Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
How fan clubs manage the authenticity of fans' identities in Chinese idol culture | 2025 | International journal of cultural studies 28 (2): 370-88 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Soft nationalism and China: a case study of nationalism in short videos by US-Chinese rapper MC Jin | 2024 | International journal of cultural studies 27 (2): 234-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Yma Súmac and/or pastorita Huaracina? Limits and possibilities of the cultural policies of José María Arguedas | 2024 | Disparidades: revista de antropologia 79 (1): 1-1 | H6/KVE [REVISTA-] | 2659-6881 | |||
A sonic biography of an afterlife: the expelled liberation leader Uria Simango in Mozambican Rap | 2024 | Journal of southern African studies 50 (1): 153-77 | H6/KY [JOURNAL-] | 1465-3893 | |||
Politics, poetry and performance at a time of surveillance: (In)secure Home(land)s in Laurie Anderson’s multimedia art work | 2024 | Cahiers de litterature orale (95-96): 1-18 | H6/KF [CAHIERS-] | 2266-1816 | |||
Artists who transcend cultural borders | 2024 | Inuit art quarterly 37 (4): 32-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
Homo lyricus, or lyric song in the ethnomusicological stratigraphy of "folkloric culture": notes from a monograph (part 2) | 2023 | Revista de etnografie şi folclor (NS) (1-2): 139-67 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Prosumer activism: the case of Britney Spears' Brazilian fandom | 2023 | Journal of consumer culture 23 (2): 428-43 | H6 [JOURNAL-] | 1469-5405 | |||
Negotiations within a cultural phenomenon: Sidhu Moose Wala and a changing Punjab | 2023 | South Asian popular culture 21 (1): 41-55 | H6/KW [SOUTH-] | 1474-6689 | |||
"Cuando yo quiera has de volver": configuraciones de masculinidad y femininidad en las canciones de Juan Gabriel para Rocío Dúrcal | 2022 | Studies in Latin American popular culture 40 (): 21-42 | *H6/KUL [STUDIES-] | 0730-9139 | |||
The p’ansori experience in Europe | 2022 | The World of Music 11 (1): 109-32 | H6/KFY [WORLD-] | 0043-8774 | |||
Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
“Não dá mais só para cantar” | 2022 | Revista de antropología (São Paulo) 65 (2): 1-22 | H6/KUL [REVISTA-] | 0034-7701 | |||
Temporal loop | 2022 | Inuit art quarterly 36 (2): 44-53 | *H6/KFY [INUIT-] | 0831-6708 | |||
Dissonant voices: Bhupen Hazarika, cassette culture, and Assamese nationalism in the 1990s | 2022 | South Asian popular culture 20 (1): 31-45 | H6/KW [SOUTH-] | 1474-6689 | |||
"Between respect and impertinence": cross-cultural engagement with Sardinian Cantu A Tenore | 2022 | Journal of folklore research 59 (3): 39-86 | H6/KF [INDIANA-] | 0737-7037 | |||
The Rosalía polemic: defining genre boundaries and legitimacy in Flamenco | 2021 | Ethnomusicology 65 (1): 32-61 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Female street singers of Java: musical styles and life circumstances | 2021 | Ethnomusicology 65 (1): 138-69 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Bad girl, femme fatale, and the androgynous body: Cantopop queen Anita Mui’s gender game | 2021 | Visual anthropology 34 (2): 163-77 | *H6 [VISUAL-] | 1545-5920 | |||
Dengbêj - a Kurdish resistance yell | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-16 | 2525-3123 | ||||
The impossible quest of Nasreem Qadri to claim colonial privilege in Israel | 2021 | Ethnic and racial studies 44 (6): 966-86 | H6/KD [ETHNIC-] | 1466-4356 | |||
Violeta Parra: musical and political legacy of a cantora | 2021 | Ethnomusicology forum 30 (3): 358-78 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Mirror image | 2021 | Inuit art quarterly 34 (1): 38-47 | *H6/KFY [INUIT-] | 0831-6708 | |||
