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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Rock painting within southern Peru in the context of physiochemical analysis of pigments | 2024 | Rock art research 41 (1): 5-27 | H6/KE [ROCK-] | 0813-0426 | |||
| Evidencia arqueométrica del uso del manganeso en artefactos asociados a la cultura Chinchorro | 2024 | Latin American antiquity 35 (1): 246-53 | *H6/KE [LATIN-] | 1045-6635 | |||
| Materials and techniques used for Portrait of Yi Bok Shin oiled paper sketches: scientific analysis and practical application | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (1): 171-89 | H6/KW [ROYAL-] | 1356-1863 | |||
| Nature provides: subtle palettes from the earth | 2024 | First American art magazine 42 (): 22-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
| Formas y relaciones: un análisis diacrónico de la comunicación visual en el arte rupestre de grupos cazadores-recolectores del extremo sur del Macizo del Deseado (Patagonia, Argentina) | 2023 | Latin American antiquity 34 (1): 59-78 | *H6/KE [LATIN-] | 1045-6635 | |||
| A technical study of the 1531 Huexotzinco Codex using macroscopic examination and multimodal imaging | 2023 | Estudios de cultura náhuatl 66 (): 109-28 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Color and Chaco performance: spatial histories of blue-green paint production at Pueblo Bonito | 2023 | Kiva 89 (2): 117-38 | *H6/KE [KIVA-] | 2051-6177 | |||
| Laca asiática y color mexicano en la cruz del Nazareno de el Puerto de Santa María (Cádiz, España) | 2023 | Arqueología mexicana 29 (178): 76-81 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Painting personhood: red pigment practices in southern Peru | 2023 | Journal of anthropological archaeology 69 (): 1-20 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| Art, rock art engravings (γράφειν), and techniques: thoughts from the anthropology of technology through a case study at La Sixtina and El Hornero Rock Shelters (La Tunita, Ancasti, Catamarca) | 2023 | Anales de arqueología y etnología 78 (1): 273-309 | H6/KUL [MENDOZA. Universidad Nacional de Cuyo. Instituto de Etnografia Americana. Anales] | 2591-3093 | |||
| Yendegaia Rockshelter, the first rock art site on Tierra del Fuego Island and social interaction in southern Patagonia (South America) | 2023 | Latin American antiquity 34 (3): 532-49 | *H6/KE [LATIN-] | 1045-6635 | |||
| The goddess’ new clothes: the carving and polychromy of the Parthenon sculptures | 2023 | Antiquity 97 (395): 1173-92 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Evaluating the motifs and pigments of Mehrdad pictograms in Kudasht, Lorestan, Iran | 2023 | Rock art research 40 (2): 212-15 | H6/KE [ROCK-] | 0813-0426 | |||
| An investigation of diachronic trends in El Paso Polychrome painted designs of the Jornada Mogollon | 2022 | Kiva 88 (3): 291-326 | *H6/KE [KIVA-] | 2051-6177 | |||
| Embodiment and fashionabe colours in rock paintings of the Atacama Desert, northern Chile | 2022 | Rock art research 39 (1): 52-68 | H6/KE [ROCK-] | 0813-0426 | |||
| Cosmos-cosmetics: dancing brushes | 2022 | Arts & cultures (22): 200-9 | *H6/KFY [ARTS-] | ONLY ISBN | |||
| Cinnabar and mercury in Teotihuacan and, in particular, in the tunnel under the Feathered Snake temple, Mexico | 2022 | Journal de la Société des Américanistes 108 (1): 83-115 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| The use of ochre in the prehistory of Serra da Capivara, Piauí, Brazil | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (3): 1-19 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Exploratory archaeometric study of the ochers present in Calama cemeteries during the Middle Formative period (500 BC-100 AD), northern Chile | 2022 | Estudios Atacameños 68 (): 1-20 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
| Lead and zinc pigmented mural paint: discovering ancient technologies at Lowry Pueblo great house in southwest Colorado | 2022 | Kiva 88 (4): 408-28 | *H6/KE [KIVA-] | 2051-6177 | |||
| El caracol terrestre Megalobulimus en contextos funerarios de San Pedro de Atacama (Chile) y su rol en el intercambio ritual circumpuneño (400-1400 dC) | 2022 | Latin American antiquity 33 (4): 753-72 | *H6/KE [LATIN-] | 1045-6635 | |||
| A new palette: reassessing the development of enamel colors in early eighteenth-century China | 2022 | Journal of glass studies 64 (): 147-68 | H6/KE [JOURNAL-] | 0075-4250 | |||
| Red pigment in the Central Plains: a Pawnee case at Kitkahahki Town | 2022 | Plains anthropologist 67 (264): 405-30 | H6/KUB [PLAINS-] | 0032-0447 | |||
