Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Fraud, forgery and “theft of voice”. Circulation of the Walam Olum | 2024 | Gradhiva: revue de anthropology et museologie (38): 110-31 | H6 [GRADHIVA-] | 0764-8928 | |||
Shaping Botswana's economy: Chinese counterfeits as catalysts of globalisation and local development | 2024 | Journal of southern African studies 49 (5-6): 987-1002 | H6/KY [JOURNAL-] | 1465-3893 | |||
Addressing some problems related to research on Mimbres ceramics and their iconography | 2024 | Kiva 90 (4): 515-43 | *H6/KE [KIVA-] | 2051-6177 | |||
Introduction: policing fakes | 2024 | The Cambridge journal of anthropology 42 (2): 1-14 | H6 [CAMBRIDGE-] | 2047-7716 | |||
The gospel of fakes: policing, intellectual property conferences and the problem of persuasion | 2024 | The Cambridge journal of anthropology 42 (2): 15-30 | H6 [CAMBRIDGE-] | 2047-7716 | |||
‘It’s not Mifepristone, but It’s not poison’. Finding fakes in Poland’s abortion underground | 2024 | The Cambridge journal of anthropology 42 (2): 47-64 | H6 [CAMBRIDGE-] | 2047-7716 | |||
Policing banned sex enhancers in the streets of Harare | 2024 | The Cambridge journal of anthropology 42 (2): 83-96 | H6 [CAMBRIDGE-] | 2047-7716 | |||
The travels of Lao Can as a book of prophecy | 2023 | Journal of the Royal Asiatic Society 33 (1): 203-28 | H6/KW [ROYAL-] | 1356-1863 | |||
The Amazonian statue, from Brazil to Paris. The epilogue of an archaeological comedy | 2023 | Gradhiva: revue de anthropology et museologie (35): 196-216 | H6 [GRADHIVA-] | 0764-8928 | |||
Capturing the spirit of bureaucratic images: photo IDs, biometrics, and passing in border-free Europe | 2023 | Visual anthropology review 39 (1): 250-67 | H6 [PROGRAM-] | 1053-7147 | |||
Wearing someone else’s face: biometric technologies, anti-spoofing and the fear of the unknown | 2022 | Ethnos 87 (2): 223-40 | H6 [ETHNOS-] | 1469-588X | |||
"Names doing rounds": on brands in the bazaar economy | 2022 | Journal of consumer culture 22 (2): 495-514 | H6 [JOURNAL-] | 1469-5405 | |||
¿Qué tan antiguas son las piedras en el Museo de la Casa de Mendrugo en Puebla? | 2022 | Arqueología mexicana 29 (177): 54-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Archaeological fakes and forgeries in Turkey | 2021 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (36): 1-22 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Social prestige, agency, and criminality: economic depresssion and currency counterfeiting in inter-war British West Africa | 2021 | International journal of African historical studies 54 (2): 149-73 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Transnational flow of Chinese and UK fashion discourse: analyses of digital platforms and online shopping in China | 2021 | Fashion theory 25 (7): 917-30 | H6/KFY [FASHION-] | 1362-704X | |||
Forgeries and archaeology: Richard Latcham, the Precolumbian writing, and the Guayacán pirates | 2020 | Boletín del Museo chileno de Arte precolombino 25 (2): 127-40 | H6/KE [BOLETIN-] | 0716-1530 | |||
Revelation or confirmation? The 'fake probe' | 2020 | Medicine Anthropology Theory 7 (2): 202-13 | 2405-691X | ||||
The intrinsic value of valuable paper: on the infrastructural work of authentication devices | 2020 | Theory, culture and society 37 (5): 95-117 | H6 [THEORY-] | 0263-2764 | |||
Imitation coral beads of painted Portland cement from the African trade | 2019 | Bead forum (75): 1-4 | H6/KGSB [BEAD-] | 0829-8727 | |||
Diasporas of and by design: exploring the unholy alliance between museums and the diffusion of Navajo (Diné) textile designs | 2019 | Histories of anthropology annual 13 (): 111-49 | H1 [HISTORIES-] | 1557-637X | |||
Documentary evidence: navigating identity and credibility in Africa’s urban estuaries | 2019 | African studies 78 (1): 74-90 | H6/KY [BANTU-] | 0002-0184 | |||
Imposture at the border: law and the construction of identities among undocumented migrants | 2019 | Social anthropology 27 (3): 472-85 | H6/KF [SOCIAL-] | 0964-0282 | |||
