Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Romanian folklore at the Budapest. Conference about Béla Bartók in 1914 | 2015 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 26 (): 101-13 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Soundscapes and community organisation in ancient Peru: plaza architecture at the Early Horizon centre of Caylán | 2014 | Antiquity 87 (335): 92-107 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Pipe organs and satsang: contemporary worship in Shimla's colonial churches | 2013 | Culture and religion 14 (2): 204-22 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Visiting the birthplace of the Hulusi - Lianghe | 2010 | China's ethnic groups (2): 78-81 | H6/KWS [CHINA'S-] | 1672-3341 | |||
'May our rebecs play': on the Centre for Musical Antiquities in Great Novgorod | 2008 | Kul'tura i vremia 1 (): 102-17 | H6/KVY [KULTURA-] | ||||
The past and the present of the 'fujara' musical instrument in Slovak folk culture | 2006 | Národopisná revue 2 (): 104-9, 128 | H6/KVL [NARODOPISNE-] | 8062-8351 | |||
Sardinian air in Lao pipes | 2006 | Tautosakos Darbai (NS) 32 (): 77-85 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
The fujara - a symbol of Slovak folk music and new ways of its usage | 2006 | Tautosakos Darbai (NS) 32 (): 86-94 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Concepts of the national in Russian ethnoorganology | 2006 | Tautosakos Darbai (NS) 32 (): 148-60 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Órganos coloniales e históricos del Perú y de la región del Cuzco | 2006 | Revista andina 42 (1): 219-48 | *H6/KUL [REVISTA-] | 0259-9600 | |||
Polish archaeomusicology on flute aerophones | 2005 | Wiadomości archeologiczne 57 (): 81-7 | H6/KE [WIADOMOSCI-] | 0043-5082 | |||
Tuning in the instrumental music and its perception | 2004 | Tautosakos Darbai (NS) 20 (): 125-32 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Folk concepts of musical instruments (based on data from traditional songs and rituals) | 2004 | Zhivaia Starina (NS) 3 (): 16-19 | H6/KVY [ZHIVAIA-] | 0204-3432 | |||
The dragon taught us: Hmong stories about the origin of the free reed pipes Qeej | 2003-2004 | Asian music 35 (1): 17-56 | 0044-9202 | ||||
Tradition and change in the instrumental music: from multi-pipe whistle to harmonica | 2003 | Tautosakos Darbai (NS) 18 (=): 71-80 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Son et exposition. Une strategie de l'oreille | 2003 | Cahiers de musiques traditionelles 16 (): 111-22 | H6/KFYV [CAHIERS-] | ||||
On wooden horns and hornists in Slovenia | 2002 | Etnolog (New Series) 12 (1): 285-300 | 0354-0316 | ||||
Making music with multi-pipe whistles: the relics of female culture | 2002 | Liaudies kultûra 2 (): 12-15 | 0236-0551 | ||||
Group multi-pipe whistle playing - a phenomenon of European musical ethnical culture | 2000 | Tautosakos Darbai (NS) 13 (): 127-35 | 1392-2831 | ||||
Les objets sonores et instruments de musique de la période tardive de la Tène et dela période des influences romaines en Pologne | 1999 | Przegląd archeologiczny 47 (): 45-59 | 0079-7138 | ||||
Clay penny-whistles and pipes in the Danube-Balkans region | 1993 | Bulgarski Folklor 19 (2): 59-67 |