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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| A reconsideration of Rio Sonora/Serrana social organization through comparative ceramic analysis | 2025 | Kiva 91 (1): 117-45 | *H6/KE [KIVA-] | 2051-6177 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Mabaruma phase ceramic inventory from Kumaka Hill, northwest Guyana | 2025 | Archaeology and anthropology (Georgetown) 26 (): 90-4 | *H6/KUL [ARCHAEOLOGY-] | 0256-4353 | |||
| Reflecting on nation image and perceptions of nation brand: Scottish-themed pubs, bars and restaurants outside of Scotland | 2024 | Journal of consumer culture 24 (1): 175-92 | H6 [JOURNAL-] | 1469-5405 | |||
| Rock painting within southern Peru in the context of physiochemical analysis of pigments | 2024 | Rock art research 41 (1): 5-27 | H6/KE [ROCK-] | 0813-0426 | |||
| A puported Pleistocene sand sculpture from South Africa | 2024 | Rock art research 41 (1): 58-73 | H6/KE [ROCK-] | 0813-0426 | |||
| Tapeh Tyalineh: a proto-Elamite administrative institution on the Great Khorasan Road, Kermanshah, Western Iran | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (1): 233-60 | H6/KW [ROYAL-] | 1356-1863 | |||
| Bronze art, cultural norms, and group identity: a group of late Western Zhou and early Spring and Autumn he vessels analyzed in their temporal and spatial contexts | 2024 | Asian perspectives 63 (1): 70-97 | H6/KE [ASIAN-] | 0066-8435 | |||
| Terminal Classic conch-shell gorgets from the Maya region and central Mexico | 2024 | Ancient Mesoamerica 35 (1): 193-207 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| It is not impossible: the arrival of the Toltects in Chicen Itza | 2024 | Estudios de cultura maya 63 (): 77-106 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Codex style ceramics of Popul Vuh Museum | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 38-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Katsina carving in the art world. Reflecting on a century of evolving styles and techniques | 2024 | First American art magazine (43): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Between Amazonian ancient history and its ethnographical present: colonialism and persistences in long term indigenous trajectories of the middle Solimões, Amazonas | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (2): 1-26 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Tick Island Incised: an early ceramic skeuomorph in Late Archaic Florida | 2024 | Southeastern archaeology 43 (3): 125-44 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
| The Caborca rock art style and the archaeology of La Proveedora, Sonora | 2024 | Kiva 90 (3): 407-19 | *H6/KE [KIVA-] | 2051-6177 | |||
| Formas, tecnología y estilos de la cerámica formativa del sitio Corral Grande 1 (2400-1100 años aP), Antofagasta de la Sierra, Argentina | 2024 | Latin American antiquity 35 (2): 274-93 | *H6/KE [LATIN-] | 1045-6635 | |||
| La identidad cultural de Pahñú: análisis de la arquitectura del período clásico de un centro ceremonial en el valle del Mezquital | 2024 | Latin American antiquity 35 (2): 442-63 | *H6/KE [LATIN-] | 1045-6635 | |||
| Implications of rock art aesthetics in Olmec sculpture | 2024 | Latin American antiquity 35 (2): 521-41 | *H6/KE [LATIN-] | 1045-6635 | |||
| La tradición Río Bec en los sitios de Pared de los Reyes y Olvidado. Nota preliminar | 2024 | Mexicon 46 (4): 80-5 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Angara style rock art: the evolution of a regional emblematic and syncretic style | 2024 | Cambridge archaeological journal 34 (3): 477-94 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| The origin of the protogeometric style in northern Greece and its relevance for the absolute chronology of the Early Iron Age | 2024 | Antiquity 98 (401): 1271-89 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Pottery research in the Quebrada de la Cueva (Jujuy Province): and interdisciplinary and retrospective perspective | 2024 | Anales de arqueología y etnología 79 (2): 45-71 | H6/KUL [MENDOZA. Universidad Nacional de Cuyo. Instituto de Etnografia Americana. Anales] | 2591-3093 | |||
