Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Transformations of Anisong manuscripts in Luang Prabang: application of modern printing technologies | 2024 | Southeast Asian studies 13 (2): 343-83 | H6/KWY [SOUTHEAST-] | 2423-8686 | |||
Another character for the word 'rice plant' in Old Chinese | 2024 | Bulletin of the School of Oriental and African Studies (London) 87 (2): 345-56 | H6/KW [LONDON-] | 0041-977X | |||
Revisiting the date of Hiḍimbā Devī temple, Manali, Kulu (Himachal Pradesh): a study of epigraphic evidence | 2024 | Bulletin of the School of Oriental and African Studies (London) 87 (2): 291-6 | H6/KW [LONDON-] | 0041-977X | |||
'You know nothing except how to read musical notation!': rethinking the use of notation in jinghu accompaniment | 2024 | Asian music 55 (1): 38-72 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns | 2023 | Res 79-80 (): 277-98 | *H6 [RES-] | 0277-1322 | |||
Script reform and ethnic transformation: the secular movement of Ahmao (Miao) in northern Yunnan in the post-revolutionary era | 2023 | Taiwan journal of anthropology 21 (2): 55-117 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Sourcing novelty: on the 'secondary invention' of writing | 2022 | Res 77-78 (): 250-66 | *H6 [RES-] | 2327-9621 | |||
Writing amidst the scribbles: the role and place of writing in ancient Maya graffiti | 2021 | Papers from the Institute of Archaeology (London) 31 (1): 93-120 | H6/KE [PAPERS-] | 0965-9315 | |||
The predictable evolution of letter shapes: an emergent script of West Africa recapitulates historical change in writing systems | 2021 | Current anthropology 62 (6): 669-91 | H6 [CURRENT-] | 1537-5382 | |||
Writing Balti(ness). The challenge of nation-building in a geopolitically contested region | 2021 | Asian ethnology 80 (2): 287-317 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Jiangyong 'women's script' in the era of ICH: channels of development and transmission | 2021 | Asian ethnology 80 (2): 367-89 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Presidential address: a rainbow of Spanish illusions: research frontiers in colonial Guatemala | 2019 | Ethnohistory 66 (3): 409-35 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
An instruction manual would be perfect! An analysis of hte images of four birchbark scrolls from central North America | 2019 | Anthropos (St Augustin) 114 (1): 37-55 | H6 [ANTHROPOS-] | 0257-9774 | |||
Borrowed from the ancestors: Tiwanaku and Wari motifs in Inca Tocapus | 2018/19 | Baessler-Archiv (Neue Folge) 65 (): 35-50 | H6 [BAESSLER-] | 0005-3856 | |||
Oral pedagogy, playful variation, and issues of notation in Khmer wedding music | 2018 | Ethnomusicology 62 (1): 104-36 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The examination on the arrangements of the zuan-zao on the tortoise plastrons of the oracle bones of the Bin Group unearthed from YH127 at Yinxu | 2017 | Kaogu Xuebao (1): 25-48 | H6/KE [KAOGU XUEBAO-] | 0453-2902 | |||
Les écritures des missions de l'Ouest canadien | 2017 | Anthropos (St Augustin) 112 (2): 401-27 | H6 [ANTHROPOS-] | 0257-9774 | |||
The epigraphic stela of Montoro (Córdoba): the earliest monumental script in Iberia? | 2017 | Antiquity 91 (358): 916-32 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Numerals of the Khitan language | 2017 | Journal of Asian and African studies (Tokyo) (93): 91-103 | H6 [JOURNAL OF ASIAN AND AFRICAN STUDIES. Tokyo] | 0387-2807 | |||
Writing with twisted cords. The inscriptive capacity of Andean khipus | 2017 | Current anthropology 58 (3): 412-19 | H6 [CURRENT-] | 0011-3204 | |||
Cui bono? Thoughts about a 'reconsideration' of the Tărtăria tablets | 2016 | Dacia (New Series) 60 (): 281-92 | H6/KE [DACIA-] | 0070-251X | |||
Movement notation and the analysis of embodied knowledge: three ethnographic examples | 2015 | Journal for the anthropological study of human movement 22 (2): | *H6/KFYW [JOURNAL-] | 1940-7610 | |||
Function of district land courts in the Grand Duchy of Lithuania - between notary and court (before 1588) (case study of Lithuanian districts) | 2011 | Lituanistica 57 (4): 355-64 | H6/KVT [LITUANISTICA-] | 0235-716X | |||
