Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Never before seen: a Chinese imperial dragon robe with only Beijing zhen embroidery | 2024 | Textiles Asia 15 (3): 24-7 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
The Dhayemlaab and the sun-fire: an approach to the mnemonic operativity of the plastic and figurative components of the sacred garment of the Teenek women | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 79-118 | H6/KFY [MEXICO-] | 0185-1276 | |||
Of the twig eater: the quiet revival of moosehair embroidery | 2024 | First American art magazine 44 (): 32-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Dressing the part: producing ethnic minority textiles in the era of intangible cultural hertiage tourism | 2024 | Journal of ethnology and folkloristics 18 (2): 90-122 | H6/KVT [JOURNAL-] | 1736-6518 | |||
A netnographic study of the evolution and significance of traditional Sashiko embroidery patterns in contemporary Japanese society | 2024 | Human evolution 39 (3-4): 241-57 | H6/HB [HUMAN-] | 0393-9375 | |||
Broidering text and image to assert citizenship: the approach of Lucie Kamuswekera | 2023 | Cahiers d'études africaines (249): 133-56 | H6/KY [CAHIERS-] | 0008-0055 | |||
Present pasts of colonial modernity: embroideries by Lucie Kamuswekera | 2023 | African arts 56 (2): 30-47 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The language of Miao embroidery: exploring the traditional 'embroidered rear skirt panels' worn by the Miao women of the Huawu village | 2023 | Textile: the journal of cloth and culture 21 (1): 2-31 | H6/KGG [TEXTILE-] | 1475-9756 | |||
When life hangs by a thread: representations of Covid-19 by the Mapula embroidery project | 2023 | Textile: the journal of cloth and culture 21 (1): 151-73 | H6/KGG [TEXTILE-] | 1475-9756 | |||
'An index of gentility': representations of needlework in Dombey and son | 2023 | Textile: the journal of cloth and culture 21 (1): 352-62 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Embroidered voices: exposing hidden trauma stories of Apartheid | 2023 | Textile: the journal of cloth and culture 21 (2): 422-34 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Wearing trauma on her sleeve: a jumlo as a witness and recorder of colonial boundaries | 2023 | Textile: the journal of cloth and culture 21 (2): 435-57 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Embroidering the traumatized 'cloth-skin-body': suffragette embroidered cloths worked in Holloway Prison, 1911-1912 | 2023 | Textile: the journal of cloth and culture 21 (2): 458-79 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Motifs in motion: Fes belts (Ahzima) and Moroccan design innovation in the Mediterranean world | 2023 | African arts 56 (3): 44-55 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Sardinian crafts at the crossroads of modernity: practices, narratives, and museums, 1909-1964 | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 181-208 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
From ornament to festivity: using embroidery as narrative, agency and performance in two traditional Brazilian festivals | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 275-98 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
El temprano arte de la tradición de tejer esteras en fibra vegetal en la sociedad Chinchorro (10.000-3500 aP): extremo norte de Chile | 2022 | Latin American antiquity 33 (2): 355-75 | *H6/KE [LATIN-] | 1045-6635 | |||
The craft of sprigging | 2022 | Béascna: journal of folklore and ethnology 12 (): 92-9 | H6/KVC [BEASCNA-] | 1649-2137 | |||
A school master sends a message to his king: unravelling a 120 year old Indian textile | 2022 | Textiles Asia 14 (2): 20-6 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
Writing on your skirt: a lost fashion of Lampung? | 2022 | Asian textiles (82): 8-15 | H6/KGG [OXFORD-] | ||||
Embrodiery with a cause: ten-year anniversary of Semne Cusute [Sewn Signs] | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 179-91 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Case studies | 2022 | Hali (213): 100-7 | *H6/KGG [HALI-] | 0142-0798 | |||
Embroidery and religion of the Mari: Finno-Ugric speakers along the Upper Volga | 2022 | Asian textiles (83): 11-16 | H6/KGG [OXFORD-] | ||||
