Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Sevdalinka and Zagreb until the end of the 1950s: an attempt at a reconstruction | 2019 | Narodna umjetnost 56 (1): 149-91 | H6/KVP [NARODNA-] | 0547-2504 | |||
Digital ethnography toward augmented empiricism: a new methodological framework | 2018 | Slovenský národopis 66 (1): 7-28 | H6/KVL [SLOVENSKY-] | 1335-1303 | |||
Sevdah celebrities narrate sevdalinka: political (self-)contextualization of sevdalinka performers in Bosnia-Herzegovina | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (1): 163-79 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Gramophone records and their labels | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 175-90 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
78 rpm gramophone records: an expression of song folklorization or its origin? | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 155-73 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
1908: the beginning of Slovenian music discography? | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 51-73 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
The world's greatest sound archive: 78 rpm records as a source for musicological research | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 31-49 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Sound heritage of Slovenes hidden among the codes | 2014 | Glasnik slovenskega etnološkega Društva 54 (1/2): 22-8 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
Augusta Danilova, the interpreter of folk and literary songs on gramophone records: between the identification, hybridization and popularization of the tradition | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 191-211 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Intertwinement of Croatian and Slovenian musical heritage on the oldest gramophone records | 2014 | Narodna umjetnost 51 (1): 131-53 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Reform arts' ? Performance live and mediated in post-Soeharto Indonesia | 2004 | Ethnomusicology 48 (2): 203-28 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The aesthetic significance of African American sound culture and its impact on American popular music style and industry | 2003 | The World of Music 45 (3): 105-29 | H6/KFY 'WORLD-' | 0043-8774 | |||
Metaphors of commerce: trans-valuing tribalism in Yemeni audiocassette poetry | 2002 | International journal of Middle East studies 34 (1): 29-57 | 0020-7438 | ||||
Music sessions and style changes of Irish traditional music | 2002 | Český Lid 89 (1): 1-14 | 0009-0794 | ||||
Music lovers: taste as performance | 2001 | Theory, culture and society 18 (5): 1-22 | 0263-2764 | ||||
The importance of being a Jali Muso: some aspects of the role and status of the women in the music life of today's Gambia | 2001 | Narodna umjetnost 38 (1): 41-66 | 0547-2504 | ||||
Polishing the luster of the stars: music professionalism made workable in Kenya | 2000 | Ethnomusicology 44 (3): 408-28 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
'World music': marginalized worlds between exploitation and emancipation | 2000 | Glasnik slovenskega etnološkega Društva 40 (1/2): 111-19, 174 | 0351-2908 | ||||
Commercial recordings and music research | 2000 | East European meetings in ethnomusicology 7 (): 101-4 | H6/KFYV [EAST-] | 1221-9711 | |||
Following the Bulgarian trail in World Music: collage in music as an ethnic phenomenon in the encounter of the local and the global | 2000 | Bulgarska etnologiia 26 (4): 35-50 | 1310-5213 | ||||
The place of counterfeits in regimes of value: an anthropological approach | 1999 | Journal of the Royal Anthropological Institute (New Series) 5 (1): 1-11 | HI [JOURNAL-] | ||||
Hearing and seeing in the electronic age: preliminary comparisons between Malaysia and California | 1997 | The World of Music 39 (2): 27-39 | 0043-8774 |