Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Against realism: the politics of Salvador Dalí's Christ of Saint John of the Cross | 2024 | Res 81-82 (): 212-28 | *H6 [RES-] | 0277-1322 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Y si quieres saber de mi pasado y La Casa Azul: imaginación y sensibilidad surrealista en Chavela Vargas | 2023 | Studies in Latin American popular culture 41 (): 45-67 | *H6/KUL [STUDIES-] | 0730-9139 | |||
A century in the life of an ancient Dan mask | 2023 | Tribal art (109): 112-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
Catalogue of correspondence: a collection of rocks found in the Gothenburg Museum of World Culture | 2023 | Anthropology and art (8): 1-45 | 2397-1754 | ||||
In dialogue with nails: Kuzgun Acar's Elegy to a modern man | 2022 | World art 12 (3): 269-86 | H6 [WORLD-] | 2150-0908 | |||
Comics, words and images: from Buffalmacco to Magritte a problem of transition | 2022 | Human evolution 37 (1-2): 17-28 | H6/HB [HUMAN-] | 0393-9375 | |||
Beautiful black cloud of modern Egyptian art | 2021 | Nka: journal of contemporary African art (49): 40-53 | H6/KY [NKA-] | 1075-7163 | |||
Africa in the Surrealist imaginary: photographs of sculpture in Minotaure and Documents | 2021 | Visual anthropology 34 (3): 185-213 | *H6 [VISUAL-] | 1545-5920 | |||
When art becomes liberty: the Egyptian Surrealists (1938-1965) | 2021 | Nka: journal of contemporary African art (49): 8-23 | H6/KY [NKA-] | 1075-7163 | |||
The entry of Ancient Egypt into Surrealism | 2021 | Nka: journal of contemporary African art (49): 24-39 | H6/KY [NKA-] | 1075-7163 | |||
"Free art" and Surrealist aesthetics: resituating the art and liberty group in Egyptian art history | 2021 | Nka: journal of contemporary African art (49): 54-62 | H6/KY [NKA-] | 1075-7163 | |||
Georges Henein: a Surrealist in Egypt or the wanderer between two worlds? | 2021 | Nka: journal of contemporary African art (49): 64-81 | H6/KY [NKA-] | 1075-7163 | |||
Georges Henein: a model for Egyptian Surrealism | 2021 | Nka: journal of contemporary African art (49): 82-99 | H6/KY [NKA-] | 1075-7163 | |||
Virtues and tragedies of Surrealism in Egypt: fragment of a personal testimony | 2021 | Nka: journal of contemporary African art (49): 100-18 | H6/KY [NKA-] | 1075-7163 | |||
Those who shaped the future: in memory of Anwar Kamel | 2021 | Nka: journal of contemporary African art (49): 120-31 | H6/KY [NKA-] | 1075-7163 | |||
Surrealism and photography in Egypt | 2021 | Nka: journal of contemporary African art (49): 144-62 | H6/KY [NKA-] | 1075-7163 | |||
Van-Leo: the reluctant Surrealist | 2021 | Nka: journal of contemporary African art (49): 164-82 | H6/KY [NKA-] | 1075-7163 | |||
Surrealist nuance and postcolonial subjectivity: Youssef Chahine's Alexandria: again and forever | 2021 | Nka: journal of contemporary African art (49): 184-91 | H6/KY [NKA-] | 1075-7163 | |||
Topiques and the Surrealist movement in Martinique | 2021 | Nka: journal of contemporary African art (49): 202-8 | H6/KY [NKA-] | 1075-7163 | |||
Kamel Telmissany's Surrealist unrest | 2021 | Nka: journal of contemporary African art (49): 210-26 | H6/KY [NKA-] | 1075-7163 | |||
Kamal Youssef: Egyptian Surrealism's time capsule, a tribute | 2021 | Nka: journal of contemporary African art (49): 228-45 | H6/KY [NKA-] | 1075-7163 | |||
Egyptian heart, French tongue: a personal testimony | 2021 | Nka: journal of contemporary African art (49): 132-43 | H6/KY [NKA-] | 1075-7163 | |||
