Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Teaching, learning and being | 2024 | Inuit art quarterly 37 (3): 28-39 | *H6/KFY [INUIT-] | 0831-6708 | |||
The pulse of tradition and forms of diplomacy. The National Academy of Fine Arts (Argentina) and the Documentos de Arte Colonial Sudamericano collection | 2024 | Boletín americanista (88): 205-29 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Teaching African art in the time of AI | 2023 | African arts 57 (3): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Art education under development in Palestine: de- and repoliticization via universal values, institutional critique, and reflexive practice | 2023 | Journal of the Royal Anthropological Institute (New Series) 29 (4): 917-38 | H6 [ROYAL-] | 1359-0987 | |||
Personal reflections on technologies and the study of African art | 2023 | African arts 56 (4): 1-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Touched and changed: self-reflexivity and reciprocity in fieldwork | 2023 | African arts 56 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Making art about art: Emma Amos's foundations in London | 2022 | Nka: journal of contemporary African art (50): 116-30 | H6/KY [NKA-] | 1075-7163 | |||
Poto-Poto, 1946-1960s. Narrative frictions, esthetic attributions | 2022 | Gradhiva: revue de anthropology et museologie (34): 164-82 | H6 [GRADHIVA-] | 0764-8928 | |||
Teaching with and about the ivory art from Chukotka and the Bering Strait (research note) | 2021 | Etudes inuit 45 (1-2): 479-98 | *H6/KUB [ETUDES-] | 0701-1008 | |||
A quiet revolution in arts education: the rise of blaxTARLINES Kumasi | 2021 | African arts 54 (2): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Talking, stuttering, speaking whilst listening intently for a promise of egalitarian regeneration: a five-way conversation | 2021 | African arts 54 (2): 12-21 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Transforming art from commodity to gift kąrî’kạchä seid’ou’s silent revolution in the Kumasi College of Art | 2021 | African arts 54 (2): 22-35 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Exposing something to someone while exposing someone to something: blaxTARLINES exhibition cultures there-then-and-hereafter | 2021 | African arts 54 (2): 36-51 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Artistic movements: visual arts and cross-border exchange on the Central African Copperbelt | 2021 | Journal of southern African studies 47 (6): 951-72 | H6/KY [JOURNAL-] | 1465-3893 | |||
Via history to the history of art | 2021 | Konteksty 75 (1/2): 263-71 | H6/KVM [POLSKA-] | 1230-6142 | |||
The last great Indian art movement of the 20th century: IAIA painters of the 1960s | 2021 | First American art magazine 31 (Summer): 36-41 | H6/KUB [FIRST-] | 2333-5548 | |||
Crow's Shadow Institute of the Arts | 2021 | First American art magazine Spring (30): 20-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Evolving states: Michael Elizondo Jr. and the reemergence of the Bacone College School of Indian Art | 2021 | First American art magazine Spring (30): 26-31 | H6/KUB [FIRST-] | 2333-5548 | |||
Education in the performing arts in Serbia between academic and self-education practices | 2020 | Ethno-anthropological problems journal 15 (2): 581-600 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
In memoriam: Dinko Davidov (1930–2019) | 2020 | Balcanica 51 (): 283-5 | H6/KVO [BALCANICA-] | 0350-7653 | |||
Strengths and challenges of Aboriginal art centre marketing | 2020 | Australian Aboriginal studies (1): 66-83 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
Emma Wolukau-Wanambwa: disposable memories in Uganda | 2020 | Nka: journal of contemporary African art (47): 68-81 | H6/KY [NKA-] | 1075-7163 | |||
Living in worlds saturated with various presences | 2020 | Etnográfica: revista do Centro de Estudos de Antropologia Social 24 (2): 401-25 | H6 [ETNOGRAFICA-] | 2182-2891 | |||
Institutional activations and interventions in art practice in Ghana: the case of Nubuke Foundation | 2019 | Critical interventions: journal of African art history and visual culture 13 (1): 105-19 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Black stars – Contextualizing the rise of blaxTARLINES: contemporary art of the late 20th to the early 21st centuries in Ghana | 2019 | Critical interventions: journal of African art history and visual culture 13 (1): 51-74 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Wonderful journey | 2019 | Ancient Mesoamerica 30 (1): 3-12 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Loneliness moves you | 2018 | Native American art December (18): 138-41 | H6/KUB [NATIVE-] | 2469-6137 | |||
