Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The baby on the track: a newspaper legend with roots in the 19th century | 2923 | Journal of ethnology and folkloristics 17 (2): 164-75 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (1): 1-23 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Illicit media, reflexivity and sociocultural change in North Korea | 2024 | International journal of cultural studies 27 (2): 165-80 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
'When it comes to the true crime community, Taylor is a legend': social and symbolic capital among murderabilia fans | 2024 | International journal of cultural studies 27 (2): 251-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Disrupting Brazilian television: streaming and the decline of Globo's hegemony in video cultures | 2024 | International journal of cultural studies 27 (1): 9-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘They are now pocket videos, not home videos’: streaming and reconfiguration of video consumption in Nigeria | 2024 | International journal of cultural studies 27 (1): 82-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘Terebi banare’: historicising Internet-distributed television and the ‘departure from television’ in Japan | 2024 | International journal of cultural studies 27 (1): 99-118 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Beyond Netflix: ownership and content strategies among non-US-based video streaming services | 2024 | International journal of cultural studies 27 (1): 119-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Walls of resistance: underground memories and political violence in Colombia | 2024 | History and anthropology 35 (1): 68-89 | H6 [HISTORY-] | 1477-2612 | |||
Native voices on Native appropriation | 2024 | Ethnic and racial studies 47 (4): 647-69 | H6/KD [ETHNIC-] | 1466-4356 | |||
#Detroit music city: analyzing Detroit's musical urban imaginary through a cultural justice lens | 2024 | Space and culture 27 (1): 14-30 | H6 [SPACE-] | 1206-3312 | |||
Racial rhetoric in black and white: situational whiteness in Francoist Spanish Guinea through Misión blanca | 2024 | Ethnic and racial studies 47 (7): 1478-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
“It is only bad priests and outlaws who thrive nowadays”. The Catholic Church, the colonial authorities, and elite rumor networks in the 1820s Lesser Antilles | 2024 | New West Indian guide 98 (1-2): 59-91 | H6/KUL [NWIG-] | 0028-9930 | |||
Representations of gender in Estonian graffiti and street art | 2024 | Folklore (Tartu) 92 (): 7-48 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Memetic commenting: Armenian curses and the Twitter theatre of Trump's deselection | 2024 | International journal of cultural studies 27 (3): 302-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Multimodal online dissident culture in Instagram: a critique of the Turkish economy | 2024 | International journal of cultural studies 27 (3): 323-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Death to Chad and Stacey: incels and anti-fandom as group identity | 2024 | International journal of cultural studies 27 (3): 349-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Mapping globalised Chinese webnovels: genre blending, cultural hybridity, and the complexity of transcultural storytelling | 2024 | International journal of cultural studies 27 (3): 368-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Digital labor in the state-led/capitalist complex: state labor and playful workaholics in the Chinese digital space | 2024 | International journal of cultural studies 27 (3): 387-404 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (3): 405-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Family, power, and nationalism. Children in post-independence Indonesian cinema | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
‘I could see myself doing something like that’: US women’s engagement with characters who experience abortion, adoption and surrogacy on Little Fires Everywhere | 2024 | Culture, health & sexuality 26 (6): 839-54 | H6/KGT [CULTURE-] | 1464-5351 | |||
The commercial and regional imagery of big things: establishing a foundation for the study of oversized roadside landmarks | 2024 | Journal of material culture 29 (1): 3-25 | H6/KF [JOURNAL-] | 1359-1835 | |||
Otomi visual representations of illness and death in the early 21st century | 2024 | Alteridades (67): 37-49 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
A tiny home of one's own | 2024 | Journal of material culture 29 (1): 122-37 | H6/KF [JOURNAL-] | 1359-1835 | |||
Uncolonialism/Bāb art | 2024 | Nka: journal of contemporary African art (54): 64-78 | H6/KY [NKA-] | 1075-7163 | |||
How and about what is talked at school? Communicative flows and borders in institutional rap arrangements (Paraná, Argentina) | 2024 | Cuadernos de antropologia social (59): 81-101 | H6/KF [CUADERNOS-] | 1850-275x | |||
Vacillating vaccines: responses to Covid-19 in the United States and South Africa | 2024 | Anthropology Southern Africa 47 (1): 6-19 | *H6 [SOUTH-] | 2332-3256 | |||
"Una victoria para el Uruguay como país": style, national identity, and intercultural encounter at the 1924 olympic football tournament | 2024 | Studies in Latin American popular culture 42 (): 53-74 | *H6/KUL [STUDIES-] | 0730-9139 | |||
"The many faces and shades of blackness": race, class, and geography in early twenty-first-century telenovela representations | 2024 | Studies in Latin American popular culture 42 (): 97-123 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Utopia lost? The cultural incorporation of the subcultural kitchen | 2024 | Journal of folklore research 61 (1): 85-115 | H6/KF [INDIANA-] | 0737-7037 | |||
Impact of popular culture on the behaviour of poverty-stricken urban youth: an anthropological study | 2024 | International journal of anthropology 39 (1-2): 69-88 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Summary of one of the possible histories of Brazilian carnival | 2024 | Ciência & Trópico 48 (1): 171-84 | H6/KUL [CIENCIA-] | 0304-2685 | |||
To break the drawings with a punch: Latin-American comic studies, here and now. Introduction | 2024 | Iberoamericana 24 (86): 7-18 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
New culture for the new man: Quimantú Publishing House and the educational comic in Chile,1970-1973 | 2024 | Iberoamericana 24 (86): 19-37 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The future has already passed: urban apocalypse, futurism and dystopia in four contemporary Argentine comics | 2024 | Iberoamericana 24 (86): 79-101 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
An absurd laughter: towards a genealogy and typology of "silly humor" (1940-1946) | 2024 | Iberoamericana 24 (86): 125-52 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
On seal hunting and archie comics: an English scholar grapples with a love for written words and a heritage of oral education | 2024 | Inuktitut (131-132): 46-9 | *H6/KUB [INUKTITUT-] | 0705-8527 | |||
Alien nights: between the fantastic and the ordinary in the speculative anthropology of Acrean cinema | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-21 | 2525-3123 | ||||
Exploring cultural hybridity, questioning cultural appropriation: Peruvian fans’ responses to Latin tropes in K-pop | 2024 | International journal of cultural studies 27 (5): 605-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The patriarchal Western gaze and the discursive policing of fandom: "Koreaboo" as stigma | 2024 | International journal of cultural studies 27 (5): 623-38 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The politics of credit in remix of Japanese popular culture: between “an 80's Japanese disco floor” and “this remix is worthy of the actual game” | 2024 | International journal of cultural studies 27 (5): 639-57 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Engaging the present, embracing the past: pop culture museums and cultural continuity in Fukushima | 2024 | International journal of cultural studies 27 (5): 658-74 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘If it's held dear, it’ll get pushed through’: transmedia narratives, play cultures, and soft canon in tabletop role-playing games (TTRPGs) | 2024 | International journal of cultural studies 27 (5): 675-93 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
“The people’s Garibaldi”: twentieth-century politics of a Risorgimento icon | 2024 | Visual anthropology 37 (4): 322-53 | *H6 [VISUAL-] | 1545-5920 | |||
Botanizing the city of Kolkata: exploring the modern-day flâneuse and a refashioned mode of flânerie in Sujoy Ghosh’s Film Kahaani | 2024 | Visual anthropology 37 (4): 376-492 | *H6 [VISUAL-] | 1545-5920 |