Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Panoramas from the periphery: women's history tapestries at Rorke's drift | 2024 | African arts 57 (2): 34-47 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Engineering Brussels tapestry: development, uses and effects of the privilege system, 1600-1700 | 2022 | Textile history 53 (1): 32-55 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Weaving and gluing Cape Verde: “portraits of the people” in Mindelo handicrafts | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 233-56 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
From myth to art | 2021 | Hali (210): 90-7 | *H6/KGG [HALI-] | 0142-0798 | |||
A picture tells its story | 2020 | Hali (204): 46-53 | *H6/KGG [HALI-] | 0142-0798 | |||
Evolving a tapestry practice at Rorke's drift: women's alliances, agencies and visual syntaxes in the loom | 2020 | Textile: the journal of cloth and culture 18 (4): 386-421 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Flamskväv from Skåne | 2019 | Hali (202): 74-9 | *H6/KGG [HALI-] | 0142-0798 | |||
The art of kilims | 2018 | Hali (197): 84-91 | *H6/KGG [HALI-] | 0142-0798 | |||
The mantis wedding: performing power in the loom | 2018 | African arts 501 (3): 40-51 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Petronėlė Gerlikienė - her life and work | 2018 | Liaudies kultūra 3 (): 51-66 | H6/KVT [LIAUDIES-] | 0236-0551 | |||
Kilims for kings | 2017 | Hali (191): 48-57 | *H6/KGG [HALI-] | 0142-0798 | |||
Margaret Beaufort, royal tapestries, and confinement at the Tudor court | 2017 | Textile history 48 (2): 233-47 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Elegant structure: the pattern of a collection | 2017 | Hali (194): 90-105 | *H6/KGG [HALI-] | 0142-0798 | |||
More than the sum of its parts: dress and social identity in a provincial Tiwanaku child burial | 2014 | Journal of anthropological archaeology 35 (): 51-62 | *H6/KE [JOURNAL-] | 0278-4165 | |||
From 'temple hanging' to 'tapestry' - what's in a name? | 2014 | Asian textiles (59): 4-11 | H6/KGG [OXFORD-] | ||||
Atlas de textiles indígenas | 2014 | Arqueología mexicana (55): 8-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Sober luxury: three examples of late kesi silk tapestries in the Náprstek Museum | 2013 | Annals of the Náprstek Museum 34 (2): 19-29 | H6/KVL [PRAGUE-] | 0231-844X | |||
Human-type visages in Peruvian Pre-Columbian textile art | 2013 | Tribal art (68): 90-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Towards an early warning system for oxidative degradation of protein fibres in historical tapestries by means of calibrated amino acid analysis | 2012 | Journal of archaeological science 39 (5): 1349-59 | H6/KE [JOURNAL-] | 0305-4403 | |||
Adventures in modern tapestry: Gloria Ross, Kenneth Nolan and Native American weavers | 2011 | American Indian art magazine 37 (1): 54-63, 78 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
Aspects of nobility: colonial Andean uncus and their Inca models | 2011 | Hali (167): 98-111 | *H6/KGG [HALI-] | 0142-0798 | |||
After Bayeux: the Keishamma tapestry and the making of South African history | 2011 | Textile: the journal of cloth and culture 9 (2): 158-93 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Stone jars at the Wedding of Cana | 2011 | Rig (2): 65-75 | H6/KVT [RIG-] | 0035-5267 | |||
Are weaving techniques one way street? A way of looking at Andean textiles | 2010 | Techniques et culture 1 (54-55): 263-85 | *H6 [TECHNIQUES-] | 0248-6016 | |||
The ornamental trousers from Sampula (Xinjiang, China): their origins and biography | 2009 | Antiquity 83 (322): 1065-75 | H6/KE [ANTIQUITY-] | 0003-598X | |||
New evidences for early Paracas textiles and ceramics at Cerrillos, Ica valley, Perú | 2009 | Boletin de arqueologia PUCP 13 (): 209-35, [plates i-iv] | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 1029-2001 | |||
The fiber game | 2007 | Textile: the journal of cloth and culture 5 (2): 154-77 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Connecting cultures | 2005 | Hali 143 (): 64-73 | *H6/KGG [HALI-] | 0142-0798 | |||
Weaving is believing. Navajo sandpainting tapestries | 2005 | Hali 141 (): 52-7 | *H6/KGG [HALI-] | 0142-0798 | |||
The Fire Textile | 2004 | Hali 133 (): 94-102 | *H6/KGG [HALI-] | 0142-0798 | |||
The association of ythe Lady and the Unicorn and the hunting mythology of the Caucasus | 2003 | Folklore 114 (1): 75-90 | H6/ KF [FOLKLORE-] | 0015-587X | |||
The Pangnirtung tapestry | 2002 | Inuit art quarterly 17 (3): 24-8 | *H6/KFY [INUIT-] | 0831-6708 | |||
Belorussian painted tapestry as an artistic phenomenon of the first half of the 20th century | 2002 | Vestsi Akademii Navuk Belarusi 4 (): 64-9, 127 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
Magic in the web | 1999 | Hali 107 (): 70-85, 110 | *H6/KGG [HALI-] | 0142-0798 | |||
Andean eccentricity: tapestry panels form southern Peru | 1998 | Hali: the international magazine of antique carpet and textile art 96 (): 76-7, 112 | *H6/KFY [HALI-] | ||||
Wisdom and folly: Norwegian pictorial coverlets | 1998 | Hali: the international magazine of antique carpet and textile art 96 (): 78-85, 112 | *H6/KFY [HALI-] | ||||
Principal matters related to the attribution and classification of the [mille-fleurs] tapestries | 1998 | Kunstkamera 12 (): 149-52 | 0869-8384 | ||||
Shared horizons | 1989 | Hali (43): 34-9 | *H6/KGG [HALI-] | 0142-0798 | |||
Pagan classical Christian. Egyptian hangings of the 4th to 7th centuries | 1989 | Hali (48): 27-37 | *H6/KGG [HALI-] | 0142-0798 | |||
The undiluted vision | 1989 | Hali (46): 36-42 | *H6/KGG [HALI-] | 0142-0798 | |||
The age of the viceroys | 1989 | Hali (46): 24-35, 55-6 | *H6/KGG [HALI-] | 0142-0798 | |||
The Ashkhabad Turkomans | 1988 | Hali (37): 36-43 | *H6/KGG [HALI-] | 0142-0798 |