Locating Senghor's École in Dakar: international and transnational dimensions to Senegalese modern art, c. 1959-1980 | 2018 | African arts 501 (3): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The workshop for "good artists" | 2018 | Tribal art (8): 60-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
Articulating the national and transnational: exhibition histories of the Casablanca school | 2018 | Nka: journal of contemporary African art (42-43): 136-53 | H6/KY [NKA-] | 1075-7163 | |||
Porteurs d'espoir: artistes autochtones et création d'un matériel pédagogique en enseignement des arts visuels contemporains | 2018 | Recherches amérindiennes au Québec 48 (1-2): 17-39 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
When pictures speak: a critical analysis of visual arts education based on the creation stories of indigenous artists | 2018 | Recherches amérindiennes au Québec 48 (1-2): 41-8, 248-9 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
Painting Native America in public: American Indian artists and the New Deal | 2018 | American Indian culture and research journal 42 (3): 47-70 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Contemporary art practice in the Middle East - the case of the Cairo Townhouse Gallery | 2017 | Ethnologia slovaca et slavica 38 (): 39-58 | H6/KVL [ETHNOLOGIA-] | 1335-4116 | |||
Institutionalism, public sphere, and artistic agency: a conversation on 32° East Ugandan Art Trust | 2017 | Critical interventions: journal of African art history and visual culture 11 (2): 116-31 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Local voices in the scholarly discourse on art studies in Kenya: a postcolonial enigma | 2017 | Critical interventions: journal of African art history and visual culture 11 (1): 40-57 | H6/KFY [CRITICAL-] | 1930-1944 | |||
A mighty tree. Douglas F. Fraser 1930-1982 | 2017 | African arts 50 (3): 30-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Remembering Roy Sieber (1923-2001) | 2017 | African arts 50 (3): 22-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
On use: art education and psychoanalysis | 2017 | Journal of visual culture 16 (1): 56-73 | H6/KF [JOURNAL-] | 1470-4129 | |||
African Arts at 50: teaching African art in the face of apartheid | 2017 | African arts 50 (1): 1-2, 4-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Merging perspectives of learners: corporeality, intersubjectivity and coexistence in art education | 2017 | Anales de antropología 51 (1): 83-7 | H6/KUL [ANALES-] | 0185-1225 | |||
Aesthetics and the end of the mimetic moment: the introduction of art education in modern Japanese and Egyptian schools | 2016 | Comparative studies in society and history 58 (4): 982-1003 | H6/KF [COMPARATIVE-] | 0010-4175 | |||
Raw and scattered drawings. Some thoughts on teaching drawing in anthropology | 2016 | Cadernos de arte e antropologia 5 (2): 33-46 | |||||
"For learning and culture": the history of early art training at the University of Ife (1969-1975) | 2016 | Critical interventions: journal of African art history and visual culture 10 (3): 276-92 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Art, the "culture complex," and postcolonial cultural politics in Sub-Saharan Africa | 2016 | Critical interventions: journal of African art history and visual culture 10 (3): 255-60 | H6/KFY [CRITICAL-] | 1930-1944 | |||
'Seeking Paradise' - Monika Krajewska's paper cut-outs | 2015/2016 | Etnografia nowa 7/8 (): 520-33 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
In the absence of the co-operative: Labrador Inuit artists and southern art schools | 2015 | Inuit art quarterly 28 (3/4): 44-51 | *H6/KFY [INUIT-] | 0831-6708 | |||
The interwoven ideologies of art and artisanal education in postcolonial Tunis | 2014 | Critical interventions: journal of African art history and visual culture 8 (1): 31-51 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Native soul: the Bacone College Native Art Program, 1932-2014 | 2014 | First American art magazine 3 (Summer): 56-8 | H6/KUB [FIRST-] | ||||
Converging pedagogies in African art education: colonial legacies and post-independence aspirations | 2014 | Critical interventions: journal of African art history and visual culture 8 (1): 1-9 | H6/KFY [CRITICAL-] | 1930-1944 |