Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Overlooking whiteness? Discourses of race and primitiveness in accounts of the Ainu by Benjamin Douglas Howard and Henry Savage Landon (1893) | 2024 | History and anthropology 35 (4): 893-908 | H6 [HISTORY-] | 1477-2612 | |||
Aita o Paul Gauguin i ite i te parau i te reo Tahiti: the colonial implications of Paul Gauguin's inconrrect Tahitian | 2024 | Pacific studies 47 (1): 27-41 | *H6/KX [PACIFIC-] | 0275-3596 | |||
Sound poem/Maori song. Research on Tristan Tzara's "Toto-vaca" | 2024 | Gradhiva: revue de anthropology et museologie (38): 90-109 | H6 [GRADHIVA-] | 0764-8928 | |||
Sur la définition du primitivisme littéraire | 2024 | Gradhiva: revue de anthropology et museologie (38): 154-67 | H6 [GRADHIVA-] | 0764-8928 | |||
Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Keith Haring, techno-primitive iconography | 2024 | Tribal art (114): 90-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Chéri Samba: Kinshasa kingpin | 2023 | Nka: journal of contemporary African art (52): 34-43 | H6/KY [NKA-] | 1075-7163 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Being bad during Ramadan: temporality, historicity and the refusal of coevalness in the anthropology of Islam | 2023 | History and anthropology 34 (5): 883-903 | H6 [HISTORY-] | 1477-2612 | |||
The savage share | 2023 | Terrain (78): 4-25 | H6 [TERRAIN-] | 0760-5668 | |||
Emanations from the Musée de Trocadéro: African art in a global context | 2022 | Tribal art (105): 80-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
Primitivist medicine and capitalist anxieties in ayahuasca tourism in Peru | 2022 | Journal of the Royal Anthropological Institute (New Series) 28 (2): 496-515 | H6 [JOURNAL-] | 1359-0987 | |||
Kinderzeichnungen im Kontext der Volkskunde. Eine bisher unbekannte Basler Sammlung | 2022 | Schweizerisches Archiv für Volkskunde (1): 87-110 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
Narratives of a reluctant modernist. Rethinking William Fagg's Africa | 2022 | Res 77-78 (): 1-14 | *H6 [RES-] | 2327-9621 | |||
Africa in the Surrealist imaginary: photographs of sculpture in Minotaure and Documents | 2021 | Visual anthropology 34 (3): 185-213 | *H6 [VISUAL-] | 1545-5920 | |||
The lost word | 2021 | Gradhiva: revue de anthropology et museologie (32): 24-47 | H6 [GRADHIVA-] | 0764-8928 | |||
Metaphor in comparative studies, or, the folklore of anthropology: Frazer, Malinowski, Trobriand, and us | 2021 | Folklore 132 (4): 343-66 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Susan Mulling Vogel: disturbing expectations | 2021 | African arts 54 (1): 14-28 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Violence, death and primitivism: concepts and interpretations of archaeology in the XIX century | 2021 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 19 (2): 239-54 | |||||
Museal fact and representation of the past: the Peruvian and Ecuadorian experience in the Historical American Exhibition at Madrid in 1892 | 2021 | Iberoamericana 21 (77): 97-115 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Fron 'ugh' to babble (or Babel): linguistic primitivism, sound-blindness, and the cinematic representation of Native Amazonians | 2020 | Current anthropology 61 (6): 732-62 | H6 [CURRENT-] | 1537-5382 | |||
Drawing as ethnographic practice: Miguel Covarrubias's Balinese drawings & sketches as visual anthropology | 2020 | Anales del Instituto de Investigaciones Estéticas (116): 107-31 | H6/KFY [MEXICO-] | 0185-1276 | |||
The stones of Taliesin West: Frank Lloyd Wright and the petroglyphs of Paradise Valley | 2020 | Journal of the Southwest 62 (1): 5-100 | *H6/KUB [JOURNAL-] | 0894-8410 | |||
