Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
'You know nothing except how to read musical notation!': rethinking the use of notation in jinghu accompaniment | 2024 | Asian music 55 (1): 38-72 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reimagining the past in the construction of the present: visuality in neo-traditional guqin performances in twenty-first century China | 2024 | Asian music 55 (1): 73-125 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The birth of Yamatogoto culture: stringed instruments and the formation of complex society in pre- and protohistoric Japan | 2024 | Asian perspectives 63 (1): 98-128 | H6/KE [ASIAN-] | 0066-8435 | |||
The bowed lyre of Estonia's Swedes: origin, diffusion, decline, revival | 2024 | Folklore (Tartu) 93 (): 105-42 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Masters of places: music and territory in Makadade (Atauro, East Timor) | 2024 | Archipel (104): 111-36 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Remembering my teachers - Bruno Nettl and Sabri Khan: Society for Asian Music 2022 Keynote Address | 2023 | Asian music 54 (1): 4-27 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The exceptional Fauziah Gambus: negotiating novelty, piety, and self-promotion in an androcentric Malaysian musical scene | 2023 | Asian music 54 (1): 60-91 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
A funny story and a 170-year-old psalmodikon practicing an intangible cultural heritage | 2023 | Rig (1): 1-13 | H6/KVT [RIG-] | 0035-5267 | |||
A funny story and a 170-year-old Psalmodikon. Practicing an intangible cultural heritage | 2023 | Rig (1): 1-13 | H6/KVT [RIG-] | 0035-5267 | |||
In search of a musical past: evidence for early chrodophones from Vietnam | 2023 | Antiquity 97 (391): 141-57 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Long-necked lutes at the Weltmuseum Wien | 2023 | Archiv Weltumseum Wien 72 (): 64-85 | H6/KF [ARCHIV-] | 0066-6513 | |||
Harps on stone. Their presence in colonial churches of northern Chile | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
Feeling time in Indonesian langgam Jawa | 2022 | Asian music 53 (2): 110-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The Sutton Hoo lyre and the music of the Silk Road: a new find of the fourth century AD reveals the Germanic lyre’s missing eastern connections | 2022 | Antiquity 96 (385): 208-12 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Serbian epic singing with gusla accompaniment between scientific subject and intangible cultural heritage: the perspective of ethnomusicology | 2022 | Bulgarski folklor 48 (2): 170-89 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
“Out of time” and “out of tune”: reflections of an oud apprentice in Somaliland | 2021 | Ethnomusicology 65 (2): 259-85 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Arching over the Atlantic: exploring links between Brazilian and Angolan musical bows | 2021 | Ethnomusicology 65 (2): 286-323 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Music under the ground: ethnomusicological research on the ground-bow in Africa | 2021 | Ethnomusicology 65 (2): 324-58 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The particular status of traditional musical instruments in relation to musical instruments with a specific "national identity" | 2021 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 32 (): 215-29 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
The two centuries of the Gypsy Vengerka: pedagogy, performance strategies and cultural memory of Russian-Romani guitarists | 2021 | Etudes tsiganes (Nouvelle Série) (79-71): 174-95 | H6 [ETUDES-] | 0014-2247 | |||
Affective block and the musical racialisation of Romani sincerity | 2020 | Ethnomusicology forum 29 (1): 81-106 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The oldest stringed instrument: the history and types of musical bow | 2020 | Ethnographia 131 (4): 624-51 | H6/KVN [ETHNOGRAPHIA-] | 0014-1798 | |||
Renewing traditional tamboura style in individual performance | 2020 | Bulgarski folklor 46 (): 57-71 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The ekonting in Jola culture and history | 2019 | Ethnomusicology forum 28 (1): 66-88 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Strings across the ocean: practices, traditions, and histories of the Cocos Malay biola in the Cocos (Keeling) Islands, Indian Ocean | 2019 | Ethnomusicology forum 28 (3): 283-320 | H6/KFYV [BRITISH-] | 1741-1912 | |||
