Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The creation of a pan-Nigerian typeface: a postcolonial episode in the evolution of Nigerian languages | 2023 | International journal of African historical studies 56 (2): 243-50 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
On the banality of paperwork and the brutality of judicial bureaucracy in Myanmar | 2022 | History and anthropology 33 (1): 165-82 | H6 [HISTORY-] | 1477-2612 | |||
Traces of indigenous iconography: liturgical manuscripts of Mesoamerica (16th century) | 2020 | Boletín del Museo chileno de Arte precolombino 25 (2): 15-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
From literacy/literacies to graphic pluralism and inscriptive practices | 2019 | Annual review of anthropology 48 (): 389-404 | H1 [BIENNIAL-] | 0084-6570 | |||
Writing that isn't: pseudo-scripts in comparative view | 2018 | L'Homme (227-228): 21-47 | H6 [HOMME-] | 0439-4216 | |||
Archaeological evidence of the history of printing on the basis of printing houses in Ostrów Tumski in Poznań | 2015 | Folia praehistorica posnaniensia 20 (): 39-61 | H6/KE [FOLIA-] | 0239-8524 | |||
The Sanskrit colophon of the Tanjung Tanah Codex and its Malay gloss as illuminated by Balinese and South Asian parallels | 2015 | Bijdragen tot de taal-, land- en volkenkunde 171 (1): 56-68 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Letters for an indomitable language. Typography and colonial edition in Otomi | 2013 | Estudios de historia novohispana 49 (): 119-68 | H6/KUL [ESTUDIOS-] | 0185-2523 | |||
Gutenberg and the samurai: or, the information revolution is history | 2012 | Anthropological quarterly 85 (3): 859-84 | H6 [PRIMITIVE-] | 0003-5491 | |||
The Cherokee syllabary from script to print | 2010 | Ethnohistory 57 (4): 625-49 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
Getting over the walls of discourse: "character fetishization" in Chinese studies | 2009 | Journal of Asian studies 68 (4): 1189-1213 | *H6/KW [JOURNAL-] | 0021-9118 | |||
Cree syllabic fonts: development, compatibility, and usage in the digital world | 2008 | Papers from the Institute of Archaeology (London) 40 (): 151-70 | H6/KE [PAPERS-] | 0965-9315 | |||
Font of a nation: creating a national graphic identity for Qatar | 2008 | Public culture 20 (3): 479-96 | H6/KF [PUBLIC-] | 0899-2363 | |||
Ibn Muqla and the Qur'ānic manuscripts in oblong format | 2006 | Mélanges de l'Université Saint-Joseph 59 (): 309-17 | H6/KE [BEIRUT-] | ||||
The copying and handling of Qur'ans: some observations on the Kitāb al-Masāhif by Ibn Abī Dā'ūd al-Sijistānī | 2006 | Mélanges de l'Université Saint-Joseph 59 (): 229-51 | H6/KE [BEIRUT-] | ||||
Unicode as a standard framework for syllabics and other special characters | 2004 | Papers of the Algonquian conference 35 (): 125-36 | H6/KUB [ALGONQUIAN-] | 0031-5671 | |||
Development of movable type printing in Vietnam under the Lê dynasty: a study of the comparative history between Vietnam and Japan | 1999 | Memoirs of the Research Department of the Toyo Bunko 57 (): 1-11 | 0082-562X |