Bela Hein's Kifwebe: or, the transformed horizon | 2020 | Tribal art (98): 82-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Sir Jacob Epstein "primitive mercenary in the modern world" | 2019 | Arts & cultures (): 234-43 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Félix Fénéon: art from distant spaces | 2019 | Tribal art (92): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Primitivist tourism and anthropological research: awkward relations | 2019 | Journal of the Royal Anthropological Institute (New Series) 25 (3): 526-45 | H6 [JOURNAL-] | 1359-0987 | |||
Totalitarian critique: Fabian and the history of primitive anthropology | 2019 | Histories of anthropology annual 13 (): 1-49 | H1 [HISTORIES-] | 1557-637X | |||
Henri-Matisse unmasked | 2019 | Native American art February (19): 90-5 | H6/KUB [NATIVE-] | 2469-6137 | |||
Against primitivism. Meyer Schapiro's early writings on African and Romanesque art | 2019 | Res 71-72 (): 295-311 | *H6 [RES-] | 2327-9621 | |||
Promises of the "vanishing" worlds: re-storying "civilization" in the Philippine national imaginary | 2019 | Canadian journal of native studies 39 (1): 119-43 | *H6/KUB [CANADIAN-] | 0715-3244 | |||
Magazines Zig-Zag: graphic reports and otherness on the indigenous population of the new frontier northern Chile (1905-1930) | 2019 | Estudios Atacameños (61): 135-53 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Paintings from afar | 2018 | Tribal art 87 (): 148-59 | *H6/KFY [WORLD-] | 1354-2990 | |||
Taut focus: the new vision of Gordon Walters | 2018 | Art New Zealand (165): 66-71 | H6/KX [ART-] | 0110-1102 | |||
The market as "artist": the French origins of the obsession with provenance in historical African art | 2018 | Critical interventions: journal of African art history and visual culture 12 (1): 52-70 | H6/KFY [CRITICAL-] | 1930-1944 | |||
The legendary book: a facsimile edition. Negro Anthology edited by Nancy Cunard | 2018 | Tribal art (89): 150-6 | *H6/KFY [WORLD-] | 1354-2990 | |||
Writing prehistory | 2018 | Res 69/70 (): 1-4 | *H6 [RES-] | 0277-1322 | |||
The cave paintings of Kapova: toward a Socialist map of prehistory | 2018 | Res 69/70 (): 118-35 | *H6 [RES-] | 0277-1322 | |||
Polyschematic prehistory at the dusk of colonialism: internationalism, racism, and science in Henri Breuil and Jan Smuts | 2018 | Res 69/70 (): 136-57 | *H6 [RES-] | 0277-1322 | |||
Primitivism reconsidered (part 2): Picasso and the Krumen | 2018 | Res 69/70 (): 227-50 | *H6 [RES-] | 0277-1322 | |||
André Derain: the avant-garde of primitivism? | 2018 | Arts & cultures (): 88-99 | *H6/KFY [ARTS-] | ONLY ISBN | |||
"Rather unusual stuff": Nathan Jackson's early advent of a Tlingit modern | 2018 | ab-Original 2 (2): 300-26 | 2470-6221 | ||||
Selling the "Inca superfood": nutritional primitivism in superfoods books and maca marketing | 2018 | Food Culture and Society 21 (4): 449-67 | H6/KF [FOOD-] | 1528-9796 | |||
Primitivos somos nós | 2018 | Trabalhos de antropologia e etnologia (58): 137-50 | H6/KVE [SOCIEDADE-] | ||||
Noble heathens: Jón Jónsson Ađils and the problem of Iceland's pagan past | 2017 | Nations and nationalism 23 (3): 463-83 | *H6/KF [NATIONS-] | 1354-5078 | |||
Let there be light: Waujia people and the practice of photographic primitivism in Sebastião Salgado's Genesis | 2017 | Visual anthropology review 33 (1): 28-37 | H6 [PROGRAM-] | 1053-7147 | |||
Developing Terra Nullius: colonialism, nationalism, and indigeneity in the Andaman Islands | 2017 | Comparative studies in society and history 59 (4): 944-73 | H6/KF [COMPARATIVE-] | 0010-4175 | |||
Tunnel vision: part one - resisting post-colonialism in Australian anthropology | 2017 | The Australian journal of anthropology 28 (3): 324-41 | H6/KF [AUSTRALIAN-] | 1035-8811 |