Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
How fan clubs manage the authenticity of fans' identities in Chinese idol culture | 2025 | International journal of cultural studies 28 (2): 370-88 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Interrogating the ‘African troupe’: the construction of Africanness and Blackness in Chinese consumption of K-pop videos | 2025 | International journal of cultural studies 28 (2): 389-407 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Sounds of the Border, Down Mexico Way: la conformacion de los imaginarios sobre Tijuana en su resonancia musical de 1930 a 1941 | 2024 | Mexican studies 40 (1): 100-30 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Cruzando las fronteras de sur a norte y de norte a sur: Mexican wind bands, politics, and revolution across the US-Mexico border, circa 1900–1930 | 2024 | Mexican studies 40 (1): 131-72 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Soft nationalism and China: a case study of nationalism in short videos by US-Chinese rapper MC Jin | 2024 | International journal of cultural studies 27 (2): 234-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Batida and the politics of sonic agency in Afro Lisboa | 2024 | Ethnic and racial studies 47 (7): 1438-55 | H6/KD [ETHNIC-] | 1466-4356 | |||
Punk, planetarity, and the wages of neocolonial globalization | 2024 | Studies in Latin American popular culture 42 (): 1-21 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Rock y Malvinas: dos álbumes argentinos clave de 1982, Kamikaze de Luis Alberto Spinetta y Yendo de la cama al living de Charly García | 2024 | Studies in Latin American popular culture 42 (): 40-52 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Tensiones raciales y visuales en el trópico colombiano: discografías de orquestras sabaneras Pedro Laza y sus playeros y La Sonora Cordobesa | 2024 | Studies in Latin American popular culture 42 (): 145-71 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Soundscapes of tango: criollismo, the dissonances of modernity, and Peronism | 2024 | Studies in Latin American popular culture 42 (): 172-98 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop | 2024 | International journal of cultural studies 27 (5): 605-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The patriarchal Western gaze and the discursive policing of fandom: "Koreaboo" as stigma | 2024 | International journal of cultural studies 27 (5): 623-38 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The politics of credit in remix of Japanese popular culture: between “an 80's Japanese disco floor” and “this remix is worthy of the actual game” | 2024 | International journal of cultural studies 27 (5): 639-57 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Youth identity development on the basis of traditional Kazakh folk music | 2024 | Folklore (Tartu) 93 (): 70-104 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Purging the neoliberal poison? Marina Diamandis and the cultural grammar of popular left politics | 2024 | European journal of cultural studies 27 (1): 87-106 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Yma Súmac and/or pastorita Huaracina? Limits and possibilities of the cultural policies of José María Arguedas | 2024 | Disparidades: revista de antropologia 79 (1): 1-1 | H6/KVE [REVISTA-] | 2659-6881 | |||
Sartorial subversion in subculture of Malaysian female Muslim punks | 2024 | International journal of cultural studies 27 (6): 736-59 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
From the nightclub to the National Assembly: gender, morality and rap in Cameroon | 2024 | Cahiers d'études africaines (255-256): 685-711 | H6/KY [CAHIERS-] | 0008-0055 | |||
A sonic biography of an afterlife: the expelled liberation leader Uria Simango in Mozambican Rap | 2024 | Journal of southern African studies 50 (1): 153-77 | H6/KY [JOURNAL-] | 1465-3893 | |||
Between Oppa and Borahae | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (4): 385-416 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
'Rocking the establishment': subculture, authenticity and the populist radical right in Sweden | 2024 | European journal of cultural studies 27 (6): 1122-39 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The “social life” of Michael Jackson’s statue in favela Santa Marta, Rio de Janeiro: a mobile perspective over ‘regimes of value’ | 2023 | Etnográfica: revista do Centro de Estudos de Antropologia Social 27 (1): 137-59 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Prosumer activism: the case of Britney Spears' Brazilian fandom | 2023 | Journal of consumer culture 23 (2): 428-43 | H6 [JOURNAL-] | 1469-5405 | |||