The ecomuseum of George Henri Rivière | 2020 | International journal of anthropology 35 (1-2): 35-56 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
The new sacred since André Breton and Édouard Glissant | 2020 | Arts & cultures (21): 68-81 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Further perspectives on Kifwebe masquerades | 2020 | African arts 53 (1): 6-23 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Notes on the Fuegian wunderblock | 2020 | Magallania 48 (2): 215-30 | H6/KUL [ANALES-] | 0718-0209 | |||
Food on display: design techniques of the food exhibits of the New York World’s Fair of 1939-40 | 2020 | Food Culture and Society 24 (2): 244-68 | H6/KGT [CULTURE-] | 1751-7443 | |||
Embodying dreams and emotions in the streets of the San Francisco Bay area | 2020 | World art 10 (1): 7-24 | H6 [WORLD-] | 2150-0908 | |||
The Bangwa queen: a journey into art history | 2019 | Tribal art (94): 126-37 | *H6/KFY [WORLD-] | 1354-2990 | |||
Editorial: journal formats and virtual issues | 2019 | Journal of the Royal Anthropological Institute (New Series) 25 (1): 7-8 | H6 [JOURNAL-] | 1359-0987 | |||
Charles Ratton, Louis Carré and the landmark auctions of 1931 | 2019 | Tribal art (93): 94-117 | *H6/KFY [WORLD-] | 1354-2990 | |||
Intermezzi profetici. Appunti sull'incertezza nella poetica/politica del Surrealismo (e di Breton) | 2018 | Archivio per l'antropologia e la etnologia 148 (): 157-71 | H6 [ARCHIVIO-] | 0373-3009 | |||
Prehistoric techniques for modern painting: Asger Jorn's archaeological picture books | 2018 | Res 69/70 (): 189-205 | *H6 [RES-] | 0277-1322 | |||
Heterology as aesthetics: Bataille, sovereign art and the affirmation of impossibility | 2018 | Theory, culture and society 35 (4-5): 115-34 | H6 [THEORY-] | 0263-2764 | |||
The flying newspapermen and the time-space of late colonial Nigeria | 2018 | Comparative studies in society and history 60 (3): 569-98 | H6/KF [COMPARATIVE-] | 0010-4175 | |||
World War I in Max Ernst's imagery: St. Cecilia, a "death organ" | 2018 | Gradhiva: revue de anthropology et museologie 27 (): 226-53, 268 | H6 [GRADHIVA-] | 0764-8928 | |||
Odes to Northwest Coast art. Surrealism and ethnography | 2017 | Gradhiva: revue de anthropology et museologie 26 (): 181-209, 236 | H6 [GRADHIVA-] | 0764-8928 | |||
Anarchist literature and the development of anarchist counter-archaeologies | 2017 | World archaeology 49 (3): 291-305 | H6/KE [WORLD-] | 0043-8243 | |||
Postelection surrealism and nostalgic racism in the hands of Donald Trump | 2017 | Hau 7 (1): 397-406 | 2049-1115 | ||||
Dada Afrika: a trans-disciplinary exhibition project | 2016 | Tribal art 80 (): 84-91 | *H6/KFY [WORLD-] | 1354-2990 | |||
Robert Lebel's notebook | 2016 | Tribal art 21 (1): 134-47 | *H6/KFY [WORLD-] | 1354-2990 | |||
Tatami and wood: ink rubbings and the discussion of materiality in postwar Japanese calligraphy and art | 2016 | World art 6 (2): 269-91 | H6 [WORLD-] | 2150-0908 | |||
Primitivismo e imaginário etnográfico nos primeiros escritos de Michel Leiris | 2016 | Mana 22 (1): 157-78 | H6/KUL [MANA-] | 0104-9313 | |||
Leiris, singulier pluriel | 2016 | Gradhiva: revue de anthropology et museologie (23): 214-27 | H6 [GRADHIVA-] | 0764-8928 | |||
The recpetion of contemporary Inuit art in France between the 1950s and the early 1970s | 2015 | Inuit art quarterly 28 (1): 36-43 | *H6/KFY [INUIT-] | 0831-6708 | |||
"The taste of sand in the mouth": 1939 and "degenerate" Egyptian art | 2015 | Critical interventions: journal of African art history and visual culture 9 (1): 22-34 | H6/KFY [CRITICAL-] | 1930-1944 |