| Pikunda-Munda and Batalimo-Maluba | 2024 | African archaeological review 41 (2): 317-44 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Preliminary analysis of ceramic styles in Fier, Lankan, and Daffo, Southern Jos Plateau, central Nigeria | 2024 | African archaeological review 41 (3): 417-42 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| 'Rocking the establishment': subculture, authenticity and the populist radical right in Sweden | 2024 | European journal of cultural studies 27 (6): 1122-39 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Chicumbane connections: lower Limpopo Valley during the first millennium AD | 2024 | African archaeological review 41 (1): 119-38 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Restyling "Olmec": Pacific coast niche monuments as evidence of local innovation on Olmec style in Preclassic (Formative) Mexico and Guatemala | 2024 | Mexicon 46 (6): 130-43 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| In genderqueer closets: challenging gender binarism through embodied narratives of affect and style | 2024 | Fashion theory 28 (4): 437-60 | H6/KFY [FASHION-] | 1362-704X | |||
| Tayloring modernity and wrapping tradition: Chitenge [African print fabrics] class and culture in Zambia | 2024 | Fashion theory 28 (4): 505-27 | H6/KFY [FASHION-] | 1362-704X | |||
| Conceptualizing Australian First Nations fashion, art and style | 2024 | Fashion theory 28 (4): 529-54 | H6/KFY [FASHION-] | 1362-704X | |||
| Returning to Makekur: re-evaluating the occupational sequence of the early-middle Lapita site of Makekur (FOH), Arawe Islands, Papua New Guinea | 2024 | Asian perspectives 63 (2): 224-52 | H6/KE [ASIAN-] | 0066-8435 | |||
| Pottery styles during the late period in northwest Argentina: the ceramics of Loma l’Ántigo, Cajón Valley (Catamarca) | 2023 | Estudios Atacameños 69 (): 1-23 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
| Naturalistic parrots, stylized birds of prey: visual symbolism of the human-animal relationship in pre-Hispanic ceramic art of the Paraná River lowlands, South America | 2023 | Cambridge archaeological journal 33 (2): 193-215 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Fantastic fauna in a global perspective: understanding composites in early Eurasian antiquity | 2023 | Journal of the Royal Asiatic Society 33 (1): 55-71 | H6/KW [ROYAL-] | 1356-1863 | |||
| A recently-sold Mughal pashmina carpet of circa 1650 has interesting origins | 2023 | Asian textiles (84): 9-15 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Archaeological knowledge production: reading mortuary reconstructions | 2023 | Antiquity 97 (391): 213-30 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Gendered crafts in the Great Salt Lake Desert: a comparative analysis of Late Holocene cordage and coiled basketry | 2023 | American antiquity 88 (3): 302-25 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Understanding the rise of complexity at Cahokia: evidence of nonlocal Caddo ceramic specialists in the East St. Louis precinct | 2023 | American antiquity 88 (3): 361-85 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Typology and fashion usage trends of Ankara in the twenty-first century south-western Nigeria | 2023 | Textile: the journal of cloth and culture 21 (1): 235-53 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| A superhero in Indian style and culture: Minnal Murali goes global | 2023 | South Asian popular culture 21 (1): 143-6 | H6/KW [SOUTH-] | 1474-6689 | |||
| The Topará ceramic style: a perspective from Pozuelo in the lower Chincha Valley | 2023 | Chungará 55 (2): 229-60 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
| Toward a long C-14 chronology of Rapa Nui wooden statuary and other Polynesian styles | 2023 | Tribal art (109): 94-111 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The representation of the human figure in the colonial Maya manuscripts of Chilam Balam | 2023 | Journal de la Société des Américanistes 109 (1): 87-118 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| The human body at the Madrid Codex representations | 2023 | Estudios de cultura maya 62 (): 191-221 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Practical work: sapeuses (women sapeurs) in Kinshasa, Democratic Republic of Congo | 2023 | African arts 56 (4): 62-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Simryn Gill, Oum Jeongsoon, Leung, Chi Wo | 2023 | Art Asia Pacific Magazine (134): 58-63 | H6/KFY [ART] | 1039-3625 | |||
| What a discourse unit can teach us about the relationship between the Mishnah and Tosefta: an examination of the parallelism between the compilations in the halakhic give-and-take conversation | 2023 | Bulletin of the School of Oriental and African Studies (London) 86 (1): 31-54 | H6/KW [LONDON-] | 0041-977X | |||
| Verres gravés à décor figuré ou à inscription des IIe et IIIe siècles dans le sud de la Gaule | 2023 | Journal of glass studies 65 (): 73-98 | H6/KE [JOURNAL-] | 0075-4250 |
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