Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
When the foreigner becomes familiar: the glass bead assemblage from Madjedbebe, Northern Australia | 2024 | Cambridge archaeological journal 34 (3): 421-38 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
Majumbu ('Old Harry') and the Spencer-Cahill bark painting collection | 2023 | Australian archaeology 89 (1): 14-31 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
The audience and the message: Nayombolmi's bark paintings from western Arnhem Land, Australia | 2023 | Aboriginal history 47 (): 3-36 | H6/KX [ABORIGINAL-] | 0314-8769 | |||
Smoke and mirrors in Arnhem Land: what expeditions tell us about the materiality of crosscultural encounters | 2022 | History and anthropology 33 (1): 143-64 | H6 [HISTORY-] | 1477-2612 | |||
Meaningful choices and relational networks: analysing western Arnhem Land's painted hand rock art style using chaîne opératoire | 2022 | Journal of anthropological archaeology 65 (): 1-16 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Extraordinary back-to-back human and animal figures in the art of western Arnhem Land, Australia: one of the world's largest assemblages | 2022 | Cambridge archaeological journal 32 (4): 707-20 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Donald Thomson: observations of animal connections in visual ethnography in Northern Australia | 2021 | Ethnos 86 (1): 44-68 | H6 [ETHNOS-] | 1469-588X | |||
History disappearing: the rapid loss of Australian contact period rock art | 2021 | Journal of field archaeology 46 (2): 119-31 | *H6/KE [JOURNAL-] | 2042-4582 | |||
Bark painting of Arnhem Land, Australia: the Western reception 1960-1990 | 2021 | World art 11 (1): 1-39 | H6 [WORLD-] | 2150-0908 | |||
Reconstructing rock art chronology with transfer learning: A case study from Arnhem Land, Australia | 2021 | Australian archaeology 87 (2): 115-26 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
The missing Macassans: indigenous sovereignty, rock art and the archaeology of absence | 2021 | Australian archaeology 87 (2): 127-43 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Beyond the shelter: the cultural context of Nawarla Gabarnamang, Arnhem Land, Northern Australia | 2021 | Rock art research 38 (1): 32-47 | H6/KE [ROCK-] | 0813-0426 | |||
Finding fibre in the rock art and ethnography of western Arnhem Land, northern Australia | 2021 | Rock art research 38 (1): 48-58 | H6/KE [ROCK-] | 0813-0426 | |||
"Our dad's painting is hiding, in secret place": reverberations of a rock painting episode in Kakadu National Park, Australia | 2021 | Rock art research 38 (1): 59-69 | H6/KE [ROCK-] | 0813-0426 | |||
Quilp's horse: rock art and artist life-biography in Western Arnhem Land, Australia | 2021 | Rock art research 38 (2): 211-21 | H6/KE [ROCK-] | 0813-0426 | |||
The 'buffaroo': not necessarily a 'first-sight' depiction | 2021 | Rock art research 38 (2): 222-4 | H6/KE [ROCK-] | 0813-0426 | |||
Broadening our understanding beyond the 'buffaroo' | 2021 | Rock art research 38 (2): 225-6 | H6/KE [ROCK-] | 0813-0426 | |||
Another buffaroo | 2021 | Rock art research 38 (2): 225 | H6/KE [ROCK-] | 0813-0426 | |||
The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land | 2021 | Antiquity 95 (383): 1298-314 | H6/KE [ANTIQUITY-] | 0003-598X | |||
New insights into the rock art of Anbangbang Gallery, Kakadu National Park | 2020 | Journal of field archaeology 45 (2): 120-34 | *H6/KE [JOURNAL-] | 2042-4582 | |||
What painting? Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia | 2020 | Archaeology in Oceania 55 (2): 106-17 | H6/KX [ARCHEOLOGY-] | 0003-8121 | |||
Toponyms from 3000 years ago? Implications for the history and structure of the Yolŋu social formation in north-east Arnhem Land | 2020 | Archaeology in Oceania 55 (3): 153-67 | H6/KX [ARCHEOLOGY-] | 0003-8121 | |||
Human responses to the late Holocene freshwater transition on the northern coastal plains of the Alligator Rivers region in western Arnhem Land | 2020 | Australian archaeology 86 (1): 80-94 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Archaeology of the recent: Wooden artefacts from Anbangbang 1 and Djuwarr 1, western Arnhem Land | 2020 | Australian archaeology 86 (2): 147-59 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Maliwawa figures - a previously undescribed Arnhem Land rock art style | 2020 | Australian archaeology 86 (3): 208-25 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Rethinking the age and unity of large naturalistic animal forms in early Western Arnhem Land Rock Art, Australia | 2020 | Australian archaeology 86 (3): 238-52 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Two rare shield depictions from the Burrungkuy rock art region of Western Arnhem Land, Australia | 2020 | Australian archaeology 86 (3): 253-63 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Rockshelter development on the Arnhem Land plateau (Australia) and its implications for rock art research | 2020 | Rock art research 37 (1): 19-34 | H6/KE [ROCK-] | 0813-0426 | |||
