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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Shxwelí li te shxwelítemelh xíts'etáwtxw: the museum's confinement of Indigenous kin | 2024 | American anthropologist 126 (2): 233-47 | *H6 [AMERICAN-] | 0002-7294 | |||
| Nana, wintsookxa ijk ja maaytïk? How does that story go? | 2024 | Cultural Survival quarterly 48 (1): 18-19 | H6/KD [CULTURAL-] | 0740-3291 | |||
| Enregistrements sur cylindre de cire du Sud-Cameroun, 1907-1909. Restitutions multiples et vie propre d’une publication d’archives sonores coloniales | 2024 | Gradhiva: revue de anthropology et museologie (38): 188-91 | H6 [GRADHIVA-] | 0764-8928 | |||
| L’atelier « Voix de nos aïeux ». Les premiers enregistrements togolais en contexte colonial allemand | 2024 | Gradhiva: revue de anthropology et museologie (38): 184-7 | H6 [GRADHIVA-] | 0764-8928 | |||
| 3D recording of Palaeolithic rock art through different techniques: a critical comparison and evaluation | 2024 | Journal of field archaeology 49 (7): 508-26 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| Edmond Meany's linguistic suspitions | 2023 | Journal of northwest anthropology 57 (1): 114-20 | H6/KUB [NORTHWEST-] | 1538-2834 | |||
| ‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) | 2023 | Ethnomusicology forum 32 (1): 73-96 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Sound recorders in the basin of the Vaupés river: epistemological synergies for the study of listening points technological and ethnographic in the northeast Amazonian of Colombia | 2022 | Boletín de antropología (Antioquia) 36 (62): 12-37 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Leathcéad Billain de Glórtha Gaeltachta: Cartlann RTÉ Raidió na Gaeltachta | 2022 | Béascna: journal of folklore and ethnology 12 (): 47-62 | H6/KVC [BEASCNA-] | 1649-2137 | |||
| A case of functional orality in the digital age: Olympos (Karpathos, Greece) | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 113-31 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| A Taiwan knowledge keeper of indigenous Bunun: an ethnographic historical narrative of Laipunuk (內本鹿), southern mountain range | 2022 | Ethnography 23 (2): 153-80 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
| 'Live has an atmosphere of its own': azadari, ethical orientation, and tuned presence in Shi'i media praxis | 2022 | Journal of the Royal Anthropological Institute (New Series) 28 (2): 651-75 | H6 [JOURNAL-] | 1359-0987 | |||
| "Cover your ass": individual accountability, visual documentation, and everyday policing in Miami | 2022 | Polar: political and legal anthropology review 45 (2): 186-200 | H6/KF [APLA-] | 1081-69-76 | |||
| New tech for old jobs: handheld LiDAR for feature recording | 2022 | Archaeology in New Zealand 65 (2): 14-27 | H6/KE [NEW-] | 0113-7832 | |||
| Twists and turns in the 360 deal: spinning the risks and rewards of artist-label relations in the streaming era | 2022 | European journal of cultural studies 25 (2): 463-78 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Curating the urban music festival: festivalisation, the 'shuffle' logic, and digitally-shaped music consumption | 2022 | European journal of cultural studies 25 (2): 679-702 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Die Tonbandsammlung Koch aus Kiribati - Entstehungszusammenhänge, Wirkmächte und Repräsentationen | 2022 | Baessler-Archiv (Neue Folge) 68 (): 133-59 | H6 [BAESSLER-] | 0005-3856 | |||
| Dissonant Doppleganger: performing the post-natural through modulated Foley techniques | 2021 | Cadernos de arte e antropologia 10 (1): 37-47 | |||||
| The anthropologist's video camera: forced displacement and production of audio-visual witnessing in Northern Sudan | 2021 | The Cambridge journal of anthropology 39 (1): 37-54 | H6 [CAMBRIDGE-] | 2047-7716 | |||
| Trek to Everest base camp: (re) composing a sound-trek and (re) experiencing as soundscape remix | 2021 | Cadernos de arte e antropologia 10 (2): 71-94 | |||||
| Between identity politics and autobiographical narratives. Digital restitutions of a linguistic documentation project in Bolivia (DoBeS Yurakaré Project 2006-2011) | 2021 | Journal de la Société des Américanistes 107 (1): 151-85 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| Sound, sentience, and schooling: writing the field recording in educational ethnography | 2021 | Anthropology and education quarterly 52 (3): 315-34 | H6 [COUNCIL-] | 0161-7761 | |||
| Sensing the night: nocturnal filmmaking in Guantánamo, Cuba | 2021 | Visual anthropology review 37 (2): 290-309 | H6 [PROGRAM-] | 1053-7147 | |||
