Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The baby on the track: a newspaper legend with roots in the 19th century | 2923 | Journal of ethnology and folkloristics 17 (2): 164-75 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Cultural netizenship as platformization of popular culture in Nigeria | 2025 | International journal of cultural studies 28 (1): 260-77 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Of robots and ancient mysteries: representations of Jōmon figurines as cultural heritage and popular culture | 2025 | Journal of social archaeology 25 (1): 48-71 | H6/KE [JOURNAL-] | 1469-6053 | |||
El escarabajo de oro y las posibilidades de ars combinatoria | 2025 | Studies in Latin American popular culture 43 (): 48-63 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Viral nationalism: right wing media and the aesthetics of distributed participation | 2025 | International journal of cultural studies 28 (3): 597-616 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Story-weaving: homo narrans, popular culture and the role of stories in tourism | 2025 | International journal of cultural studies 28 (3): 637-52 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Stim culture: outlining anime's appeal to the autistic community | 2025 | International journal of cultural studies 28 (3): 653-68 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Cultivating vigilant drivers through TV: on the cultural work of dashcam videos and normalization of surveillance | 2025 | International journal of cultural studies 28 (3): 669-84 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Rethinking the 'wellness influencer': medical doctors, lifestyle expertise and the question of credentials | 2025 | International journal of cultural studies 28 (3): 685-701 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Simianmania. Apes and national representation in Argentina and Brazil at the beginning of the 20th century | 2025 | Boletín americanista (90): 237-63 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Contemporary trends in Latin American cinema | 2025 | Studies in Latin American popular culture 43 (): 1-3 | *H6/KUL [STUDIES-] | 0730-9139 | |||
México 2010: cine historia (y para las mujeres), nada que celebrar | 2025 | Studies in Latin American popular culture 43 (): 4-27 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Moviegoing experience, gender, and socioeconomic distribution in São Paulo during the 1920s | 2025 | Studies in Latin American popular culture 43 (): 28-47 | *H6/KUL [STUDIES-] | 0730-9139 | |||
The sensing eye: intimate vision in couple dancing | 2025 | Ethnography 26 (2): 217-33 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
"La racialle, " a performed figure in the French contemporary youth | 2025 | Ethnography 26 (2): 315-38 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Visual culture and Indigenous people in early 20th century Argentina: the illustrations in Caras y Caretas in the centenary year | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 8-24 | H6/KE [BOLETIN-] | 0716-1530 | |||
The battle of many, the glamour of few: esports, materialities, and gambiarra in Free Fire | 2025 | Cuadernos de antropologia social (61): 47-70 | H6/KF [CUADERNOS-] | 1850-275x | |||
Representing Muhammad: the prophet on screen | 2025 | Material religion 21 (1): 74-106 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Materializing storyworld, battles of transmedia storytelling: trans-fandom cultures of The King's Avatar on Chinese social media platform | 2025 | International journal of cultural studies 28 (2): 497-519 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Interrogating the ‘African troupe’: the construction of Africanness and Blackness in Chinese consumption of K-pop videos | 2025 | International journal of cultural studies 28 (2): 389-407 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
How fan clubs manage the authenticity of fans' identities in Chinese idol culture | 2025 | International journal of cultural studies 28 (2): 370-88 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Video games as cultural studies other | 2025 | International journal of cultural studies 28 (2): 343-53 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Temporalities, anachronism and politics in stories of the conquest of the Americas | 2025 | History and anthropology 36 (3): 561-80 | H6 [HISTORY-] | 1477-2612 | |||
Un archipélago cinemático: Chiloé en el imaginario fílmico chileno, 2000-2023 | 2025 | Studies in Latin American popular culture 43 (): 64-90 | *H6/KUL [STUDIES-] | 0730-9139 | |||
