| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Reception of Oriental fabrics in Iberian Christian contexts | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 39-51 | 2363-8087 | ||||
| Recepción de tejidos orientales en contextos cristianos ibéricos | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 18-38 | 2363-8087 | ||||
| Experimental study of the aesthetic preferences of images from Upper Palaeolithic figurative art | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 213-28 | 2363-8087 | ||||
| Estudio experimental de las preferencias estéticas de imágenes del arte figurativo del Paleolítico superior | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 159-212 | 2363-8087 | ||||
| From Aby Warburg’s Pathosformel to neuroaesthetics. Exploring movement, gesture and expression in the image | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 229-62 | 2363-8087 | ||||
| De la Pathosformel de Aby Warburg a la neuroestética. Explorando el movimiento, el gesto y la expresión en la imagen | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 263-81 | 2363-8087 | ||||
| The man passionate about an idea. Biographical sketch of Tobías Bonesatti between La Plata, Buenos Aires and Bahía Blanca (1920-1940) | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 113-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The decorative arts on the periphery of the artistic-cultural field in Chile. The case of Joaquín Muñoz Jara, an undervaluated artist | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 135-68 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Ceramics as poetic thinking: transcendence out of action, space, and gesture | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 201-26 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The warrior of San Antonio Ojital: a long-lost sculpture of El Tajín, Veracruz | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 269-87 | H6/KFY [MEXICO-] | 0185-1276 | |||
| ‘We are aspiring to something that is not achievable by natural means’: a material-semiotic rendition of ‘technologies of the self’, steroid use, and social media among queer men in Winnipeg, Canada | 2026 | Culture, health & sexuality 28 (3): 403-13 | H6/KGT [CULTURE-] | 1464-5351 | |||
| Scroll, watch, feel: the sensory politics of embodied spectatorship in 'oddly satisfying' content | 2026 | International journal of cultural studies 29 (3): 381-403 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Vulgar livestreaming spectacle? Wanghong urbanism, digital platform and precarity in Laojie, Shenzhen | 2026 | International journal of cultural studies 29 (3): 422-43 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Leicester’s Arch of Remembrance: monument to a Roman god and a legendary monarch, as well as a memorial to the fallen of the Great War | 2026 | Folklore 137 (1): 172-83 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| A full moon on the screen: Terang Boelan, Roekiah, and vernacular modernism in the late colonial Malay world | 2026 | Indonesia and the Malay world 54 (158): 27-51 | H6/KX [INDONESIA-] | 1469-8382 | |||
| "A mark by any other name...": reconciling historical and descendant terms and concepts for Indigenous petroglyphs and pictographs | 2026 | American antiquity 91 (2): 300-21 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Hemato-politics: self-sacrifice and the aesthetics of vigilante authority in the Nigerian city of Jos | 2026 | Ethnos 91 (2): 232-48 | H6 [ETHNOS-] | 1469-588X | |||
| Archaeology and sensory regimes in medieval and early modern Europe | 2026 | Antiquity 100 (410): 444-63 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Weaving the world. Perception and Andean systems of signification through the work of Verónica Cereceda | 2026 | Boletín del Museo chileno de Arte precolombino 31 (1): 44-54 | H6/KE [BOLETIN-] | 0716-1530 | |||
| A Tiwanaku-style unku in the MNHN (Chile). Historical, stylistic, and cultural implications | 2026 | Boletín del Museo chileno de Arte precolombino 31 (1): 112-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Painting the marvelous: digital humanities approaches to Our Lady Mary illuminations in highland Ethiopian Tä'ammarä Maryam manuscripts before 1600 | 2026 | African arts 59 (2): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Traces, clues, and details: from attribution to visual circulation. Painted manuscripts from the late thirteenth to the early fifteenth century and the rule of the Ethiopian kingdom | 2026 | African arts 59 (2): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| From