| East Asian pop music idol production and the emergence of data fandom in China | 2020 | International journal of cultural studies 23 (4): 493-511 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Digitization, return, and circulation of sound recordings among the Bora in the Colombian Amazon | 2020 | Journal de la Société des Américanistes 106 (2): 151-76 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| Crossed perspectives in the repatriation of knowledge. The Náayeri ritual recordings from K. Th. Preuss | 2020 | Journal de la Société des Américanistes 106 (2): 177-200 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| New technology and archaeological practice. Improving the primary archaeological recording process in excavation by means of UAS photogrammetry | 2019 | Journal of archaeological science 101 (): 11-20 | H6/KE [JOURNAL-] | 0305-4403 | |||
| Ruins on record. Copying Umm Kulthum's al-Atlal, Cairo 2019 | 2019 | Paragrana: internationale Zeitschrift für historische Anthropologie 28 (1): 109-14 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels | 2019 | Ethnomusicology forum 28 (3): 260-82 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| A new symbolic writing for encoding string figure procedures | 2019 | Bulletin of the International String Figure Association 26 (): 182-208 | H6/KFY [BULLETIN-] | 1076-7886 | |||
| Record collections as musical archives: gender, record collecting, and whose music is heard | 2018 | Journal of material culture 23 (1): 39-57 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Designing digital recording for volunteers in rock art surveys, management plans and public outreach in the Cederberg, South Africa | 2018 | African archaeological review 35 (2): 225-39 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Empowering the local Saharawi people: training for rock art documentation in Western Sahara (DARSSO Project) | 2018 | African archaeological review 35 (2): 241-56 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Digital management of rock art: the African Archaeology Archive Cologne (AAArC) | 2018 | African archaeological review 35 (2): 285-98 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Museological approaches to the management of digital research and engagement: the African rock art image project | 2018 | African archaeological review 35 (2): 321-37 | *H6/KE [AFRICAN-] | 0263-0338 | |||
| Researching mobile practices: participant reflection and audio-recording in Repeat Question Diaries | 2018 | Qualitative research 18 (6): 654-70 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Digital guru. Embodiment, technology, and the transmission of traditional knowledge in Kerala | 2018 | Asian ethnology 77 (1-2): 3-31 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
| Eat what your hear: gustasonic discourses and the material culture of commercial sound recording | 2017 | Journal of material culture 22 (1): 93-109 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Writing against loss: Kurdish women, subaltern authorship, and the politics of voice in contemporary Turkey | 2017 | Journal of the Royal Anthropological Institute (New Series) 23 (3): 543-61 | H6 [JOURNAL-] | 1359-0987 | |||
| Establishing best practices for photogrammetric recording during archaeological fieldwork | 2017 | Journal of field archaeology 42 (4): 337-50 | *H6/KE [JOURNAL-] | 0093-4690 | |||
| Alexandru I. Amzulescu's ballad collections from the "Constantin Brăiloiu" Ethnography and Folklore Institute Archives | 2017 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 28 (): 185-98 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
| A silence full of noises: the aural environment in a miner's life history | 2017 | ANUAC: rivista della Società Italiana di Antropologia Culturale 6 (2): 245-70 | 0210-5810 | ||||
| Rock art in Portugal's border area | 2016 | Rock art research 33 (1): 79-88 | H6/KE [ROCK-] | 0813-0426 | |||
| Hunting for "racists": tape fetishism and the intertextual enactment and reproduction of the dominant understanding of racism in US society | 2016 | Journal of linguistic anthropology 26 (1): 26-40 | H6/KK [JOURNAL-] | 1055-1360 | |||
| Documenting living oral traditions: Chna's Institute of Ethnic Literature as case study | 2016 | Journal of American folklore 129 (513): 270-87 | H6/KF [JOURNAL-] | 0021-8751 | |||
| The Rabbit record brand of Siam/Thailand 1925-1970: assessing the legacy of T. Ngekchuan | 2016 | Asian music 47 (2): 48-83 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| The application of quick response (QR) codes in archaeology: a case study at Telperion shelter, South Africa | 2016 | Antiquity 90 (353): 1363-72 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Cultural precedents for the repatriation of legacy song records to communities of origin | 2016 | Australian Aboriginal studies (2): 94-103 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
| Totem and taboo: the embarassing epistemic work of things in the research setting | 2015 | Qualitative research 15 (2): 141-65 | H6 [QUALITATIVE-] | 1468-7941 | |||
| On craft and art: some thoughts on repatriation and collecting policy - The case of collections at the Museum of Cultural History, University of Oslo | 2015 | Visual anthropology 28 (4): 324-35 | *H6 [VISUAL-] | 0894-9468 |
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