Des robes nuptiales sans noces. Fabrication de vêtements de mariage nanaï, Extrême-Orient de la Russie | 2022 | Techniques et culture (78): 156-69 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Mikasuki and Seminole patchwork | 2022 | Whispering wind 49 (4): 6-13 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Apprendre à coudre ou savoir consommer? Les travails d'aiguille dans les illustrés français pour petites filles du premier XXe siècle | 2022 | Techniques et culture (77): 112-29 | *H6 [TECHNIQUES-] | 0248-6016 | |||
La politique des broderies: fabriquer la vertu des femmes dans le communautés luthériennes (sud de Madagascar) | 2022 | Techniques et culture (77): 182-97 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Clara Catharina Olbers (1776-1842). A portrait of an embroideress in Nationalmuseum's collection of portrait miniatures | 2022 | Rig (4): 193-209 | H6/KVT [RIG-] | 0035-5267 | |||
Osage ribbonwork: a continuum | 2022 | First American art magazine 36 (Fall): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Embroidery as activist translation in Latin America | 2022 | Textile: the journal of cloth and culture 20 (2): 168-81 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Glimpses of comfort: embroideries of self in the imagined worlds of kantha textiles from late-colonial Bengal | 2022 | Textile: the journal of cloth and culture 20 (3): 252-73 | H6/KGG [TEXTILE-] | 1475-9756 | |||
From embroidered painting to needle words | 2021 | Textile: the journal of cloth and culture 19 (1): 91-105 | H6/KGG [TEXTILE-] | 1475-9756 | |||
For an excited anthropology: university extension practices, and a possible relationship with the community of Santo Amaro – BA | 2021 | Anuário antropológico (Rio) 46 (1): 145-63 | H6 [ANUARIO-] | 2357-738X | |||
False moose hair embroidery tastefully wrought and fancifully formed in the woodland forest | 2021 | Whispering wind 48 (5): 16-19 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Attush, abiti tradizionali degli Ainu di Hokkaido. Analisi e studio degli attush della collezione Fosco Maraini del Museo di Antropologia di Firenze | 2021 | Archivio per l'antropologia e la etnologia 151 (): 165-86 | H6 [ARCHIVIO-] | 0373-3009 | |||
Collection of embroidered textile in the collection of the Slovak National Museum in Martin | 2021 | Zborník slovenského národného Múzea v Martine 115 (62): 20-52 | H6/KVL [SLOVENSKE-] | 0139-5475 | |||
The art of mirror embroidery on women's wear and home furnishing products, in two villages of Sanghar Sindh | 2021 | Textile: the journal of cloth and culture 19 (2): 122-35 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Ankle covers | 2021 | Textiles Asia 13 (1): 24-32 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
After Laos: the dress and textile art of the Australian Hmong | 2021 | Asian textiles (78): 6-15 | H6/KGG [OXFORD-] | ||||
Multaka-Oxford: how textiles collected by Jenny Balfour-Paul inspired multi-vocal exhibitions at the Pitt Rivers Museum | 2021 | Asian textiles (79): 7-10 | H6/KGG [OXFORD-] | ||||
Textiles from the Yemen | 2021 | Asian textiles (79): 11-16 | H6/KGG [OXFORD-] | ||||
Speak softly | 2021 | Hali (207): 58-65 | *H6/KGG [HALI-] | 0142-0798 | |||
Shining example | 2021 | Hali (207): 66-7 | *H6/KGG [HALI-] | 0142-0798 | |||
Bringing it all back home | 2021 | Hali (207): 80-7 | *H6/KGG [HALI-] | 0142-0798 | |||
An Indian enigma | 2021 | Hali (207): 96-101 | *H6/KGG [HALI-] | 0142-0798 | |||
Embroidered truths | 2021 | Hali (208): 100-5 | *H6/KGG [HALI-] | 0142-0798 | |||
Warm memories | 2021 | Hali (210): 58-63 | *H6/KGG [HALI-] | 0142-0798 | |||
Komi-Zyrian artistic and technological traditions in the crafts and folk arts of the Russian North and Siberia | 2021 | Eesti Rahva Muuseumi aastaraamat 63 (1): 68-85 | H6/KVT [TARTU-] | 1406-0388 | |||
Negotiating distinctions. An ethnography of gender and care in an embroidery worshop for elderly ladies in Providencia (Chile) | 2020 | Chungará 52 (1): 143-59 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
Embroidery and its early medieval audience: a case study of sensory engagement | 2020 | World archaeology 52 (2): 298-312 | H6/KE [WORLD-] | 1470-1375 |