The Buffaroo: a 'first-sight' depiction of introduced buffalo in the rock art of western Arnhem Land, Australia | 2020 | Rock art research 37 (2): 204-16 | H6/KE [ROCK-] | 0813-0426 | |||
A two player string game from Arnhem Land, Australia | 2020 | Bulletin of the International String Figure Association 27 (): 4-29 | H6/KFY [BULLETIN-] | 1076-7886 | |||
Playing the long strings: a structural analysis of Arandic string figures | 2020 | Bulletin of the International String Figure Association 27 (): 30-136 | H6/KFY [BULLETIN-] | 1076-7886 | |||
To sing with another's voice: animation, circumspection, and the negotiation of indigeneity in northern Australian new media | 2019 | American ethnologist 46 (1): 34-46 | H6 [AMERICAN-] | 0094-0496 | |||
The spatial distribution of unique motifs featuring Dioscorea bulbifera, the round yam, in western Arnhem Land rock art | 2019 | Australian archaeology 85 (1): 215-19 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
The multiple being: multispecies ethnographic filmmaking in Arnhemland, Australia | 2019 | Visual anthropology review 32 (5): 383-403 | H6 [PROGRAM-] | 1053-7147 | |||
Decolonization in the field? Basel - Milingimbi back and forth | 2019 | Tsantsa (24): 48-57 | H6/KF [TSANTSA-] | 1420-7834 | |||
The spatial distribution of unique motifs featuring Dioscorea bulbifera, the round yam, in western Arnhem Land rock art | 2019 | Australian archaeology 85 (2): 215-19 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Early Australian anthropomorphs: Jabiluka's dynamic figure rock paintings | 2018 | Cambridge archaeological journal 28 (1): 67-83 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
The complexity of Arnhem Land rock art complexes | 2018 | Rock art research 35 (1): 3-24 | H6/KE [ROCK-] | 0813-0426 | |||
Indigenous built structures and anthropogenic impacts on the stratigraphy of northern Australian rockshelters: insights from Malarrak 1, north western Arnhem Land | 2018 | Australian archaeology 84 (1): 3-18 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Memorialization and the stencilled rock art of Mirarr Country, Northern Australia | 2018 | Cambridge archaeological journal 28 (3): 361-78 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Raphael Lemkin in remote Australia: the logic of cultural genocide and homelands | 2018 | Oceania 88 (3): 336-59 | H6/KX [OCEANIA-] | 0029-8077 | |||
The archaeology of Maliwawa: 25,000 years of occupation in the Wellington Range, Arnhem Land | 2018 | Australian archaeology 84 (2): 108-28 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Intimacy and distance: indigenous relationships to country in northern Australia | 2018 | Ethnos 83 (1): 185-205 | H6 [ETHNOS-] | 0014-1844 | |||
The archaeology of Maliwawa: 25,000 years of occupation in the Wellington Range, Arnhem Land | 2018 | Australian archaeology 84 (2): 108-28 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
"No more secrets- Ngukurr News": looking back at the contribution of a community newspaper in a remote Aboriginal setting | 2017 | Practicing anthropology 39 (1): 44-8 | qH6 [PRACTICING-] | 0888-4552 | |||
'This painting becomes his body for life': transforming relations in Yolŋu initiation and funeral rituals | 2017 | Anthropological forum 27 (1): 18-33 | H6/KX [ANTHROPOLOGICAL-] | 0066-4677 | |||
Megafauna identification for dummies: Arnhem Land and Kimberley 'megafauna' paintings | 2017 | Rock art research 34 (1): 82-99 | H6/KE [ROCK-] | 0813-0426 | |||
Quantifying and comparing bipolar versus freehand flake morphologies, production currencies, and reduction energetics during lithic miniaturization | 2017 | Lithic technology 42 (2/3): 90-108 | *H6/KE [LITHIC-] | 0197-7261 | |||
The broad spearthrower in Arnhem land rock art: a reassessment of the 'broad spearthrower period' | 2017 | The artefact 38 (): 27-40 | H6/KE [ARTEFACT-] | 0044-9075 |