Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Sounding epistemologies: placemaking through sound | 2025 | Space and culture 28 (1): 4-6 | H6 [SPACE-] | 1206-3312 | |||
Listening beyond the human: the autonomous recording unit and the ethics of sound in biodiversity conservation | 2025 | Space and culture 28 (1): 7-20 | H6 [SPACE-] | 1206-3312 | |||
Taking and making place through sound: from the phonotope to the phonocene | 2025 | Space and culture 28 (1): 32-40 | H6 [SPACE-] | 1206-3312 | |||
Placemaking Eichstätt: perspectices and intersections | 2025 | Space and culture 28 (1): 43-9 | H6 [SPACE-] | 1206-3312 | |||
Listening to the zoo: challenging zoo visiting conventions | 2024 | Ethnos 89 (1): 1-20 | H6 [ETHNOS-] | 1469-588X | |||
“I tried to say” Or, how the poetry of images and sounds comes to the anthropologist’s rescue | 2024 | Gradhiva: revue de anthropology et museologie (37): 156-71 | H6 [GRADHIVA-] | 0764-8928 | |||
Painting with sound: performing cultural memory through Kazakh Sybyzghy cassettes in northern Xinjiang | 2024 | Asian music 55 (1): 4-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Yuko Mohri. Electric smelly orchestra | 2024 | Art Asia Pacific Magazine (137): 66-73 | H6/KFY [ART] | 1039-3625 | |||
Seashells and sound waves: modelling soundscapes in Chacoan great-house communities | 2024 | Antiquity 98 (399): 777-94 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Audio research methods, attitudes, and accessibility theory: using audio vignettes to elicit attitudes towards sex work | 2024 | Qualitative research 24 (3): 647-68 | H6 [QUALITATIVE-] | 1468-7941 | |||
Introduction | 2024 | American anthropologist 126 (2): 227-32 | *H6 [AMERICAN-] | 0002-7294 | |||
What is "heard" at pipleine hearing?: The gerrymandering of aurality in British Columbia, Canada | 2024 | American anthropologist 126 (2): 248-59 | *H6 [AMERICAN-] | 0002-7294 | |||
Pocodisco: the sonic performativity of grief, grievance, and joy in diaspora | 2024 | American anthropologist 126 (2): 271-81 | *H6 [AMERICAN-] | 0002-7294 | |||
El disco es cultura: sonic artifacts and Latinx Chicago | 2024 | American anthropologist 126 (2): 282-94 | *H6 [AMERICAN-] | 0002-7294 | |||
Textures of Black sound and affect: life and death in New Orleans | 2024 | American anthropologist 126 (2): 295-310 | *H6 [AMERICAN-] | 0002-7294 | |||
Laryngeal contrast and sound change: the production and perception of plosive voicing and co-intrinsic pitch | 2024 | Language 100 (1): 124-58 | H6/KK [LANGUAGE-] | 0097-8507 | |||
The phonemic principle | 2024 | Language 100 (2): 359-67 | H6/KK [LANGUAGE-] | 0097-8507 | |||
Commentary: Morris Swadesh (1934), 'The phonemic principle' | 2024 | Language 100 (2): 368-71 | H6/KK [LANGUAGE-] | 0097-8507 | |||
Synaesthetic landscapes: looking for the missing senses in an eighteenth-century palace in Mafra, Portugal | 2024 | Time and mind: the journal of archaeology, consciousness and culture 17 (1-2): 35-54 | H6/KH [TIME-] | 1751-696X | |||
The vagaries of sonic neighborly life: privacy at home and sound politics in post-Socialist mass housing | 2024 | Space and culture 27 (3): 288-301 | H6 [SPACE-] | 1206-3312 | |||
Improvisations towards a sonorous ethics in Aotearoa New Zealand | 2024 | The Australian journal of anthropology 35 (1-2): 135-42 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Hearing heat: Anthropocene acoustemology | 2024 | The Australian journal of anthropology 35 (1-2): 143-4 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Situated acoustics: an anthropological reading of noise maps of the city of Buenos Aires (1972-2018) | 2024 | Etnografías Contemporáneas (18): 8-33 | 2451-8050 | ||||
Music, sound, politics | 2024 | Annual review of anthropology 53 (): 261-75 | H1 [BIENNIAL-] | 0084-6570 | |||
Sounds in context: arachaeoacoustical studies of instruments from Comalcalco and Jonuta, pre-Hispanic Maya sites | 2024 | Ancient Mesoamerica 35 (2): 472-93 | *H6/KE [ANCIENT-] | 0956-5361 | |||
Sound and hallucinogens in mortuary context. New data for the identification of the Atacameño shaman, northern Chile (ca. AD 400-1400) | 2024 | Chungará 56 (3): 281-413 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
