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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Enacting identities: Chōgen, Kujō Kanezane, and the Tōdaiji Great Buddha | 2025 | History of religions 64 (3): 168-214 | H6/KFO [HISTORY-] | 0018-2710 | |||
| Chihuahuan Desert shrine caves: refining chronologies of religious iconography and social histories for the Jornada and Mimbres Mogollon regions of the North American Southwest | 2024 | American antiquity 89 (1): 37-57 | *H6/KE [AMERICAN-] | 0002-7316 | |||
| Religion(s) in seals: old and new challenges | 2024 | Near Eastern Archaeology 87 (1): 4-13 | H6/KE [BIBLICAL-] | 0006-0895 | |||
| Mastering the seven-headed serpent: a stamp seal from Hazor provides a missing link between cuneiform and Biblical mythology | 2024 | Near Eastern Archaeology 87 (1): 14-19 | H6/KE [BIBLICAL-] | 0006-0895 | |||
| The travel of a thangka: crossing gender and cultural boundaries with Lutso's stories | 2024 | Journal of material culture 29 (1): 102-21 | H6/KF [JOURNAL-] | 1359-1835 | |||
| The Ngäbe-Bugle zigzag pattern: a pre- and post-conquest exploration of art and culture | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 37-78 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The epigraphs of the conventual mural painting of the central highlands in New Spain (16th century) | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 119-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
| La estatuilla de Huitzilopochtli del Musée du Quai Branly de París | 2024 | Arqueología mexicana 30 (188): 26-39 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Creating sacred images. The elaboration of effigy-censers from the Maya site of Palenque | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 34-54 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Cave sanctuaries and Palaeolithic artistic motivation | 2024 | Památky archeologické 115 (): 45-75 | H6/KE [PAMATKY-] | 0031-0506 | |||
| Teresa Gisbert (1926-2018): pioneer of hybrid cultures studies | 2024 | Journal de la Société des Américanistes 110 (2): 171-88 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| The making of faith: human intentions and the material influences in the Orthodox Christian practice of iconography | 2023 | Material religion 19 (1): 55-78 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Laca asiática y color mexicano en la cruz del Nazareno de el Puerto de Santa María (Cádiz, España) | 2023 | Arqueología mexicana 29 (178): 76-81 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| The feast of the Nazarene of Caguach: religious identity, geography, and community in the archipelago of Chiloé | 2023 | Ethnohistory 70 (3): 303-28 | H6/KUB [ETHNOHISTORY-] | 1527-5477 | |||
| The treasure of Coricancha | 2023 | Ñawpa Pacha 43 (2): 139-73 | H6/KE [NAWPA-] | 0077-6297 | |||
| The puma and the snake. Interpretation of the mural painting of the church of Parinacota, Northern Chile | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 51-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The Aztec rain god from the church of La Enseñanza, Mexico City | 2023 | Mexicon 45 (6): 128-33 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Networks of specialized knowledge. Cult and its imagery in early Iron Age Malizi and Palastina | 2023 | Near Eastern Archaeology 86 (2): 112-21 | H6/KE [BIBLICAL-] | 0006-0895 | |||
| Imprinting exemplarity: a culture of print in Mexican nuns' portraits | 2022 | Colonial Latin American review 31 (1): 4-30 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Lightning symbol and snake dance: Aby Warburg and Pueblo art | 2022 | Tribal art (104): 62-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The neo-Byzantine modernization of Aparecida's image | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-28 | 2525-3123 | ||||
| Una representación del joven dios del maíz procedente de Palenque, Chiapas | 2022 | Arqueología mexicana (103): 88-93 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| The Quito Nativity, a polysemic iconography: Christianization, image and construction of the social body in the context of the Realm of New Granada. Seventeenth and eigteenth century | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 43-89 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Atonement of Christ at the whipping-post: scents, chants and Novo-Hispanic paintings | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 91-120 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The diety as a mosaic: images of the god Xipe Totec in divinatory