Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
New online histories from memorial portrait photographs of Nigerian nationalists posted on social media | 2024 | Cahiers d'études africaines (253): 61-91 | H6/KY [CAHIERS-] | ||||
Food and meals among homeless migrant families in Sweden – including photo documentation by their children | 2024 | Food Culture and Society 27 (2): 342-62 | H6/KF [FOOD-] | 1751-7443 | |||
Um outro Portugal de abril: os estudiosos não revolucionários do povo | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 87-96 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
The first images of Korea in Spanish media: von Hesse-Warteg and Sanín Cano | 2024 | Visual anthropology 37 (2): 99-125 | *H6 [VISUAL-] | 1545-5920 | |||
Colorizing historical photographs: ethical dilemmas of a new digital technique | 2024 | First American art magazine 42 (): 102-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
Visual methods in family and sexuality research: picturing the everyday, the imaginary, and the void | 2024 | Qualitative research 24 (3): 548-69 | H6 [QUALITATIVE-] | 1468-7941 | |||
Featured photographs: Anne Reynolds, Nona's site tooth, carved wooden cat | 2024 | Florida anthropologist 77 (2): 123-6 | H6/KUB [FLORIDA-] | 0015-3893 | |||
Sonâmbulo (sleepwalker): notes on a gesture in the shadows and the photographs of André Leite Coelho | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 | ||||
Photographic representation of the Dutch-Indonesian conflict in the Yogyakarta-based Kedaulatan Rakjat Newspaper, 1945–1946 | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (2-3): 212-41 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Tamoto Kenzō: photographs of the Ainu of Hokkaidō (1870-1889) | 2024 | Tribal art (114): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
Mémoire retrouvée. Une famille de "Romanichels" en 1916 identifiée sur des photographies de l'armée | 2024 | Etudes tsiganes (Nouvelle Série) (75-76): 160-85 | H6 [ETUDES-] | 0014-2247 | |||
The impact of American Indian black-&-white photography | 2024 | First American art magazine 44 (): 46-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Photodiagnosis of genital herpes and warts: a sociomaterial perspective on users’ experiences of online sexual health care | 2023 | Culture, health & sexuality 25 (2): 192-205 | H6/KGT [CULTURE-] | 1464-5351 | |||
Photographic insights from engaged archaeology: Yucatan and beyond | 2023 | Cambridge archaeological journal 33 (1): 39-53 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Photographic practices among Albanian families in Kosovo | 2023 | Visual anthropology 36 (2): 175-90 | *H6 [VISUAL-] | 1545-5920 | |||
Of masks and men: Stéphan Gladieu's perspective | 2023 | Tribal art (108): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
The power of an image? A king in Ethiopia, Jamaica, and beyond (1930-2020) | 2023 | Gradhiva: revue de anthropology et museologie (35): 176-95 | H6 [GRADHIVA-] | 0764-8928 | |||
Kept photographs, marked bodies, the work of time: race and gender in the production of home and city | 2023 | Mana 29 (2): 1-31 | H6/KUL [MANA-] | 1678-4944 | |||
Ethics based on a Sámi perspective in the encounter with film and photography | 2023 | Rig (2): 68-85 | H6/KVT [RIG-] | 0035-5267 | |||
Deforestation of the Brazilian Amazon: a photographic essay | 2023 | World art 13 (2): 153-62 | H6 [WORLD-] | 2150-0908 | |||
Counter-archives as heritage justice: photography, invisible labor and peopled ruins | 2023 | Journal of visual culture 22 (1): 64-92 | H6/KF [JOURNAL-] | 1470-4129 | |||
Remnants of the past, fragments of histories: memory, temporality and the city in the photographs of Ricardo Rangel (1950-1975) | 2023 | Anuário antropológico (Rio) 48 (2): 144-68 | H6 [ANUARIO-] | 2357-738X | |||