"Mi sueño es cantar": Natalia Oreiro en Miss Tacuarembó y Gilda, no me arrepiento de este amor | 2025 | Studies in Latin American popular culture 43 (): 91-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Going "against the grain": the (re)configuration of Argentine comics as a field of restricted production in the face of increasing globalization, 2001-2019 | 2025 | Studies in Latin American popular culture 43 (): 129-53 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Digital satire in polarized Brazil: the cases of Porta dos Fundos and Greg News | 2025 | Studies in Latin American popular culture 43 (): 154-69 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Boven Digoel: projecting a new society | 2025 | Southeast Asian studies 14 (1): 87-107 | H6/KWY [SOUTHEAST-] | 2186-7275 | |||
Feeding masculine norms: representations of (non-) meat and masculinities in food advertising | 2025 | Journal of consumer culture 25 (3): 296-315 | H6 [JOURNAL-] | 1469-5405 | |||
Locating and dislocating gender and middle-class moralities in Malayalam cinema: a study of Shyamaprasad’s Ore Kadal and Artist | 2024 | South Asian popular culture 22 (4): 195-209 | H6/KW [SOUTH-] | 1474-6689 | |||
The partition and its legacy: a study of the television miniseries Ms. Marvel | 2024 | South Asian popular culture 22 (4): 187-94 | H6/KW [SOUTH-] | 1474-6689 | |||
Sartorial strategies of female punks in Malaysia's socio-religious landscape | 2024 | Fashion theory 28 (7): 899-926 | H6/KFY [FASHION-] | 1362-704X | |||
Ordering and assemblage. On aquariums and materiality | 2024 | Rig (3-4): 132-44 | H6/KVT [RIG-] | 0035-5267 | |||
Chinese fashion in China's fashion magazines (2005-2015) | 2024 | Fashion theory 28 (5-6): 579-612 | H6/KFY [FASHION-] | 1362-704X | |||
‘Automatic guns singing death verses’ and Swachh Bharat rainbows: layered messaging, cultural citizenship and public wall art on Maharshi Karve Road, Mumbai | 2024 | South Asian popular culture 22 (4): 211-24 | H6/KW [SOUTH-] | 1474-6689 | |||
Disrupting heteronormativity: queer subjectivities and the family in Badhaai Do | 2024 | South Asian popular culture 22 (4): 297-312 | H6/KW [SOUTH-] | 1474-6689 | |||
Recasting a forest legend in the event of climate crisis: Jungle Nama (2021), Sundarbans, and the art of storytelling | 2024 | South Asian popular culture 22 (4): 181-6 | H6/KW [SOUTH-] | 1474-6689 | |||
Dressing up ‘justice’: the cinematic body and the body of the cinematic medium in Mard Ko Dard Nahi Hota (2018) | 2024 | South Asian popular culture 22 (4): 167-80 | H6/KW [SOUTH-] | 1474-6689 | |||
Drawing the lines: studying the Common Man caricatures by R.K. Laxman to understand dominant political discourse around legitimate political contestations in postcolonial India | 2024 | South Asian popular culture 22 (1): 135-57 | H6/KW [SOUTH-] | 1474-6689 | |||
Shammi hero a da hero: construction of masculinity in recent Malayalam cinema | 2024 | South Asian popular culture 22 (1): 121-33 | H6/KW [SOUTH-] | 1474-6689 | |||
Bollywoodizing Netflix or globalizing Hotstar? The cultural-industrial logics of global streaming platforms in India | 2024 | South Asian popular culture 22 (1): 65-83 | H6/KW [SOUTH-] | 1474-6689 | |||
Otherized food, racialized bodies: discourses of food, smell and racism in Nicholas Kharkongor’s Axone | 2024 | South Asian popular culture 22 (1): 1-15 | H6/KW [SOUTH-] | 1474-6689 | |||
In a relational space: vernacular figures of Bollywood | 2024 | South Asian popular culture 22 (3): 381-95 | H6/KW [SOUTH-] | 1474-6689 | |||
A potentially harmful Malay romance: some notes on a six-volume manuscript of the Hikayat Koris Mengindra | 2024 | Indonesia and the Malay world 52 (154): 341-57 | H6/KX [INDONESIA-] | 1469-8382 | |||
“I do What I do to drive change”: the social-symbolic work of sustainable fashion influencers | 2024 | Fashion theory 28 (1): 85-115 | H6/KFY [FASHION-] | 1362-704X | |||
The representation of women in Chilean advertising: changes and continuities in the context of the establishment of a consumer culture (1980-2103) | 2024 | Bulletin of Latin American research 43 (5): 390-402 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Robert Lehmann-Nitsche and his unplublisehd study on tango and African languages in Argentina, around 1900 | 2024 | Indiana 41 (2): 143-76 | H6/KUL [INDIANA-] | 0341-8642 | |||
In genderqueer closets: challenging gender binarism through embodied narratives of affect and style | 2024 | Fashion theory 28 (4): 437-60 | H6/KFY [FASHION-] | 1362-704X | |||
The other side of paradise: Kashmir and Indian cinema | 2024 | South Asian popular culture 22 (3): 427-38 | H6/KW [SOUTH-] | 1474-6689 | |||
Screening regions, sightseeing the cities: touristy gaze, Tollywood aesthetics and the making of new Bengali-ness in Barfi | 2024 | South Asian popular culture 22 (3): 397-411 | H6/KW [SOUTH-] | 1474-6689 |