Tiens, lis donc, et sache à quoi t’en tenir: philologie pratique à la cour ottomane | 2019 | Terrain (72): 142-61 | H6 [TERRAIN-] | 0760-5668 | |||
Deciphering Katsina: how to identify vintage katsina dolls | 2018 | Native American art 13 (): 58-65 | H6/KUB [NATIVE-] | 2469-6137 | |||
The fantastic African blades of Tilman Hebeisen | 2018 | Tribal art (88): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Four Iron Age silver hoards from southern Phoenicia: from bundles to hacksilber | 2018 | Bulletin of the American Schools of Oriental Research (379): 197-228 | H6/KW [AMERICAN-] | 0003-097X | |||
Las Bocas: el infierno de los colleccionistas | 2018 | Arqueología mexicana 25 (151): 80-3 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Islam in Champa and the making of factitious history | 2018 | Journal of the Royal Asiatic Society (Series 3) 28 (4): 717-47 | H6/KW [ROYAL-] | 1356-1863 | |||
From drug safety to drug security: a contemporary shift in the policing of health | 2018 | Medical anthropology quarterly (New Series) 32 (3): 365-83 | H6/KGT [MEDICAL-] | 0745-5194 | |||
Art Négre and its forgers | 2018 | Tribal art (8): 68-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
The survival con: fraud and forgery in the Republic of Biafra, 1976-70 | 2017 | Journal of African history 58 (1): 129-44 | *H6/KY [JOURNAL-] | 0021-8537 | |||
Authenticity of the Grolier Codex remains in doubt | 2017 | Mexicon 39 (4): 88-95 | *H6/KUL [MEXICON-] | 0720-5988 | |||
Oblivious title: on the political time of land tenure in postwar Peru | 2017 | Anthropological quarterly 90 (3): 637-73 | H6 [PRIMITIVE-] | 0003-5491 | |||
Product of the art market? The representation of silver corncobs at the Ethnologisches Museum in Berlin | 2017 | Bulletin de l’Institut Français d’Etudes andines 46 (1): 291-305 | H6/KUL [INSTITUT-] | 0303-7495 | |||
Paper documents and copper-plates: localization of hegemonic practices | 2016 | Bulletin of the School of Oriental and African Studies (London) 79 (1): 87-101 | H6/KW [LONDON-] | 0041-977X | |||
Counterfeit money, starring Patty Hearst | 2016 | Colonial Latin American review 25 (1): 98-121 | *H6/KUL [COLONIAL-] | 1060-9164 | |||
A new Canek group forgery | 2016 | Ethnohistory 63 (4): 721-8 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
Fabrication verification, authentication: an introduction | 2016 | Proceedings of the American Philosophical Society 160 (1): 1-5 | H6 [AMERICAN-] | 0003-49X | |||
Can a genuine Picasso be a fake? | 2016 | Proceedings of the American Philosophical Society 160 (1): 6-17 | H6 [AMERICAN-] | 0003-49X | |||
Lay assaying and the scientific citizen | 2016 | Proceedings of the American Philosophical Society 160 (1): 18-25 | H6 [AMERICAN-] | 0003-49X | |||
A syntax of forgery | 2016 | Proceedings of the American Philosophical Society 160 (1): 26-36 | H6 [AMERICAN-] | 0003-49X | |||
Forging the moon | 2016 | Proceedings of the American Philosophical Society 160 (1): 37-72 | H6 [AMERICAN-] | 0003-49X | |||
Romani or pseudo-Romani? On the Lord's prayer in 'Nubian' by Jean-Baptiste Gramaye (1622) | 2016 | Romani studies 26 (2): 175-86 | H6 [GYPSY-] | 1528-0748 | |||
Policing the unstable materialities of digital-media piracy in Brazil | 2016 | American ethnologist 43 (3): 424-36 | H6 [AMERICAN-] | 0094-0496 | |||
Intellectual property, piracy, and counterfeiting | 2016 | Annual review of anthropology 45 (): 17-31 | H1 [BIENNIAL-] | 0084-6570 | |||
A note on the tombstone of Master Pu and the Xishan Zazhi | 2016 | Bijdragen tot de taal-, land- en volkenkunde 172 (4): 510-37 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Cui bono? Thoughts about a 'reconsideration' of the Tărtăria tablets | 2016 | Dacia (New Series) 60 (): 281-92 | H6/KE [DACIA-] | 0070-251X | |||
James Edward Little: dealer, faker, inept thief | 2015 | Tribal art (76): 120-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
China's 'fake' Apple store: branded space, intellectual property and the global culture industry | 2014 | Theory, culture and society 31 (4): 71-96 | H6 [THEORY-] | 0263-2764 |