cultural heritage to platoformized craft: visual participation and cultural governance in China's jade-carving art | 2026 | International journal of cultural studies 29 (4): 597-618 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Buffalo's captured imaginary: atmosphere, absurdity and the depoliticized imagination of the Rust Belt | 2026 | International journal of cultural studies 29 (4): 698-715 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Cultural netizenship as platformization of popular culture in Nigeria | 2025 | International journal of cultural studies 28 (1): 260-77 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Why do experts and amateurs diverge in their tastings? A pragmatic analysis of perception | 2025 | Theory, culture and society 42 (1): 89-106 | H6 [THEORY-] | 0263-2764 | |||
| Interrogating the ‘African troupe’: the construction of Africanness and Blackness in Chinese consumption of K-pop videos | 2025 | International journal of cultural studies 28 (2): 389-407 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| "When I dance, I feel the earth under my feet": aesthetics and material culture in Swiss neo-spiritual dances | 2025 | Material religion 21 (1): 30-52 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Documents, education, and aesthetics: exploring processes of subjectification among community health workers in Peru | 2025 | History and anthropology 36 (2): 285-305 | H6 [HISTORY-] | 1477-2612 | |||
| Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Aesthetic and responsibility: a connective artistic experience | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 343-75 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Tasteful play: Christian artists, ambiguity and the theo-politics of taste | 2025 | Canadian review of sociology and anthropology 62 (2): 121-36 | H6/KUB [CANADIAN-] | 1755-6171 | |||
| Racialized narratives and structural exclusion: exploring media discourses and regulatory practices on US Asian-dominated nail salons | 2025 | Canadian review of sociology and anthropology 62 (2): 152-64 | H6/KUB [CANADIAN-] | 1755-6171 | |||
| The great transformation: the Durkheimian sociology of religion from Émile Durkheim to Henri Hubert | 2025 | Anthropological theory 25 (1): 97-117 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
| Cultural omnivorousness in Ukraine: examining relationships with social indicators via literary preferences among readers | 2025 | European journal of cultural studies 28 (2): 598-628 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Parkour, graffiti, and the politics of (in)visibility in aestheticized cityscapes | 2025 | Space and culture 28 (2): 237-51 | H6 [SPACE-] | 1206-3312 | |||
| Nsibidi knowledge: the artistic philosophy of the Ekpe secret society | 2025 | African arts 58 (2): 80-90 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In the shadow of humanity: monsters and mimicry in the works of Jane Alexander | 2025 | Nka: journal of contemporary African art (56): 36-48 | H6/KY [NKA-] | 1075-7163 | |||
| Shimmering aesthetics: breaking the gender binary | 2025 | Fashion theory 29 (2): 153-70 | H6/KFY [FASHION-] | 1362-704X | |||
| Creative adaptations in Africa: creating cosmopolitan fashion in Nigeria | 2025 | Fashion theory 29 (2): 223-45 | H6/KFY [FASHION-] | 1362-704X | |||
| Sufi devotion. A comparative analysis of two Sufi communities (Argentina and Brazil) | 2025 | Cuadernos de antropologia social (61): 27-45 | H6/KF [CUADERNOS-] | 1850-275x | |||
| Time against race: aesthetic 'merit' and histories worth preserving on an American frontier | 2025 | History and anthropology 36 (3): 581-99 | H6 [HISTORY-] | 1477-2612 | |||
| Time poetics and ageing in the Ik mountains: seeing time disappear | 2025 | Journal of the Royal Anthropological Institute (New Series) 31 (S1): 73-90 | H6 [JOURNAL-] | 1359-0987 | |||
| Curating and co-producing atmospheres in street food markets: exploring the roles and interplay between people, food and spaces | 2025 | Journal of consumer culture 25 (1): 47-64 | H6 [JOURNAL-] | 1469-5405 | |||
| Conquering beauty. Notes on a (failed?) experience of visual research | 2025 | Runa: archivo para la ciencias del hombre 46 (2): 173-90 | 0325-1217 | ||||
| Heritage, identities and memories about Serra da Capivara (Piauí) | 2025 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 23 (1): 165-78 | |||||
| Making the “village” shine. Aesthetic experiences of African art lovers in Burkina Faso | 2025 | Gradhiva: revue de anthropologie et museologie (39): 188-209 | H6 [GRADHIVA-] | 0764-8928 |