Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The art of Tongan Ngatu in National Museum of Scotland | 2022 | Journal of museum ethnography (35): 75-85 | *H6 [JOURNAL-] | 0954-7169 | |||
Manifesting new branches: Cora-Allan Wickliffe's Hiapo | 2021 | Art New Zealand (177): 91-3 | H6/KX [ART-] | 0110-1102 | |||
Celestial portraits: Nikau Hindin at the Drowse | 2020 | Art New Zealand (175): 73-6 | H6/KX [ART-] | 0110-1102 | |||
Local knowledge of the Dusun Tindal in Kobog (bark cloth) production | 2017 | Borneo research bulletin 48 (): 201-9 | H6/KX [BORNEO-] | 0006-7806 | |||
Modern Őmie women: virtual indigeneity and intimations of empowerment | 2017 | Oceania 87 (3): 282-97 | H6/KX [OCEANIA-] | 0029-8077 | |||
Tapa cloths and beaters: tradition, innovation and the agency of the Bounty women in shaping a new culture on Pitcairn Island from 1790 to 1850 | 2016 | Textile history 47 (2): 190-207 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Shifting patterns. Barkcloth of the Pacific | 2016 | Tribal art (79): 76-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
Characterization of an archaeological decorated bark cloth from Agagauitai Island, Gambier archipelago, French Polynesia | 2016 | Journal of archaeological science 76 (): 56-69 | H6/KE [JOURNAL-] | 0305-4403 | |||
The mother's union goes on strike: women, tapa cloth and Christianity in a Papua New Guinea society | 2016 | The Australian journal of anthropology 27 (2): 185-205 | H6/KF [AUSTRALIAN-] | 1035-8811 | |||
Masi: house and cloth of the vanua | 2016 | Journal of material culture 21 (2): 187-204 | H6/KF [JOURNAL-] | 1359-1835 | |||
Behind the scenes with British Museum conservators at 'Shifting Pattterns: Pacific bark-cloth clothing' | 2015 | Asian textiles (62): 4-8 | H6/KGG [OXFORD-] | ||||
Tifaifai of French Polynesia and the internet | 2015 | Pacific arts 14 (1-2): 69-77 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Hawaiian revival: rediscovering the art of making kapa | 2015 | Asian textiles (61): 11-16 | H6/KGG [OXFORD-] | ||||
Mediations of cloth: tapa and personhood among the Maisin in PNG | 2015 | Oceania 85 (1): 10-23 | H6/KX [OCEANIA-] | 0029-8077 | |||
Őmie art and Őmie artists© | 2015 | Oceania 85 (3): 390-410 | H6/KX [OCEANIA-] | 0029-8077 | |||
A Pitcairn tiputa in the Five Continents Museum | 2014-2015 | Journal fünf Kontinente 1 (): 222-31 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 2366-7419 | |||
Printed barkcloth, Fiji. Printed cotton, France | 2014 | Hali (182): 34-5 | *H6/KGG [HALI-] | 0142-0798 | |||
Textiles of the trees | 2014 | British Museum magazine (80): 34-6 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
History and restoration of a Tonga archipelago chief head-dress that is in the Museo de América, Madrid | 2013 | Anales. Museo de América (Madrid) 21 (): 117-35 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Polyvocal Tongan barkcloths: contemporary ngatu and nomenclature at the Museum of New Zealand Te Papa Tongarewa | 2013 | Tuhinga 24 (): 85-104 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
'O le Tino ma le Galu: the body and the wave. An autobiography of my artistic practice | 2012 | Pacific arts 12 (2): 24-30 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Women's magic | 2012 | Hali (172): 82-7 | *H6/KGG [HALI-] | 0142-0798 | |||
Evolution of Polynesian bark cloth and factors influencing cultural change | 2011 | Journal of anthropological archaeology 30 (2): 116-34 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Ancestors of the lake: art of Lake Sentani and Humboldt Bay | 2011 | Tribal art 60 (): 94-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Art and artefacts from Micronesia | 2010 | Tribal art 14 (2): 64-71 | *H6/KFY [WORLD-] | 1354-2990 | |||
Exhibiting art, eliding community: Tongan barkcloth, identity, and otherness in a community arts | 2010 | Pacific arts 10 (2): 34-46 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Materialising the king: the royal funeral of King Tāufa 'āhau Tupou IV of Tonga | 2009 | The Australian journal of anthropology 20 (1): 131-49 | H6/KF [AUSTRALIAN-] | 1035-8811 | |||
