Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Introduction | 2024 | Visual anthropology 37 (1): 1-18 | *H6 [VISUAL-] | 1545-5920 | |||
The Syrian Archive Digital Memory Project: archiving as testimony, as evidence, as creative practice | 2024 | Visual anthropology 37 (1): 19-34 | *H6 [VISUAL-] | 1545-5920 | |||
The beginning of an idea about an end: on digital, diasporic, Syrian archives | 2024 | Visual anthropology 37 (1): 35-55 | *H6 [VISUAL-] | 1545-5920 | |||
The Tadamon massacre: archiving violence through the perpetrator's gaze | 2024 | Visual anthropology 37 (1): 56-73 | *H6 [VISUAL-] | 1545-5920 | |||
Video archives of the Syrian revolution: a media experiment | 2024 | Visual anthropology 37 (1): 74-91 | *H6 [VISUAL-] | 1545-5920 | |||
Afterword | 2024 | Visual anthropology 37 (1): 92-7 | *H6 [VISUAL-] | 1545-5920 | |||
Collecting "Remembrance of these Isles": tracing the post-1800 history of Taíno cotton Cemí in the Dominican Republic and Italy | 2024 | Latin American antiquity 35 (1): 111-27 | *H6/KE [LATIN-] | 1045-6635 | |||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
¿El dibujo más antiguo del complejo tukipa de los huicholes? | 2024 | Arqueología mexicana 30 (185): 76-81 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Dressing up the monarch: authority and its representation in the Sulu Sultanate royal tradition (19th-21st century) | 2024 | Indonesia and the Malay world 52 (152): 76-96 | H6/KX [INDONESIA-] | 1469-8382 | |||
Um outro Portugal de abril: os estudiosos não revolucionários do povo | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 87-96 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
The first images of Korea in Spanish media: von Hesse-Warteg and Sanín Cano | 2024 | Visual anthropology 37 (2): 99-125 | *H6 [VISUAL-] | 1545-5920 | |||
Visual community authoethnography and heritage: selected cairns in South Africa | 2024 | Visual anthropology 37 (2): 126-45 | *H6 [VISUAL-] | 1545-5920 | |||
The crossover: integrating Indian sign language with mudras in an Indian classical dance performance creation | 2024 | Visual anthropology 37 (2): 146-65 | *H6 [VISUAL-] | 1545-5920 | |||
Developing an artistic approach to ethnographic research | 2024 | Visual anthropology 37 (2): 166-83 | *H6 [VISUAL-] | 1545-5920 | |||
Australian Aboriginals in the snow | 2024 | Visual anthropology 37 (2): 184-91 | *H6 [VISUAL-] | 1545-5920 | |||
Qikiqtaaluk, Baffin Island 1913-14 | 2024 | Inuit art quarterly 371 (): 34-45 | *H6/KFY [INUIT-] | 0831-6708 | |||
Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
The work of craft in the age of mechanical reproduction: the Lai Xá photography village in Vietnam | 2024 | Visual anthropology 37 (3): 212-36 | *H6 [VISUAL-] | 1545-5920 | |||
Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
Photo George, in Douala: one of the earliest photo studios in Cameroon | 2024 | Visual anthropology 37 (3): 265-82 | *H6 [VISUAL-] | 1545-5920 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Angelo Turconi, a passion for the Congo | 2024 | Tribal art (112): 98-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
(In)equality of gender in images: photoethnography of surfing among women | 2024 | Anuário antropológico (Rio) 49 (1): 370-87 | H6 [ANUARIO-] | 2357-738X | |||
Lights, scenery, and stereotypes. A reflection on the modes of representation of a Yucatecan type in México a través de los siglos | 2024 | Boletín americanista (88): 181-203 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Ethnic ‘stereotypes’ in early modern Europe: Russian and Ottoman national costumes | 2024 | History and anthropology 35 (3): 500-24 | H6 [HISTORY-] | 1477-2612 | |||
Visual evidence? Rethinking anthropological photography in republican China (1919-1949) | 2024 | History and anthropology 35 (3): 604-34 | H6 [HISTORY-] | 1477-2612 | |||