| A palette for a prince: the colours in the Shahnamah for Muhammad Juki | 2022 | Journal of the Royal Asiatic Society 32 (4): 861-76 | H6/KW [ROYAL-] | 1356-1863 | |||
| A wooden hand from Easter Island (Rapa Nui), part I | 2022 | Res 77-78 (): 303-17 | *H6 [RES-] | 2327-9621 | |||
| Fashioned off the land | 2022 | Inuit art quarterly 35 (4): 48-57 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The essential role of pigment characterisation and colouring materials provenance study for rock art archaeology | 2022 | Digging stick 39 (3): 7-10 | H6/KE [SOUTH-] | 1013-7521 | |||
| Socio-creativity in the Neolithic | 2022 | Anthropology and art 5 (): 1-19 | 2397-1754 | ||||
| First portable X ray fluorescence analysis of rock art in Patagonia Argentina | 2022 | Comechingonia: Revista de Arqueología 26 (2): 151-71 | 2250-7728 | ||||
| The use of colouring materials during the Upper Palaeolithic period in the Lumentxa cave (Lekeitio, Biscay, Northern Iberian Peninsula) | 2021 | Munibe 72 (): 25-42 | H6/KE [MUNIBE-] | 2172-4555 | |||
| A singular early Neolithic site in the Lleida Prepyrenees: Cova del Tabac (Camarasa, Lleida) | 2021 | Munibe 72 (): 57-69 | H6/KE [MUNIBE-] | 2172-4555 | |||
| The painted-coating of the XX Department from Cabezo Redondo (Villena, Alicante). Characterization of a singular constructive element | 2021 | Munibe 72 (): 141-56 | H6/KE [MUNIBE-] | 2172-4555 | |||
| Searching for the right color palette: source of pigments of the Holocene Wadi Sura paintings, Gilf Kebir, Western Desert (Egypt) | 2021 | African archaeological review 38 (1): 25-47 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| El Códice Florentino | 2020 | Arqueología mexicana (90): 16-65 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| New insights into the rock art of Anbangbang Gallery, Kakadu National Park | 2020 | Journal of field archaeology 45 (2): 120-34 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| Chemical analysis of paint found on Goya-Malabrigo style pottery (northeast Argentina) | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 99-113 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Pigments in the lower Paraná wetland ceramics: MEB-EDX physical-chemical analysis | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 171-82 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Investigations into the production of broadline purple-on-red pottery from the Tucson basin | 2020 | Kiva 86 (3): 372-95 | *H6/KE [KIVA-] | 2051-6177 | |||
| Hematite beads from the Frost Clovis site, Logan County, Colorado | 2020 | Plains anthropologist 65 (256): 281-97 | H6/KUB [PLAINS-] | 0032-0447 | |||
| Green epidote: painting the past in Cerro de Oro, Cañete Valley, Peru. A chemical and mineralogical analysis of the green and yellowish ceramic pigment | 2020 | Boletin de arqueologia PUCP (28): 149-64 | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 2304-4292 | |||
| Collected, weaved and trapped colors in Chaco (Argentina) | 2020 | Textile: the journal of cloth and culture 18 (4): 375-85 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Material signs and relational meanings: reconsidering Ancestral Pueblo material dichotomies | 2020 | World archaeology 52 (3): 412-28 | H6/KE [WORLD-] | 1470-1375 | |||
| Nasca pottery production: retrospect and prospect | 2020 | Ñawpa Pacha 40 (2): 133-61 | H6/KE [NAWPA-] | 0077-6297 | |||
| Worked bone and teeth from Orokolo Bay in the Papuan Gulf (Papua New Guinea) | 2020 | Australian archaeology 86 (3): 226-37 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
| Técnica y arte en los murales mesoamericanos | 2020 | Arqueología mexicana 27 (162): 44-51 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| An historical approach to the prehispanic rock art of El Alto-Ancasti’s Sierra (Catamarca Province, Northwest Argentina) | 2020 | Estudios Atacameños (65): 263-90 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
| The Maya wall paintings from Chajul, Guatemala | 2020 | Antiquity 94 (375): 760-79 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| El conodor mine: prehispanic production and consumption of hematite pigments in the Atacama Desert, northern Chile | 2019 | Journal of anthropological archaeology 53 (): 325-41 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| Smalt: a under-recognized pigment commonly used in historical period China | 2019 | Journal of archaeological science 101 (): 89-98 | H6/KE [JOURNAL-] | 0305-4403 |
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