Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Dancehall city: zongo identity and Jamaican rude performance in Ghanaian popular culture | 2023 | African studies review 66 (1): 211-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Dancehall city: Zongo identity and Jamaican rude performance in Ghanaian popular culture | 2022 | African studies review 65 (1): 211-33 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Re-territorializing the city: youth and the productive role of reggae music in Vanuatu | 2022 | The Australian journal of anthropology 33 (2): 192-209 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Dub, utopia and the ruins of the Caribbean | 2022 | Theory, culture and society 39 (1): 3-22 | H6 [THEORY-] | 0263-2764 | |||
What kind of samba is that? Batucada in Barcelona | 2020 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 5 (1): 110-31 | 2525-3123 | ||||
'Love dem bad': embodied experience, self-adoration, and eroticism in dancehall | 2017 | Transforming anthropology 25 (2): 185-200 | H6 [TRANSFORMING-] | 1051-0559 | |||
Jumping Nyahbinghi youths: local articulations of roots reggae music in a Rastafarian dance hall in Cape Town | 2015 | Suomen antropologi 40 (1): 5-26 | H6 [SUOMEN -] | 0355-3930 | |||
Music at war: reggae musicians as political actors in the Ivorian crisis | 2015 | Journal of African cultural studies 27 (3): 342-55 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Listening to intergalactic sounds - articulation of Rastafarian livity in Finnish roots reggae sound system performances | 2014 | Temenos 50 (2): 273-97 | H6/KFO [TEMENOS-] | 0497-1817 | |||
Making music, making money: informal musical production and performance in Venda, South Africa | 2012 | Africa 82 (1): 93-110 | H6/KY [AFRICA-] | 0001-9720 | |||
Morality and emotion in cultural movements: AfroReggae cultural group and its "social technologies" | 2012 | Revista de antropología (São Paulo) 55 (2): 899-935 | H6/KUL [REVISTA-] | 0034-7701 | |||
"In Chetumal we are not rastas but we like reggae": Afro-Caribbean music in the borders between Mexico and Belize | 2012 | Alteridades 22 (43): 79-94 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
The national thing is a scenario not made for we third world massive: a case of working-class youth on Saint Maarten & Sint Maarten emancipating their minds from exclusive nationalism | 2010 | Transforming anthropology 18 (2): 157-68 | H6 [TRANSFORMING-] | 1051-055 | |||
Surinamese Maroons as reggae artistes: music, marginality and urban space | 2010 | Ethnic and racial studies 33 (9): 1561-79 | H6/KD [ETHNIC-] | 0141-9870 | |||
"Our beer is better than theirs": sub-cultural comics as a joking relationship with identitiy | 2010 | Folklore (Tartu) 46 (): 143-58 | H6/KVT [FOLKLORE-] | 1406-0957 | |||
Burying Lucky Dube | 2009 | African studies 68 (3): 387-401 | H6/KY [BANTU-] | 0002-0184 | |||
Positioning the new Reggaetón stars in Cuba: from home-based recording studios to alternative narratives | 2008 | Journal of Latin American and Caribbean anthropology 13 (2): 336-60 | H6/KUL [JOURNAL-] | 1085-7052 | |||
"We're just bush mob": producing Aboriginal music and maleness in a central Australian recording studio | 2007 | The World of Music 49 (1): 49-63 | H6/KFY [WORLD-] | 0043-8774 | |||
La otra cara del Reggaeton. La poesía antisocial | 2006 | Boletín. Museo del Hombre dominicano 33 (40): 131-43 | *H6/KUL [SANTO DOMINGO-] | ||||
Understanding a modern antique: challenges to representing Rastafari in the twenty-first century | 2005 | New West Indian guide 79 (1/2): 79-90 | H6/KUL [NWIG-] | 0028-9930 | |||
Frontières, sens, attribution symbolique: le case du reggae | 2005 | Cahiers de musiques traditionelles 17 (): 119-41 | H6/KFYV [CAHIERS-] |