“Nothing happened without music”: teaching and learning the Anatolian bağlama in Berlin | 2019 | Yearbook for traditional music 51 (): 167-85 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Silencing the other within: Metis music at Manitoba's old-time fiddle competition | 2018 | Ethnomusicology 62 (2): 265-90 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Silencing the other within: Metis music at Manitoba's Old-Time Fiddle competitions | 2018 | Ethnomusicology 62 (2): 265-90 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
From traditional kemene playing to the style of gŭdulka orchestra playing (regional specifics in south-west Bulgaria) | 2018 | Bulgarski folklor 44 (1): 78-92 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Reading the Psalms together with Luther | 2018 | Konteksty 72 (3): 154-61, 340-1 | H6/KVM [POLSKA-] | 1230-6142 | |||
Memories of music in the Croatian community in Sydney, Cape Breton | 2018 | Narodna umjetnost 55 (1): 23-38 | H6/KVP [NARODNA-] | 0547-2504 | |||
“From identity to alliance”: challenging Métis “inauthenticity” through alliance studies | 2018 | Yearbook for traditional music 50 (): 91-117 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Beyond individual pleasure and rituality: social aspects of the musical bow in southern Africa's rock art | 2017 | Rock art research 34 (1): 9-24 | H6/KE [ROCK-] | 0813-0426 | |||
From stride to regional pride? Cape Breton piano accompaniment as a musical and cultural process | 2017 | Ethnomusicology forum 26 (2): 193-214 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The emergence of chordal accretions in the lute melodies of togāku and its implications for the historical development of the repertory | 2017 | Ethnomusicology forum 26 (2): 215-46 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Instrument in tow: bringing musical skills to the field | 2017 | Ethnomusicology 61 (3): 486-505 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
An audience of one: the private music of the Chinese literati | 2017 | Ethnomusicology 61 (3): 506-39 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Reviving Javanese picture scroll theatre | 2017 | Etnološka tribina 40 (47): 198-221 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
A view from Cambodia: reorienting the monochord zither | 2016 | Asian music 47 (1): 3-28 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Gender in Kazakh dombyra performance | 2016 | Ethnomusicology forum 25 (3): 283-305 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The machine of sonorous indigeneity: craftmanship and sound ecology in an Andean instrument workshop | 2016 | Ethnomusicology forum 25 (3): 326-44 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Analysis of the occupational function of Azmari occupational musicians in Ethiopia | 2016 | Bulletin of the National Museum of Ethnology (Osaka) 41 (1): 37-78 | H6 [OSAKA-] | 0385-180X | |||
The musician (Zakir/Imam Jafer) in the culture of the Alevis and Bektashis from the region of Kardzhali | 2016 | Bulgarski folklor 42 (2): 142-61 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Changes and novelties in the traditional tamboura individual performance style | 2016 | Bulgarski folklor 42 (2): 162-78 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Bronze applique 'Narrator with gusli-psaltery' from Novgorod the Great | 2016 | Rossiiskaia arkheologiia 1 (): 131-40 | H6/KVY [SOVETSKAYA-] | 0869-6063 | |||
Locating the choreomusical: the case of European and American dance fiddling | 2016 | Český Lid 103 (4): 515-36 | H6/KVL [CESKY-] | 0009-0794 | |||
Julijan Strajnar's involvement in folkdance and in the work of the Institute [of ethnomusicology] | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 11-18 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Research on traditional Istrian music and dance with an emphasis on revitalizing and presenting traditional Church (Glagolitic) singing practice | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 123-43 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
The Weiser family of Zagreb and the forgotten 'Amati tambura' Ivan Weiser | 2016 | Etnološka istraživanja 21 (): 59-77, 158-60 | H6/KVP [ETNOLOSKA-] | 0351-4323 | |||
Stories of differentiation and association: narrative identity and the Jola Ekonting | 2016 | Yearbook for traditional music 48 (): 94-114 | H6/KFYV [YEARBOOK-] | 0740-1558 |