Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Ethno-graphics: folklore and Baltic printmaking in the period of late Socialism | 2024 | Folklore (Tartu) 93 (): 213-44 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Gabriela Morac: Zapoteca printmaker and painter | 2024 | First American art magazine 44 (): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Posada, continuity and innovation in the turn of the century printed image of Mexico: lithography and photolithography | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 45-99 | H6/KFY [MEXICO-] | 0185-1276 | |||
Nunavik printmaking through the years: an illustrated history | 2023 | Inuit art quarterly 36 (3): 42-52 | *H6/KFY [INUIT-] | 0831-6708 | |||
Into the Abbatoire. Eldzier Cortor in Haiti, 1949-51 | 2022 | Nka: journal of contemporary African art (50): 22-34 | H6/KY [NKA-] | 1075-7163 | |||
The Indian collection of early 20th century prints with Slovene Ethnographic Museum Ljubljana: between colonialism and Indian nationalist discourse | 2022 | Etnolog (New Series) 32 (): 129-46 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
Printing infidelity: Watson Heston and the making of the impressionable freethinking subject, 1873-1900 | 2021 | Material religion 17 (5): 603-26 | H6/KFO [MATERIAL-] | 1743-2200 | |||
A new vision: modern Japanese prints from the Heriot collection | 2020 | Tuhinga (31): 91-112 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
Depictions of Guanche caves as part of a business model of competing Italian editorials (1815-1860) | 2020 | Almogaren 51 (): 101-54 | H6/KE [ALMOGAREN-] | ||||
Inuit-Drucke - Die Kunst mit Stein und Farbe Geschichten zu erzählen | 2020 | Archiv Weltumseum Wien (69): 4-23 | H6/KF [ARCHIV-] | 0066-6513 | |||
Northern Paiute/Pit River printmaking and mixed-media artist Jean Lamarr | 2020 | First American art magazine 28 (): 50-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Ichnology in subterranean environment. Tracks as a marker of human behaviour in caves | 2020 | Annales de la Fondation Fyssen (35): 160-80 | *H6 [ANNALES-] | 0980-157X | |||
O amor no sertão: xilogravuras de J. Borges | 2020 | Thule (48/49): 459-72 | H6/KUL [THULE-] | 1126-8611 | |||
Printed textiles from Kinnigait studios. Textile Museum of Canada | 202 | Inuit art quarterly 33 (1): 60-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
Benjamin Harjo Jr.: Absentee Shawnee/Seminole painter and printmaker | 2019 | First American art magazine 23 (): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Floating world at Te Papa: the Heriot collection | 2019 | Tuhinga (30): 56-81 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
From Senegal to Augsburg: gum arabic and the Central European textiles industry in the eighteenth century | 2019 | Textile history 50 (1): 4-22 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Positive living: visual activism and art in HIV/AIDS rights campaigns | 2019 | Journal of southern African studies 45 (1): 143-74 | H6/KY [JOURNAL-] | 0305-7070 | |||
Pixelating the sacred: digital and mechanical reproduction and the Orthodox Christian icon in the United States | 2019 | Material religion 15 (3): 293-321 | H6/KFO [MATERIAL-] | 1743-2200 | |||
True to form: the printmakers of Kinnigait Studios | 2019 | Inuit art quarterly 32 (3): 28-35 | *H6/KFY [INUIT-] | 0831-6708 | |||
What gets lost: the Canadian Eskimo Arts Council's rejected prints | 2019 | Inuit art quarterly 32 (3): 36-43 | *H6/KFY [INUIT-] | 0831-6708 | |||
The re-collected images of Joseph Senungetuk | 2019 | Inuit art quarterly 32 (3): 44-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
Hopi/Choctaw printmaker and painter Linda Lomahaftewa | 2019 | First American art magazine 24 (Fall): 46-51 | H6/KUB [FIRST-] | 2333-5548 | |||
Playing with Nezumi toys, dreaming of unattainable utopia: unique portrayals of Nezumi in Japanese folk tradition | 2019 | Folklore (Tartu) 77 (): 39-62 | H6/KVT [FOLKLORE-] | 1406-0957 | |||