Political meaning hidden behind enchanting melodies: how China delivered ideological messages in the song cycle "Four Seasons of Our Motherland" | 2023 | Folklore (Tartu) 88 (): 219-34 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Et si on changeait la musique? Déterminants sociaux des préférences pour le hip-hop, le rap et les musiques urbaines en Grande Bretagne | 2023 | Canadian review of sociology and anthropology 60 (1): 69-87 | H6/KUB [CANADIAN-] | 1755-6171 | |||
Between tensions, stereotypes, and scissions: the Japanese identity in Brazil and its representation in music | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-27 | 2525-3123 | ||||
Fonógrafos ambulantes en tiempos de don Porfirio: hacia una historia popular de los sonidos (Ciudad de México, 1894-1903) | 2023 | Studies in Latin American popular culture 41 (): 68-94 | *H6/KUL [STUDIES-] | 0730-9139 | |||
‘A whole society, with its own economic system’: the reciprocal and capitalist configurations of American DIY music scenes | 2023 | Ethnomusicology forum 32 (1): 5-27 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Black vibrations: techno as queer insurrectionist sonics | 2023 | Journal of visual culture 22 (1): 25-46 | H6/KF [JOURNAL-] | 1470-4129 | |||
Music for mental health: an autoethnography of the Rory Gallagher Instagram fan community | 2023 | Journal of contemporary ethnography 52 (5): 633-63 | H6/KY [JOURNAL-] | 0891-2416 | |||
‘The wisest man in the East’: the aesthetics of gospel rap music within the emotional regimes of Finnish Evangelical Christianity | 2023 | Temenos: Nordic journal of comparative religion 59 (2): 207-29 | 2342-7256 | ||||
Tactile technologies of the self: connection, hapticscape and self-development narratives in Cape Town's Afro-Latin dance scene | 2023 | Anthropology Southern Africa 46 (3): 229-44 | *H6 [SOUTH-] | 2332-3256 | |||
Popular music and Marchinha in the spring festival and other festive spaces in the Valparaiso region from a historical perspective | 2023 | Iberoamericana 23 (84): 143-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Crossing borders and crossing the line: Nusantara mobilities of Search and the Malay rock phenomenon (1980s and 1990s) | 2023 | Indonesia and the Malay world 51 (151): 257-78 | H6/KX [INDONESIA-] | 1469-8382 | |||
Listening old music in modern studios: study of music market in Nepal | 2023 | International journal of anthropology 38 (3-4): 153-78 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Dubai letter songs: emotions and migration in Kerala, India (1970s-1990s) | 2023 | Contributions to Indian sociology (New Series) 57 (1-2): 98-121 | H6/KWL [CONTRIBUTIONS-] | 0069-9667 | |||
Young Qom in greater Buenos Aires: use and visibility of the indigenous language in social media | 2022 | Runa: archivo para la ciencias del hombre 43 (1): 113-33 | 0325-1217 | ||||
Poetic resistance: Karen long-distance nationalism, rap music, and YouTube | 2022 | International journal of cultural studies 25 (1): 30-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Playing YouTube: yow the Nancy YouTuber doll and app position children as aspiring YouTube influencers | 2022 | International journal of cultural studies 25 (2): 121-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The politics of Black and Brown solidarities: race, space, and hip-hop cultural production in Los Angeles | 2022 | Ethnic and racial studies 45 (5): 942-65 | H6/KD [ETHNIC-] | 1466-4356 | |||
Balancing categorical conventionality in music | 2022 | American journal of sociology 128 (1): 224-86 | H6/KF [AMERICAN-] | 0002-9602 | |||
Salsa choke: an overview | 2022 | Boletín de antropología (Antioquia) 36 (62): 87-104 | H6/KUL [BOLETIN-] | 0120-2510 | |||
"Cuando yo quiera has de volver": configuraciones de masculinidad y femininidad en las canciones de Juan Gabriel para Rocío Dúrcal | 2022 | Studies in Latin American popular culture 40 (): 21-42 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
‘On standby’: Malagasy social relatedness between ‘on’ and ‘off’ | 2022 | Journal of southern African studies 48 (4): 639-52 | H6/KY [JOURNAL-] | 1465-3893 | |||
More or less a foreigner: domestic reception of multinational K-pop groups | 2022 | Asian journal of social science 50 (4): 268-75 | H6/KW [ASIAN-] | 1568-4849 | |||
The American ghetto, gangster, and respect on the streets of Copenhagen: media(tion)s between structure and street culture | 2022 | Journal of contemporary ethnography 51 (1): 407-34 | H6/KY [JOURNAL-] | 0891-2416 | |||
Music and words against racism: a qualitative study with racialized artists in Italy | 2022 | Ethnic and racial studies 45 (15): 2913-33 | H6/KD [ETHNIC-] | 1466-4356 | |||
Body as relation. Queer-feministische und Schwarze Spekulation im Wek Janelle Monáes | 2022 | Schweizerisches Archiv für Volkskunde (2): 69-88 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X |