution & pandemic | 2022 | World art 12 (2): 167-70 | H6 [WORLD-] | 2150-0908 | |||
Signs of optimism, symptoms of hope. North and South Korean painting of the 1970s and 1980s. A case study | 2022 | World art 12 (3): 287-310 | H6 [WORLD-] | 2150-0908 | |||
Toward a reutilization of past natural history materials regarding tropical marine life in the Pacific islands: analysis of watercolor paintings by Toshio Asaeda from the Crocker expedition in the 1930s | 2022 | People and culture in Oceania 38 (): 35-50 | *H6/KX [MAN-] | 1349-5380 | |||
On the traces of the forgotten vault and its artists (1) | 2022 | Bulgarska etnologiia 48 (2): 242-56 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Following the trail of the missing vault and its artists (Part 2) | 2022 | Bulgarska etnologiia 48 (3): 385-96 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Potraits of the pandemic: paintings and pictures of my parents' garden | 2021 | Mundo Amazonico 12 (1): 216-34 | |||||
Architects of their own humanity: race, devotion, and artistic agency in Afro-Brazilian confraternal churches in eighteenth-century Salvador and Ouro Preto | 2021 | Colonial Latin American review 30 (2): 238-71 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Capturing the quotidian: casta paintings and demographic trends in late colonial Mexico | 2021 | Colonial Latin American review 30 (3): 423-44 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Vernacular images of childhood in the work of Lebohang Sithole | 2021 | World art 11 (2): 137-48 | H6 [WORLD-] | 2150-0908 | |||
The word as object in colonial Spanish South America: Juan María de Guevara y Cantos's Corona de la divinissima María (Lima, 1644) | 2021 | Material religion 17 (2): 202-27 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Written on a Bodhi tree leaf | 2021 | Res 75-76 (): 45-58 | *H6 [RES-] | 0277-1322 | |||
Portraiture and collective memory: new challenges around the study of nun portraits in New Spain | 2021 | Fronteras de la Historia 26 (1): 62-91 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
About eyes that still closed allow to see. The symbolic representation of the female monasticism of strict rules in the New Spain Baroque and its honor supplies | 2021 | Fronteras de la Historia 26 (1): 92-114 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
The original scene of anthropology: Levaillant’s illustrations of visiting the Gonaqua | 2020 | Visual anthropology 33 (4): 301-12 | *H6 [VISUAL-] | 0894-9468 | |||
Lo and behold the miracle: votive painting in the public sphere | 2020 | World art 10 (1): 115-32 | H6 [WORLD-] | 2150-0908 | |||
Karamah ('marvel'): an exploration of the literal and ethnographic meaning of miracles among Shi'a female artists in Kuwait | 2020 | World art 10 (1): 145-59 | H6 [WORLD-] | 2150-0908 | |||
Panoramic vision: consolidating the early Mormon gaze | 2020 | Material religion 16 (5): 639-64 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Migratory mythopoeism: a critical examination of Moyo Ogundipe's paintings | 2020 | African arts 53 (1): 50-65 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Analytical techniques in the study of sequential iconographs in Peru and Mexico | 2020 | Revista española de antropología americana 50 (): 9-22 | H6/KUL [MADRID-] | 0556-6533 | |||
Surrounding the sacred space: two painted scrolls from the collection of Namgyal monastery in Mustang, Nepal | 2020 | Journal of the Royal Asiatic Society (Series 3) 30 (4): 635-78 | H6/KW [ROYAL-] | 1356-1863 | |||
Unedited gaze: Kawésqar women and men in the journal and watercolours of Lieutenant Vereker (H.M.S. Alert, 1879) | 2020 | Estudios Atacameños (66): 155-73 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
The ghost scrolls of Manshi-in and Tokugen-in. A shutter-stopping tale of visual culture, photo curses, and recontextualization | 2020 | Visual anthropology review 36 (2): 343-60 | H6 [PROGRAM-] | 1053-7147 | |||
An interview with Dave Powell, Western artist | 2019 | Whispering wind 46 (6): 23-5 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
What should happen, but has not yet happened: painterly tales of justice | 2019 | Contributions to Indian sociology (New Series) 53 (1): 184-216 | H6/KWL [CONTRIBUTIONS-] | 0069-9667 | |||
The sitter's impression: memory and early modern portrait medallions | 2019 | Journal of material culture 24 (3): 293-312 | H6/KF [JOURNAL-] | 1359-1835 | |||
Beyond the object: an Anatolian prayer rug in a fifiteenth-century Venetian painting | 2019 | Material religion 15 (2): 246-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Nineteenth-century Haitian portraiture and the critique of anachronism in Caribbean art | 2019 | Nka: journal of contemporary African art 44 (): 8-23 | H6/KY [NKA-] | 1075-7163 | |||
Big Bird’s minor upset: Frank Bowling’s prize-winning entry to the 1966 Premier Festival Mondial des Arts Nègres | 2019 | World art 9 (1): 27-41 | H6 [WORLD-] | 2150-0908 | |||
Tendances et Confrontations: an experimental space for defining art from Africa | 2019 | World art 9 (1): 43-65 | H6 [WORLD-] | 2150-0908 | |||
Muisca cloth and image in early New Granada | 2019 | Res 71-72 (): 113-30 | *H6 [RES-] | 2327-9621 | |||
Cargo of art and pictorial materials in the galeons of the Firm Land of 1586. Shipments from Seville to the cities of Bogotá, Tunja, Cuzco and Lima | 2019 | Anales. Museo de América (Madrid) (27): 95-130 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Espacios locales y espacios trascendentales de la conversión: las Postrimerías de Carabuco y la producción performativa de epistemologías transculturales | 2019 | Colonial Latin American review 28 (1): 59-80 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Reports on three apostolate paintings of the first third of the eighteenth century found in the City of Durango | 2019 | Anales del Instituto de Investigaciones Estéticas 41 (115): 245-68 | H6/KFY [MEXICO-] | 0185-1276 |