A tale of two tapa: their history, legend and celebrity ownership by Robert Louis Stevenson | 2009 | Journal of the Polynesian Society 118 (4): 339-59 | H6/KX [POLYNESIAN-] | 0032-4000 | |||
Rosanna Raymond'sGenealogy (2007): notes on a new addition to the world cultures collection at the Royal Albert Memorial Museum, Exeter | 2008 | Journal of museum ethnography (20): 120-7 | *H6 [JOURNAL-] | 0954-7169 | |||
Barkcloth, Polynesia and cladistics: an update | 2008 | Journal of the Polynesian Society 117 (1): 15-57 | H6/KX [POLYNESIAN-] | 0032-4000 | |||
Hawaiian quilts: chiefly self-representations in nineteenth century Hawaii | 2007 | Pacific arts 3-5 (): 23-36 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Commoner Tongan women authenticate Ngatu pepa in Auckland | 2007 | Pacific arts 3-5 (): 60-73 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Innovative tradition: reshaping the Samoan art of Siapo (decorated barkcloth) | 2007 | Pacific arts 3-5 (): 74-87 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The influence of Tongan Ngatu on nineteenth and twentieth century Samoan Siapo | 2007 | Pacific arts 3-5 (): 88-93 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The tie that binds: Siapo, Western cloth, and Samoan social space | 2007 | Pacific arts 3-5 (): 94-103 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Stretching the cloth: hybrid meanings, styles, and gender structures in Maisin barkcloth | 2007 | Pacific arts 3-5 (): 104-14 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
"...Like a mat being woven" | 2007 | Pacific arts 3-5 (): 115-27 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
Lumia et umbra: magic in the forest. Mbuti pygmy bark cloths | 2007 | Hali 153 (): 102-11 | *H6/KGG [HALI-] | 0142-0798 | |||
Gendered objects. Embodiments of colonial collecting in Dutch New Guinea | 2007 | Journal of Pacific history 42 (1): 1-20 | H6/KX [JOURNAL-] | 0022-3344 | |||
'Tapa' and text: hybrid technologies and Pacific (re)possession | 2007 | Pacific arts 3-5 (): 128-38 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
From coronation robes to car seat covers: the changing uses of Ugandan barkcloth | 2006 | Kenya past and present 36 (): 53-8 | H6/KY [KENYA-] | 0257-8301 | |||
Iconography, myths and symbolism inscribed in ritual artifacts: the Ticuna collection in a comparative perspective | 2006 | Baessler-Archiv (Neue Folge) 54 (): 95-118 | H6 [BAESSLER-] | 0005-3856 | |||
Animal designs on Samoan siapo and other thoughts on west Polynesian barkcloth design | 2005 | Journal of the Polynesian Society 114 (3): 197-225 | H6/KX [POLYNESIAN-] | 0032-4000 | |||
Barkcloth in Tonga, 1773-1900: presenting the past in the present | 2005 | Journal of museum ethnography 17 (): 101-17 | *H6 [JOURNAL-] | 0954-7169 | |||
Sculptures of barkcloth and wood from Rapa Nui. Symbolic continuities and Polynesian affinities | 2003 | Res 44 (): 10-69 | *H6 [RES] | 0277-1322 | |||
Clothing and innovation: a Pacific perspective | 2003 | Anthropology today 19 (2): 3-5 | HI [ANTHROPOLOGY-] | 0361-7882 | |||
'Clothed and in their right mind': women's dress on Erromango, Vanuatu | 2001 | Pacific arts 23/24 (): 69-86 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
'Merkwürdigkeiten' aus Tonga und Viti: Ein Beitrag zur Ankaufspolitik von Ethnographica der Königlichen Kunstkammer zu Berlin, 1800-1830 | 1999 | Baessler-Archiv (Neue Folge) 48 (1): 189-221 | 0005-3856 | ||||
From the barkcloth beating to silk weaving. The textile industry from prehistory to the western Han dunasty in south China | 1997/8 | Textile Museum journal 36/7 (): 60-70 | 0083-7407 | ||||
Tapa in Tonga - Gestern und heute. Aufzeichnungen zur Begegnung mit den Frauen von Langa Fonua 'ae Fefine Tonga | 1997 | Baessler-Archiv (Neue Folge) 45 (): 63-84 |