Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Pocodisco: the sonic performativity of grief, grievance, and joy in diaspora | 2024 | American anthropologist 126 (2): 271-81 | *H6 [AMERICAN-] | 0002-7294 | |||
The Boubou and post-colonial African musical performances: Ami Koïta, Bi Kidude, and Sibongile Khumalo | 2023 | Fashion theory 27 (3): 411-41 | H6/KFY [FASHION-] | 1362-704X | |||
Korean traditional music on global stages | 2022 | The World of Music 11 (1): 5-21 | H6/KFY [WORLD-] | 0043-8774 | |||
"I'm a New Yorker" | 2022 | The World of Music 11 (1): 63-86 | H6/KFY [WORLD-] | 0043-8774 | |||
Temporal loop | 2022 | Inuit art quarterly 36 (2): 44-53 | *H6/KFY [INUIT-] | 0831-6708 | |||
From the bush to the stage: nation building in Mozambique through music | 2022 | Anuário antropológico (Rio) 47 (1): 208-27 | H6 [ANUARIO-] | 2357-738X | |||
Familiar = Unfamiliar / Unfamiliar = Familiar? Singing as a wandering traveller, or on transfer, limits, experiencing, and identity from the Polish-Bulgarian perspective | 2022 | Konteksty 76 (1/2): 388-96, 435 | H6/KVM [POLSKA-] | 1230-6142 | |||
"Between respect and impertinence": cross-cultural engagement with Sardinian Cantu A Tenore | 2022 | Journal of folklore research 59 (3): 39-86 | H6/KF [INDIANA-] | 0737-7037 | |||
Postcolonial sound archives: challenges and potentials. An introduction | 2021 | The World of Music 10 (1): 5-20 | H6/KFY [WORLD-] | 0043-8774 | |||
Receiving and resisting: toward a market-driven cultural hybridity | 2021 | International journal of cultural studies 24 (6): 936-52 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Hi-Fi heritage: recording technology, audio engineering, and the mediation of authenticity in the Polish revival of traditional music | 2020 | Journal of folklore research 57 (1): 33-72 | H6/KF [INDIANA-] | 0737-7037 | |||
L’idéal du musicien et l’âpreté du monde | 2020 | Gradhiva: revue de anthropology et museologie (31): 11-23 | H6 [GRADHIVA-] | 0764-8928 | |||
Brazilian Bossa Nova and cultural anthropophagy | 2020 | International journal of anthropology 35 (1-2): 1-21 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Johnny Clegg: anthropologist, artist and global citizen | 2020 | International journal of anthropology 35 (3-4): 145-60 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Contemporary "folk" dynamics: shifting visions and meanings in the Goalpariya folk music of Assam | 2019 | Folklore 130 (4): 331-51 | H6/KF [FOLKLORE-] | 0015-587X | |||
Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels | 2019 | Ethnomusicology forum 28 (3): 260-82 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Carlos Vives redefining the “local” Colombia through a world music vallenato | 2019 | Anuário antropológico (Rio) 44 (2): 305-28 | H6 [ANUARIO-] | 0102-4302 | |||
"Stars de la côte" à Madagascar: mobilités, musiques et identités (re)composées | 2019 | Civilisations 68 (): 73-94 | H6 [CIVILISATIONS-] | 0009-8140 | |||
Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality | 2019 | Etnološka tribina 42 (49): 3-12 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Russian view of ethnomusicology | 2019 | Etnološka tribina 42 (49): 19-23 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Reply to R F Bendix's, A Hofman's, O Pashina's, T Rice's, and J Stock's comments on 'Musings on ethnomusicology, interdisciplinarity, intradisciplinarity, and decoloniality' | 2019 | Etnološka tribina 42 (49): 31-9 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
When K-Pop and Kugak meet: popularising P’ansori in modern Korea | 2019 | Yearbook for traditional music 51 (): 49-71 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Electro-Dabke: performing cosmopolitan nationalism and borderless humanity | 2018 | Public culture 30 (1): 173-96 | H6/KF [PUBLIC-] | 0899-2363 | |||
Introduction: sharing space? Sharing culture? Applied experiments in music-making across borders | 2018 | The World of Music 7 (1-2): 7-16 | H6/KFY [WORLD-] | 0043-8774 | |||
#NoBorders. Världens Band: creating and performing music across borders | 2018 | The World of Music 7 (1-2): 81-105 | H6/KFY [WORLD-] | 0043-8774 | |||
The making of Tuareg music: comparative analysis, from the Sahara Desert to the World Music | 2018 | L'Homme (227-228): 179-208 | H6 [HOMME-] | 0439-4216 | |||