Cargo of art and pictorial materials in the galeons of the Firm Land of 1586. Shipments from Seville to the cities of Bogotá, Tunja, Cuzco and Lima | 2019 | Anales. Museo de América (Madrid) (27): 95-130 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Profiled hands in Palaeolithic art: the first universally recognized symbol of the human form | 2018 | World art 8 (1): 1-19 | H6 [WORLD-] | 2150-0908 | |||
J.O. Lewis and the Aboriginal portfolio | 2018 | Tribal art (89): 134-45 | *H6/KFY [WORLD-] | 1354-2990 | |||
Cutting edge: paper today | 2018 | Inuit art quarterly 31 (3): 40-50 | *H6/KFY [INUIT-] | 0831-6708 | |||
Printed matters: unearthing the Ulukhaktok Archive | 2018 | Inuit art quarterly 31 (3): 60-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
Educational prints at the Náprstek Museum | 2018 | Annals of the Náprstek Museum 39 (1): 75-94 | H6/KVL [PRAGUE-] | 0231-844X | |||
The legacy of Barbora Markéta Eliášová in the Japanese collection of Náprstek Museum | 2018 | Annals of the Náprstek Museum 39 (2): 99-118 | H6/KVL [PRAGUE-] | 0231-844X | |||
Windows into the past | 2018 | Hali (198): 68-73 | *H6/KGG [HALI-] | 0142-0798 | |||
Christine Checinska in conversation with Althea McNish and John Weiss | 2018 | Textile: the journal of cloth and culture 16 (2): 186-99 | H6/KGG [TEXTILE-] | 1475-9756 | |||
The currency of Ntoma (fabric) | 2018 | Textile: the journal of cloth and culture 16 (2): 200-13 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Collection of autotypical block prints representing the theatre activities in Brno | 2018 | Acta Musei Moraviae: scientiae sociales 103 (2): 179-88 | H6/KE [ACTA-] | 0323-0570 | |||
Harmony in woodblock | 2017 | British Museum magazine (87): 30-1 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
True likeness | 2017 | British Museum magazine (87): 40-2 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
Decorative borders in Chinese folk prints. insight into the Náprstek Museum collections | 2017 | Annals of the Náprstek Museum 38 (1): 17-28 | H6/KVL [PRAGUE-] | 0231-844X | |||
Indian cotton for Cairo: the Royal Ontario Museum's Gujarati textiles and the early Western Indian Ocean trade | 2017 | Textile history 48 (1): 15-30 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
A decade of design: the global invention of the Kanga, 1876-1886 | 2017 | Textile history 48 (1): 101-32 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
Hominin track assemblages from Okote Member deposits near Ileret, Kenya, and their implications for understanding fossil hominin paleobiology at 1.5 Ma | 2017 | Journal of human evolution 112 (): 93-104 | H6/HB [JOURNAL-] | 0047-2484 | |||
Osage painter and printmaker: Norman Akers | 2016/2017 | First American art magazine 13 (): 49-57 | H6/KUB [FIRST-] | 2333-5548 | |||
Popular culture | 2016 | British Museum magazine (86): 47-9 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
Bringing joy through art | 2015 | Hali (183): 57-71 | *H6/KGG [HALI-] | 0142-0798 | |||
Tracking caves: experience based reading of pleistocene human footprints in French caves | 2015 | Cambridge archaeological journal 25 (3): 551-64 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Bloody hell! Reading boys' books in seventeenth century Japan | 2015 | Asian ethnology 74 (1): 111-39 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Copy as art: the pictorial world of the manuscript codices of Heideboden | 2015 | Ethnographia 126 (1): 24-41 | H6/KVN [ETHNOGRAPHIA-] | 0014-1798 | |||
A call to multiple arms! Protesting the commoditization of Hindu imagery in western society | 2014 | Material religion 10 (1): 54-75 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Two dhāraṇī prints in the Stein Collection at the British Museum | 2014 | Bulletin of the School of Oriental and African Studies (London) 77 (1): 105-17 | H6/KW [LONDON-] | 0041-977X | |||
Printed barkcloth, Fiji. Printed cotton, France | 2014 | Hali (182): 34-5 | *H6/KGG [HALI-] | 0142-0798 |