Long-drawn songs and performers, between orality and mass media | 2021 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 32 (): 183-200 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Beauty and the waste: fashioning idols and the ethics of recycling in Korean pop music videos | 2021 | Fashion theory 25 (1): 53-73 | H6/KFY [FASHION-] | 1362-704X | |||
The omnivore turn in cultural production: case study of China's Rainbow Chamber Singers | 2020 | International journal of cultural studies 23 (1): 81-101 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Affect, language, race, voice: opera singers in nineteenth-century United States | 2020 | Ethnomusicology forum 29 (1): 40-61 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Listening to Arab women's voices: society for Asian music 2018. Keynote address | 2020 | Asian music 51 (1): 4-26 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Celebrity capital, field-specific aesthetic criteria and the status of cultural objects: the case of Masked and anonymous | 2020 | European journal of cultural studies 23 (1): 54-70 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Redefining gendered spaces: the case of the Indofijian female qawwal | 2020 | Pacific studies 43 (2): 191-230 | *H6/KX [PACIFIC-] | 0275-3596 | |||
Singing the river’s suffering: memory, poetics and political action of the Cantadoras of the Middle Atrato in Chocó | 2020 | Revista colombiana de antropología 56 (2): 79-110 | H6/KUL [REVISTA-] | 0486-6525 | |||
'The knack was in the barrel' or how the urban schlager outlived socialism | 2020 | Bulgarski folklor 46 (1): 40-58 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
On the politics of folk song theory in Edwardian England | 2019 | Ethnomusicology 63 (1): 19-42 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Mobilities, experienced and performed, in Mongolia's Urtyn Duu tradition | 2019 | Asian music 50 (1): 47-77 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Three-fold experience: 'Kupiškėnai weddings' | 2019 | Liaudies kultūra 1 (): 58-68 | H6/KVT [LIAUDIES-] | 0236-0551 | |||
Song featuring lyrics 'Oh senor...' quite a lot: Mayan Evangelical singer | 2019 | Suomen antropologi 43 (2): 67-70 | H6 [SUOMEN -] | 0355-3930 | |||
Vybz Kartel - 'British love (anything 4 you)' | 2019 | Suomen antropologi 43 (2): 71-4 | H6 [SUOMEN -] | 0355-3930 | |||
Voice, age, and Islamic practice in the life of the Indonesian Keroncong vocalist Waldjinah | 2019 | Ethnomusicology 63 (3): 445-69 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Contemporary "folk" dynamics: shifting visions and meanings in the Goalpariya folk music of Assam | 2019 | Folklore 130 (4): 331-51 | H6/KF [FOLKLORE-] | 0015-587X | |||
"Dama de Espadas" - trajectory of a Rio de Janeiro Blues | 2019 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 4 (1): 229-54 | 2525-3123 | ||||
The Moravian manuscript hymn books and their importance for the research of folk Church singing in the 17th and 18th century | 2019 | Český Lid 106 (2): 139-56 | H6/KVL [CESKÝ-] | 0009-0794 | |||
Representing the Yugoslav New Wave in the documentary film 'The new wave in Socialist Federal Republic of Yugoslavia as a social movement' | 2019 | Ethno-anthropological problems journal 14 (1): 79-96 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Pirin Pee 2018 and the living singing tradition in the village of Breznitsa | 2019 | Bulgarski folklor 45 (2): 145-57 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The black freighter: translation and revence in Nina Simone | 2018 | Mana 24 (1): 39-69 | H6/KUL [MANA-] | 0104-9313 | |||
The singer of Tibet: Shabkar (1781-1851), the 'inescapable nation,' and Buddhist universalism | 2018 | Himalaya: the journal of the Association for Nepal and Himalayan Studies 38 (1): 42-54 | H6/KWL [HIMALAYAN-] | 0891-4834 | |||
Chinese singing contests as sites of negotiation among individuals and traditions | 2018 | Journal of folklore research 55 (1): 49-75 | H6/KF [INDIANA-] | 0737-7037 |