Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Filming home: Isuma's media world and the making of Arctic cultural sovereignty | 2024 | Inuit art quarterly 371 (): 47-55 | *H6/KFY [INUIT-] | 0831-6708 | |||
Ethnography as playful relational encounter: collaboration and tranlsation between film and writing | 2024 | Cadernos de arte e antropologia 13 (): 54-69 | |||||
Ethno-speculation: ethnography in the subjective | 2024 | Cadernos de arte e antropologia 13 (): 44-53 | |||||
Öwabe hoibaré/Rio das Mortes alive | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-7 | 2525-3123 | ||||
Past forward | 2023 | Inuit art quarterly 36 (4): 34-41 | *H6/KFY [INUIT-] | 0831-6708 | |||
Ethnography of the medicines of the world: Les faiseurs de soins (care maker) at the heart of magico-religious rituals | 2023 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (62): 67-72 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
The making of an ethnographic film of the Hopi Snake Dance in August 1898: a reconstruction from the photographic and textual record | 2022 | Visual anthropology 35 (1): 37-79 | *H6 [VISUAL-] | 1545-5920 | |||
Does ethnographic film (still) matter? Reflections on the genre in a world of multimodality | 2022 | Visual anthropology 35 (2): 120-37 | *H6 [VISUAL-] | 1545-5920 | |||
“We felt that the country was in the stage of a rough cut…”: vernacular documentation, political affects and the ideological functions of catharsis in Ukraine | 2022 | Visual anthropology 35 (2): 95-119 | *H6 [VISUAL-] | 1545-5920 | |||
Association for Social Anthropology in Oceania 2021 Conference Distinguished Lecture: Contemporary Filmmaking in Oceania | 2022 | Oceania 92 (2): 172-94 | H6/KX [OCEANIA-] | 0029-8077 | |||
Ethnography and cinema in anthropological research. Reflections from the Transgang Project | 2022 | Disparidades: revista de antropologia 77 (1): 1-14 | H6/KVE [REVISTA-] | 2659-6881 | |||
“I like it!” Experiencing mediascapes in the artisanship of Prahova County | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 139-52 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Roles and uses of the audiovisual archive in anthropology: from Dead birds (1964) to Expedition contents | 2022 | Journal des anthropologues (170-171): 211-26 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Broken gods: collaborative filmmaking in troubled times | 2022 | American anthropologist 124 (3): 490-503 | *H6 [AMERICAN-] | 0002-7294 | |||
Feminist sensory ethnography: embodied filmmaking aas a politic of necessity | 2022 | Visual anthropology review 38 (2): 184-210 | H6 [PROGRAM-] | 1053-7147 | |||
Extending the frame: ethnographic film and the potential of multipart work | 2022 | Visual anthropology review 38 (2): 212-32 | H6 [PROGRAM-] | 1053-7147 | |||
Collaborations across cinematic objects: a conversation between Pong and Sensory Ethnography Lab, mediated by the Graduate Research Training Group 'Documentary practices: excess and privation' | 2022 | Visual anthropology review 38 (2): 298-319 | H6 [PROGRAM-] | 1053-7147 | |||
How to subtitle ethnographic films: some practical suggestions | 2021 | Visual anthropology 34 (1): 75-100 | *H6 [VISUAL-] | 1545-5920 | |||
Another look at John Marshall and the Ju/’hoansi: reassessing a documentary lifetime | 2021 | Visual anthropology 34 (2): 101-33 | *H6 [VISUAL-] | 1545-5920 | |||
The Olive Pickers: the exception that proves the rule | 2021 | Visual anthropology 34 (2): 245-56 | *H6 [VISUAL-] | 1545-5920 | |||
Sensitive connections: following the ethnobiographic trail of a Chacoan musician | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-20 | 2525-3123 | ||||
Headphones, hearing the city: towards and audio-visual representation of the local musicking | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-22 | 2525-3123 | ||||
Authenticity and anthropophagy in Kayapó film production | 2021 | Current anthropology 62 (3): 309-32 | H6 [CURRENT-] | 1537-5382 | |||
Decolonizing visual anthropology: local transnational diasporic queer-of-color voice in ethnographic cinema | 2021 | American anthropologist 123 (1): 36-49 | *H6 [AMERICAN-] | 0002-7294 | |||