Evolution of Seminole attire 1800-1930 | 2023 | Whispering wind 50 (2): 7-13 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Livre d'images: portraits à facettes | 2023 | Journal des anthropologues (174-175): i-ix | H6/KF [ASSOCIATION-] | 1156-0428 | |||
The journey of Coyote Iguana and Lola Casanova: a visual geography | 2023 | Journal of the Southwest 65 (4): 484-99 | *H6/KUB [JOURNAL-] | 0894-8410 | |||
Catching the urban atmosphere of Taichung, Taiwan | 2023 | Visual anthropology review 39 (2): 388-415 | H6 [PROGRAM-] | 1053-7147 | |||
Archival reading of the visible and invisible images and traces of (or about) social care and health care in Bulgaria in the period 1945 – 1989 | 2023 | Bulgarska etnologiia 49 (2): 170-88 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
'Fetish burning' at Kibokolo. Missionary photography, Zombo resistance | 2023 | Res 79-80 (): 208-26 | *H6 [RES-] | 0277-1322 | |||
Insurgency as complex network: image co-appearance and hierarchy in the PKK | 2023 | Social networks 74 (): 182-205 | H6/KF [SOCIAL-] | 0378-8733 | |||
Ukrainian photography in the line of fire | 2023 | Konteksty 77 (4): 42-4, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
Looking at Bucha. Holocaust researcher on visual testimonies of contemporary genocide | 2023 | Konteksty 77 (4): 173-81, 284-5 | H6/KVM [POLSKA-] | 1230-6142 | |||
Street cemeteries | 2023 | Konteksty 77 (4): 187-91, 285 | H6/KVM [POLSKA-] | 1230-6142 | |||
Making the visual record of New Guinea: William G. Lawes’s photographic encounters | 2022 | History and anthropology 33 (1): 104-22 | H6 [HISTORY-] | 1477-2612 | |||
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
‘Generic visuals’ of Covid-19 in the news: invoking banal belonging through symbolic reiteration | 2022 | International journal of cultural studies 25 (3-4): 309-30 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Images of Syrian refugees in transit through minefields in Turkey, 2011–2015 | 2022 | Visual anthropology 35 (1): 5-36 | *H6 [VISUAL-] | 1545-5920 | |||
The power of Axé and its relationships among image, transformations and visibility | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-21 | 2525-3123 | ||||
(The use of a) key-image for the possible understanding of Hijab | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
Carandiru and the fractured spaces of memory | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-28 | 2525-3123 | ||||
Optcha! Is Roma a religion? An analysis of the activities, performance, and rituals of the Roma people in the city of Rio de Janeiro | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-20 | 2525-3123 | ||||
Faith, life and death: imagery representations of a believing Spanish America | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
Chalk city: graphic experiments | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-21 | 2525-3123 | ||||
The aesthetics of alienation in photographs of Chinese factory workers | 2022 | Anthropology and photography (15): 1-14 | 2397-1754 | ||||
“For a significant support of the Araucanian mission”. The Bavarian Capuchin Museum in Altötting (1906-1932) | 2022 | Revista Tefros 20 (2): 9-43 | 1669-726X | ||||
Rooted in the uprooted: material memories of migration from Kashmir | 2022 | Visual anthropology 35 (3): 287-308 | *H6 [VISUAL-] | 1545-5920 | |||
It begins and ends with an image. Reflections on life/death across autobiography and visual culture | 2022 | Anthropological journal of European cultures 31 (1): 72-87 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
Traces, ruins, and decay: epistemological contributions to an anthropology of the archives | 2022 | Revista de antropología (São Paulo) 65 (2): 1-27 | H6/KUL [REVISTA-] | 0034-7701 | |||
Rupture, not injury: reframing repair for Black and Indigenous youth experiencing school pushout | 2022 | Journal of visual culture 21 (1): 132-60 | H6/KF [JOURNAL-] | 1470-4129 | |||
Transgressive frames | 2022 | Journal of visual culture 21 (1): 111-31 | H6/KF [JOURNAL-] | 1470-4129 |