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TitleDateReferenceAuthorsCall #ISSN
Romanian folklore at the Budapest. Conference about Béla Bartók in 1914 2015 Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 26 (): 101-13
  • Réka Ferkóné Pávai
H6/KVQ [ANUARUL-] 1220-5230
Soundscapes and community organisation in ancient Peru: plaza architecture at the Early Horizon centre of Caylán 2014 Antiquity 87 (335): 92-107
  • David Chicoine
  • Matthew Helmer
H6/KE [ANTIQUITY-] 0003-598X
Pipe organs and satsang: contemporary worship in Shimla's colonial churches 2013 Culture and religion 14 (2): 204-22
  • Jonatan Miles-Watson
H6/KFO [SCOTTISH-] 1475-5610
Visiting the birthplace of the Hulusi - Lianghe 2010 China's ethnic groups (2): 78-81
  • Zhen Zeng
H6/KWS [CHINA'S-] 1672-3341
'May our rebecs play': on the Centre for Musical Antiquities in Great Novgorod 2008 Kul'tura i vremia 1 (): 102-17
  • A.M. Vasil'ev
  • A.S. Razvodovskaia
H6/KVY [KULTURA-]
The past and the present of the 'fujara' musical instrument in Slovak folk culture 2006 Národopisná revue 2 (): 104-9, 128
  • Bernard Garaj
H6/KVL [NARODOPISNE-] 8062-8351
Sardinian air in Lao pipes 2006 Tautosakos Darbai (NS) 32 (): 77-85
  • Gisa Jähnichen
H6/KVT [TAUTOSAKOS-] 1392-2831
The fujara - a symbol of Slovak folk music and new ways of its usage 2006 Tautosakos Darbai (NS) 32 (): 86-94
  • Bernard Garaj
H6/KVT [TAUTOSAKOS-] 1392-2831
Concepts of the national in Russian ethnoorganology 2006 Tautosakos Darbai (NS) 32 (): 148-60
  • Ulrich Morgenstern
H6/KVT [TAUTOSAKOS-] 1392-2831
Órganos coloniales e históricos del Perú y de la región del Cuzco 2006 Revista andina 42 (1): 219-48
  • Wolfgang Lindner
*H6/KUL [REVISTA-] 0259-9600
Polish archaeomusicology on flute aerophones 2005 Wiadomości archeologiczne 57 (): 81-7
  • Dorota Popławska
H6/KE [WIADOMOSCI-] 0043-5082
Tuning in the instrumental music and its perception 2004 Tautosakos Darbai (NS) 20 (): 125-32
  • Rūta Žarskienė
H6/KVT [TAUTOSAKOS-] 1392-2831
Folk concepts of musical instruments (based on data from traditional songs and rituals) 2004 Zhivaia Starina (NS) 3 (): 16-19
  • O. V. Velichkina
H6/KVY [ZHIVAIA-] 0204-3432
The dragon taught us: Hmong stories about the origin of the free reed pipes Qeej 2003-2004 Asian music 35 (1): 17-56
  • Catherine Falk
0044-9202
Tradition and change in the instrumental music: from multi-pipe whistle to harmonica 2003 Tautosakos Darbai (NS) 18 (=): 71-80
  • Ruta Žarskienė
H6/KVT [TAUTOSAKOS-] 1392-2831
Son et exposition. Une strategie de l'oreille 2003 Cahiers de musiques traditionelles 16 (): 111-22
  • Antonello Ricci
H6/KFYV [CAHIERS-]
On wooden horns and hornists in Slovenia 2002 Etnolog (New Series) 12 (1): 285-300
  • Igor Cvetko
0354-0316
Making music with multi-pipe whistles: the relics of female culture 2002 Liaudies kultûra 2 (): 12-15
  • R. Šimonytė-Ẓarskienė
0236-0551
Group multi-pipe whistle playing - a phenomenon of European musical ethnical culture 2000 Tautosakos Darbai (NS) 13 (): 127-35
  • Ruta Žarskienė
1392-2831
Les objets sonores et instruments de musique de la période tardive de la Tène et dela période des influences romaines en Pologne 1999 Przegląd archeologiczny 47 (): 45-59
  • Tadeusz Malinowski
0079-7138
Clay penny-whistles and pipes in the Danube-Balkans region 1993 Bulgarski Folklor 19 (2): 59-67
  • Gabriella Schubert
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