The politics of images. An interview between Kassia Aleksic and Nicolas Jaoul about his film Sangharsh, times of strife | 2021 | Journal des anthropologues (166-167): 197-216 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
I'm a recorder: interview with Asen Balikci | 2021 | Journal of ethnology and folkloristics 15 (2): 240-56 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Préface pur Anthropology and Cinema | 2021 | Journal des anthropologues (): 53-7, 59-63 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Un ethnologie visuelle en Occitanie | 2021 | Journal des anthropologues (): 71-5 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Fragments d'une transmission | 2021 | Journal des anthropologues (): 81-6 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
L'anthropologie et le "passage à l'image" | 2021 | Journal des anthropologues (): 89-96 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
A legendary topography of the conversion or the documentary cinema of the two Dahomey by Francis Aupiais | 2021 | Archives de sciences sociales des religions 66 (194): 131-53 | H6/KFO [ARCHIVES-] | 0335-5985 | |||
Jean Rouch? Chercheur, Africaniste. Présentation | 2021 | Journal des africanistes 91 (2): 272-9 | H6/KY [SOCIETE-] | 0399-0346 | |||
"Les cavaliers aux vautours". Relecture à deux voix d'un texte d'histoire: ses concordances, son actualité | 2021 | Journal des africanistes 91 (2): 280 | H6/KY [SOCIETE-] | 0399-0346 | |||
Jean Rouch historien | 2021 | Journal des africanistes 91 (2): 281-90 | H6/KY [SOCIETE-] | 0399-0346 | |||
Jean Rouch au miroir de Dionysos | 2021 | Journal des africanistes 91 (2): 291-317 | H6/KY [SOCIETE-] | 0399-0346 | |||
Soledad directed by Lisa Molomot, based on essays by Shefali Milczarek-Desai | 2021 | American anthropologist 123 (2): 427-9 | *H6 [AMERICAN-] | 0002-7294 | |||
Border South directed by Raúl O. Paz Pastrana | 2021 | American anthropologist 123 (2): 429-30 | *H6 [AMERICAN-] | 0002-7294 | |||
What is an ethnographic aspect of film? Or about a certain oral history film project | 2021 | Konteksty 75 (4): 119-29, 220 | H6/KVM [POLSKA-] | 1230-6142 | |||
Paraethnographic film: virtual enactment and collaboration in Our digital selves | 2021 | Visual anthropology review 37 (1): 8-30 | H6 [PROGRAM-] | 1053-7147 | |||
The right to change. Co-producing ethnographic animation with indigenous youth in Amazonia | 2021 | Visual anthropology review 37 (2): 333-55 | H6 [PROGRAM-] | 1053-7147 | |||
Cultural heritages and sensory anthropology: fieldwork notes | 2021 | Bulgarski folklor 47 (4): 383-96 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
On 'tricksters', pioneers and 'totemic forebears': a memento for Asen Balikci (1929 – 2019) and the approach to visual anthropology that he embodied | 2021 | Bulgarska etnologiia 47 (1): 24-45 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
How the visual makes sense | 2020 | Visual anthropology 33 (1): 1-8 | *H6 [VISUAL-] | 1545-5920 | |||
The social anti-mafia in western Sicily: an experiment in visual ethnography | 2020 | Visual anthropology 33 (1): 9-31 | *H6 [VISUAL-] | 1545-5920 | |||
From vues to ethnofiction: French ethnographic filmmaking in African before Jean Rouche | 2020 | Visual anthropology 33 (1): 32-80 | *H6 [VISUAL-] | 1545-5920 | |||
The life and work of Marquis Robert de Wavrin, an early visual anthropologist | 2020 | Visual anthropology 33 (4): 313-32 | *H6 [VISUAL-] | 0894-9468 | |||
Through the looking glass: a stroll down "Rua dos Anjos" | 2020 | Cadernos de arte e antropologia 9 (2): 74-84 | |||||
Observational filmmaking: a unique practice | 2020 | Visual anthropology 33 (5): 452-8 | *H6 [VISUAL-] | 1545-5920 | |||
Brideprice and prejudice: an audio-visual ethnography on marriage and modernity in Mt Hagen, Papua New Guinea | 2020 | Oceania 90 (3): 214-33 | H6/KX [OCEANIA-] | 0029-8077 | |||
Telling stories, screening lives: notes towards an anthropological biography | 2020 | Social anthropology 28 (1): 168-83 | H6/KF [SOCIAL-] | 1469-8676 |