Reindeer in the technospehere. Acoustic infrastructures and noise pollution in Sweden | 2024 | Terrain (80): 56-71 | H6 [TERRAIN-] | 0760-5668 | |||
Harmonizing the settings of cochlear implants: multiplying keys of understanding | 2024 | Terrain (80): 150-63 | H6 [TERRAIN-] | 0760-5668 | |||
Provincializing acoustics, feeling Europe: heritage and sonic atmosphere in Istanbul | 2024 | The World of Music 13 (1): 275-310 | H6/KFY [WORLD-] | 0043-8774 | |||
Struggle over control: sound in home video | 2023 | International journal of cultural studies 26 (1): 120-36 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Itzamnaaj yaxte’: analysis of a Poly-globular effigy flute of the Classic Maya Period preserved at the Musical Instruments Museum in Brussels, Belgium | 2023 | Estudios de cultura maya 61 (): 93-135 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Shamanism, ontologies of art, and transcorporeality: bridges between Diaguita art and bailes chinos in the Chilean semi-arid north | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 119-40 | H6/KE [BOLETIN-] | 0716-1530 | |||
Crafting the voice of God: ceramic waylla kepa shell horn technology in the Andes | 2023 | Journal of anthropological archaeology 69 (): 1-17 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Listening otherwise: from "silent tourism" soundscapes to privileged sonic ways of knowing | 2023 | Tourist studies 23 (2): 149-73 | H6/KD [TOURIST-] | 1468-7976 | |||
Gender, space and sound: listenting techniques, mobile and stationary bodies | 2023 | Ethnography 24 (2): 240-59 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Tourists of their own past: aural palimpsests from the Mao era | 2023 | Journal of material culture 28 (2): 221-45 | H6/KF [JOURNAL-] | 1359-1835 | |||
Edmond Meany's linguistic suspitions | 2023 | Journal of northwest anthropology 57 (1): 114-20 | H6/KUB [NORTHWEST-] | 1538-2834 | |||
Mousike or music? Using analysis to explore shifts in musical attention | 2023 | Ethnomusicology forum 32 (1): 120-42 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Trauma memory in stitch, sound and word: from the troubles and conflict to reconciliation and peace | 2023 | Textile: the journal of cloth and culture 21 (2): 525-39 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Silence, noise, and ritual | 2023 | Taiwan journal of anthropology 21 (1): 1-25 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Ìrègún music and sounding spaces among Yagba-Yoruba people of Nigeria | 2023 | Space and culture 26 (1): 23-38 | H6 [SPACE-] | 1206-3312 | |||
Doing ethnography blind | 2023 | Anthropology in action 30 (2): 35-40 | H6/KF [BASAPP-] | 0967-201X | |||
The sound of silence: an immersive approach to spearfishermen's ecological knowledge along the Dakar coastline | 2023 | Journal of ethnobiology 43 (2): 125-39 | *H6 [JOURNAL-] | 0278-0771 | |||
Sensing together: multisensory experiences and political phenomenology in Southern African cities | 2023 | Anthropology Southern Africa 46 (3): 163-72 | *H6 [SOUTH-] | 2332-3256 | |||
“Sing and make music to the Lord”: cultural difference in South Africa’s urban religious soundscapes | 2023 | Anthropology Southern Africa 46 (3): 173-87 | *H6 [SOUTH-] | 2332-3256 | |||
Call to prayer: the sound of adhan, heritage and urban identity in Cape Town | 2023 | Anthropology Southern Africa 46 (3): 213-28 | *H6 [SOUTH-] | 2332-3256 | |||
The recording cure: a media genealogy of recorded voice in psychotherapy | 2023 | Theory, culture and society 40 (6): 125-46 | H6 [THEORY-] | 0263-2764 | |||
The overview of the patent process for noise control technology in Brazil | 2023 | Ciência & Trópico 47 (2): 111-38 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Políticas e poéticas das expressões das formas sensíveis: performance, imagens e sons | 2023 | Cadernos de arte e antropologia 12 (): | |||||
Thin red lines symbolising air, sound and N|om energy | 2023 | Digging stick 40 (2): 11-16 | H6/KE [SOUTH-] | 1013-7521 |