Between sombreros and diadems: a pictorial testament from colonial central Mexico | 2024 | Colonial Latin American review 33 (2): 150-82 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Interactive documentary and technological devices as communication and awareness-raising strategies on social and political issues | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-17 | 2525-3123 | ||||
The estrangement of other's gaze in the selfie era | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 | ||||
Sonâmbulo (sleepwalker): notes on a gesture in the shadows and the photographs of André Leite Coelho | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 | ||||
Into the twentieth century: science and entertainment, two realms apart? | 2024 | Visual anthropology 37 (4): 301-21 | *H6 [VISUAL-] | 1545-5920 | |||
“The people’s Garibaldi”: twentieth-century politics of a Risorgimento icon | 2024 | Visual anthropology 37 (4): 322-53 | *H6 [VISUAL-] | 1545-5920 | |||
The material politics of graffiti removal | 2024 | Visual anthropology 37 (4): 354-75 | *H6 [VISUAL-] | 1545-5920 | |||
Botanizing the city of Kolkata: exploring the modern-day flâneuse and a refashioned mode of flânerie in Sujoy Ghosh’s Film Kahaani | 2024 | Visual anthropology 37 (4): 376-492 | *H6 [VISUAL-] | 1545-5920 | |||
Indigenous Women’s Alliance in the city: agency and political participation through audiovisual creation | 2024 | Revista colombiana de antropología 60 (3): 1-28 | H6/KUL [REVISTA-] | 0486-6525 | |||
Ethno-graphics: folklore and Baltic printmaking in the period of late Socialism | 2024 | Folklore (Tartu) 93 (): 213-44 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Messy episodes: Indigenous countersigns in Ludwig Choris's diary and ethnographic portraits of Aleut, Kamchadal and Chukchi (1822) | 2024 | History and anthropology 35 (4): 995-1015 | H6 [HISTORY-] | 1477-2612 | |||
Concealment and care in deathcare during COVID | 2024 | Anthropological quarterly 97 (3): 539-56 | H6 [PRIMITIVE-] | 0003-5491 | |||
Tío Vivo, Semanario de Humor para Mayores. The humorous comic as an anthropological subject | 2024 | Disparidades: revista de antropologia 79 (1): 1-19 | H6/KVE [REVISTA-] | 2659-6881 | |||
Frderick Starr: un extraño cruce de vocaciones | 2024 | Arqueología mexicana 30 (188): 18-19 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Ethno-speculation: ethnography in the subjective | 2024 | Cadernos de arte e antropologia 13 (): 44-53 | |||||
Transformations du cinéma guarani | 2024 | Gradhiva: revue de anthropology et museologie (38): 212-16 | H6 [GRADHIVA-] | 0764-8928 | |||
Le legs d’un ethnologue en partage. Collection, films, photographies et archives de Bohumil Holas | 2024 | Gradhiva: revue de anthropology et museologie (38): 218-21 | H6 [GRADHIVA-] | 0764-8928 | |||
Tamoto Kenzō: photographs of the Ainu of Hokkaidō (1870-1889) | 2024 | Tribal art (114): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
2024 Pierre Moos Prize: an English girls in New Guinea | 2024 | Tribal art (114): 118-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Testimonies by Eduardo Galvão about the aviamento system in the Rio Negro: excerpts from documents from the Goeldi Museum Archive | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (): 1-42 | H6/KUL [BOLETIM-] | 1981-8122 | |||
A graphic ethnography as a form of affection and memory: afflictions, spirits, and healing processes in Zion churches in Maputo | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (3): 803-23 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Kathleen Haddon: a woman with a camera | 2023 | Tribal art (107): 95-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
Introduction | 2023 | Visual anthropology 36 (1): 1-2 | *H6 [VISUAL-] | 1545-5920 |