“Like a cry from the heart”: an insider's view of the genesis of Alan Lomax's ideas and the legacy of his research: part I | 2018 | Ethnomusicology 62 (2): 230-64 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Voicing world music on Danish radio | 2018 | Ethnomusicology forum 27 (3): 344-61 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Introdução ao dossiê "juventudes e músicas digitais periféricas" | 2018 | Cadernos de arte e antropologia 17 (1): 5-14 | |||||
Affective and global micro-economies of forró in the Iberian peninsula | 2018 | Cadernos de arte e antropologia 17 (1): 47-63 | |||||
Mbyá Guaraní musical practices in the Missions [Misiones Province, Argentina]: problems regarding the recording, broadcasting and marketing rights | 2018 | Thule (45): 73-87 | H6/KUL [THULE-] | 1126-8611 | |||
'The death of jazz': the end of a history of an improvised music? | 2018 | Ethno-anthropological problems journal 13 (2): 369-78 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Nikola Borota's Kameni cvijet (Stone flower) and inscriptions on stećak tombstones: semantic and poetic level | 2018 | Ethno-anthropological problems journal 13 (2): 379-94 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Foreword: aesthetics of interculturality in East Asian contemporary music | 2017 | The World of Music 6 (1): 7-20 | H6/KFY [WORLD-] | 0043-8774 | |||
Artistic habitus in an intercultural world: a tale of two artists | 2017 | The World of Music 6 (1): 21-40 | H6/KFY [WORLD-] | 0043-8774 | |||
Technologies of tradition in post-war musical avant-gardism: a theoretical reflection | 2017 | The World of Music 6 (1): 41-58 | H6/KFY [WORLD-] | 0043-8774 | |||
World music history and interculturality: toward recontextualizing post-war Japanese avant-garde music | 2017 | The World of Music 6 (1): 59-71 | H6/KFY [WORLD-] | 0043-8774 | |||
National cultural memory in late-twentieth-century East Asian composition: Isang Yun, Hosokawa Toshio and Zhu Jian'er | 2017 | The World of Music 6 (1): 73-101 | H6/KFY [WORLD-] | 0043-8774 | |||
Intercultural aesthetics in the contemporary Korean composition of Hae-Sung Lee | 2017 | The World of Music 6 (1): 103-22 | H6/KFY [WORLD-] | 0043-8774 | |||
The art of representing the Other: industry personnel in the world music industry | 2016 | Ethnomusicology 60 (2): 329-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Representing Rajasthani roots: Indian Gypsy identity and origins in documentary films | 2016 | Romani studies 26 (2): 151-73 | H6 [GYPSY-] | 1528-0748 | |||
Tuareg resistance viewed through the lens of World Music | 2016 | Cahiers d'études africaines 56 (4): 821-44 | H6/KY [CAHIERS-] | 0008-0055 | |||
Sevdah celebrities narrate sevdalinka: political (self-)contextualization of sevdalinka performers in Bosnia-Herzegovina | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (1): 163-79 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Artists, antagonisms and the ney in the popularization of 'Sufi music' in Turkey | 2015 | European journal of cultural studies 18 (1): 52-69 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Music in cultural construction: nationalisation, popularisation and commercialisation of Mongolian music | 2015 | Inner Asia 17 (1): 118-40 | H6/KW [INNER-] | 1464-8172 | |||
Le Kaneka. La musique identitaire de la Nouvelle-Calédonie en passe de conquérir une vraie reconnaissance internationale | 2015 | Ethnies 21 (37-38): 232-9 | *H6/KD [ETHNIES-] | 0295-9151 | |||
Introduction: the new old Europe sound | 2015 | Ethnomusicology forum 24 (2): 143-58 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Gypsy/Klezmer dialects: Jewish and Romani traces and erasures in contemporary European world music | 2015 | Ethnomusicology forum 24 (2): 159-80 | H6/KFYV [BRITISH-] | 1741-1912 | |||
'Welcome to Räfven village': on musical claims to multicultural identity | 2015 | Ethnomusicology forum 24 (2): 181-203 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Music without borders in the new Germany: Giora Feidman and the Klezmer-inluenced new old Europe sound | 2015 | Ethnomusicology forum 24 (2): 204-29 | H6/KFYV [BRITISH-] | 1741-1912 |