codices from central Mesoamerica | 2022 | Ancient Mesoamerica 33 (3): 432-58 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Putin's descent: iconography of the Last Judgement and politics in contemporary Ukraine | 2022 | Material religion 18 (2): 182-202 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Post-secular art for post-secular age: stational installations of the via dolorosa in Western cities | 2022 | Material religion 18 (2): 203-27 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Materiality of seclusion: a decorated monastic hermitage in the Dead Sea escarpment | 2022 | Material religion 18 (3): 287-310 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Buying a God in Paris: cultural hybridity in the thinking of Yuri Vella, forest Nenets intellectual | 2022 | Journal of ethnology and folkloristics 16 (2): 22-42 | H6/KVT [JOURNAL-] | 1736-6518 | |||
| American religion at the Met Cloisters | 2022 | Material religion 18 (4): 459-84 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Spendor and scarcity of religious matter: medieval cathedral treasuries of the north | 2022 | Material religion 18 (5): 501-11 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Estonian-Finnish art connections in the middle ages and the bells of Turku cathedral | 2022 | Material religion 18 (5): 548-63 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Trading and smuggling of New-Granadan emeralds in southern Italy: jewellery and symbologies in the modern age | 2022 | Fronteras de la Historia 27 (1): 328-58 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Las imágenes de Huitzilopochtli en el Templo Mayor de Tenochtitlan. Nuevos descubrimientos, nuevas ideas | 2022 | Arqueología mexicana 29 (177): 22-33 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Hidden, forgotten, and reborn – Survivals of Nordic reliquaries after the Middle Ages | 2022 | Suomen Museo/Finskt Museum 129 (): 61-84 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
| Coats of arms and coats of paint – Transformations of the old pulpit of Siuntio | 2022 | Suomen Museo/Finskt Museum 129 (): 85-111 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
| The medieval crucifx fragment in St. Mary's Church in Sastamala | 2022 | Suomen Museo/Finskt Museum 129 (): 167-77 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
| When shrines and images grow tired: toward a theory of devotional conservation | 2022 | Res 77-78 (): 157-66 | *H6 [RES-] | 2327-9621 | |||
| Roman Catholic brass pendant icon from the 18th century from the burial mound of Glybay in Rechytsa district Gomel region | 2022 | Vestsi Akademii Navuk Belarusi 67 (1): 49-59 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
| The medieval stele of Vivar del Cis (Burgos) | 2022 | Kobie: antropología cultural (24): 27-36 | H6/KVE [KOBIE-] | 0214-7971 | |||
| 'Whoever looks on Him will Live' (Works of religious art as visual cures against the plague) | 2022 | Konteksty 76 (4): 271-8, 309 | H6/KVM [POLSKA-] | 1230-6142 | |||
| The role of Jizō statues in temple atmosphere, seen through the eyes of Sendai temple abbots | 2021 | Folklore (Tartu) 81 (): 121-56 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
| For one and or for many: affluent and common patronage of narrative art in Tibet | 2021 | Material religion 17 (1): 29-55 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The survival and transformation of annular pacchas in Cusco: an example of artistic and ideological continuity and change | 2021 | Boletín del Museo chileno de Arte precolombino 26 (1): 135-61 | H6/KE [BOLETIN-] | 0716-1530 | |||
| From ira to imagen: the Virgin of the Antigua as a ‘space for correlation’ in seventeenth-century Lima | 2021 | Colonial Latin American review 30 (2): 214-37 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| Architects of their own humanity: race, devotion, and artistic agency in Afro-Brazilian confraternal churches in eighteenth-century Salvador and Ouro Preto | 2021 | Colonial Latin American review 30 (2): 238-71 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| The composite pardo of seventeenth-century Lima: blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres | 2021 | Colonial Latin American review 30 (2): 272-304 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| Patrons, clientele and patronage: iconography of the Virgin of Mercy and Saint Joseph's patronage in New Spain | 2021 | Anales del Instituto de Investigaciones Estéticas 43 (119): 169-208 | H6/KFY [MEXICO-] | 0185-1276 |
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