Kaunas land court in the last years of the rule of Stephen Báthory | 2011 | Lituanistica 57 (3): 227-42 | H6/KVT [LITUANISTICA-] | 0235-716X | |||
A stage in the development of Central Javanese gamelan music. The introduction of notation and some of its consequences | 2010 | Indonesia and the Malay world 38 (111): 273-88 | H6/KX [INDONESIA-] | 1363-9811 | |||
The universe of gamelan: theoretical opposition and fundamental unity | 2010 | Archipel 79 (): 125-94, 275-6 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
The runes and language of the Spirit Pond stones and the Narragansett inscription can be found in modern books | 2009 | Epigraphic Society Occasional Papers 27 (): 94-110 | H6/KE [EPIGRAPHIC-] | ||||
Boats, floods, and Chinese influence in Great Basin rock art | 2009 | Epigraphic Society Occasional Papers 27 (): 77-82 | H6/KE [EPIGRAPHIC-] | ||||
Epigraphic material of interest in Northwest New Mexico | 2009 | Epigraphic Society Occasional Papers 27 (): 73-6 | H6/KE [EPIGRAPHIC-] | ||||
Decipherment of Inka letters: bilingual material in Guamán Poma's drawings | 2009 | Epigraphic Society Occasional Papers 27 (): 66-72 | H6/KE [EPIGRAPHIC-] | ||||
Byzantine Albania and the vocal ison 'question': the preservation of an ancient tradition in the Arbëresh ecclesiastical and secular musical practice | 2008 | Studia albanica 41 (2): 133-43 | H6/KVP [STUDIA-] | 1130-5703 | |||
Western notation in Turkish music | 2008 | Journal of the Royal Asiatic Society (Series 3) 18 (4): 401-47 | H6/KW [ROYAL-] | 1356-1863 | |||
Flowers on the battlefield are more fragrant | 2007 | Asian music 38 (1): 88-122 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
General properties of the Rongorongo writing | 2006 | Rapa Nui journal 20 (1): 53-66 | *H6/KX [RAPA NUI-] | 1040-1385 | |||
Slicing the beat: jazz eighth-notes as expressive microrhythm | 2006 | Ethnomusicology 50 (1): 73-98 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Psaltic notation in folklore collections from Anton Pann to George Breazul | 2006 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 17 (): 89-100 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Gamelan beleganjur in Deutschland | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 91-102 | H6 [TEN-] | ||||
Ohne Noten kann ich nicht spielen! Über Lehren und Lernen nicht-westlicher Musik | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 79-90 | H6 [TEN-] | ||||
Als Gaststudent am Institut Seni Indonesia Surakarta | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 65-78 | H6 [TEN-] | ||||
Transcribing 'time' in Chinese non-measured songs | 2005 | The World of Music 47 (2): 137-62 | H6/KFYV [WORLD-] | 0043-8774 | |||
Visualising north Indian music: looking at Khyāl songs | 2005 | The World of Music 47 (2): 119-36 | H6/KFYV [WORLD-] | 0043-8774 | |||
Visions of Hindustani music | 2005 | The World of Music 47 (2): 105-18 | H6/KFYV [WORLD-] | 0043-8774 | |||
A shaman's ritual songs | 2005 | Asian folklore studies 64 (2): 279-86 | H6/KWS [FOLKLORE-] | 0385-2342 | |||
The Edvâr of Demetrius Cantemir: recent publications | 2005 | Ethnomusicology forum 14 (2): 235-9 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Notating African music: issues and concepts | 2005 | The World of Music 47 (2): 87-103 | H6/KFYV [WORLD-] | 0043-8774 | |||
From the innocent to the exploring eye: transcription on the defensive | 2005 | The World of Music 47 (2): 71-86 | H6/KFYV [WORLD-] | 0043-8774 | |||
Throat rasping: problems of visualization | 2005 | The World of Music 47 (2): 55-69 | H6/KFYV [WORLD-] | 0043-8774 | |||
The perception and transcription of the scale reconsidered: several Lithuanian cases | 2005 | The World of Music 47 (2): 31-53 | H6/KFYV [WORLD-] | 0043-8774 | |||
Who actually needs transcription? Notes on the modern rise of a method and the postmodern fall of an ideology | 2005 | The World of Music 47 (2): 5-29 | H6/KFYV [WORLD-] | 0043-8774 | |||
Samul nori as traditional: preservation and innovation in a South Korean contemporary percussion genre | 2004 | Ethnomusicology 48 (3): 405-39 | H6/KFYV 'ETHNOMUSICOLOGY-' | 0014-1836 |