Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The Syrian Archive Digital Memory Project: archiving as testimony, as evidence, as creative practice | 2024 | Visual anthropology 37 (1): 19-34 | *H6 [VISUAL-] | 1545-5920 | |||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Contemporary myths of spirits and genies. An interview with Ibrahima Thiam | 2024 | African arts 57 (2): 48-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Dreams and lives: Raymond Sagapolutele photographs his world | 2024 | Art New Zealand 190 (): 48-53 | H6/KX [ART-] | 0110-1102 | |||
The work of craft in the age of mechanical reproduction: the Lai Xá photography village in Vietnam | 2024 | Visual anthropology 37 (3): 212-36 | *H6 [VISUAL-] | 1545-5920 | |||
Photo George, in Douala: one of the earliest photo studios in Cameroon | 2024 | Visual anthropology 37 (3): 265-82 | *H6 [VISUAL-] | 1545-5920 | |||
Angelo Turconi, a passion for the Congo | 2024 | Tribal art (112): 98-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Sonâmbulo (sleepwalker): notes on a gesture in the shadows and the photographs of André Leite Coelho | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-6 | 2525-3123 | ||||
Frderick Starr: un extraño cruce de vocaciones | 2024 | Arqueología mexicana 30 (188): 18-19 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Tamoto Kenzō: photographs of the Ainu of Hokkaidō (1870-1889) | 2024 | Tribal art (114): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
2024 Pierre Moos Prize: an English girls in New Guinea | 2024 | Tribal art (114): 118-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
The impact of American Indian black-&-white photography | 2024 | First American art magazine 44 (): 46-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Lester Harragarra, Otoe-Missouria/Kiowa photographer | 2024 | First American art magazine 44 (): 54-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Lester Harragarra: context | 2024 | First American art magazine 44 (): 59-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Of here: photographs by Abji Chinniah | 2023-2024 | Art New Zealand (188): 87-93 | H6/KX [ART-] | 0110-1102 | |||
Kathleen Haddon: a woman with a camera | 2023 | Tribal art (107): 95-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
Images from French West Africa: the photography of Edmond Fortier | 2023 | Tribal art (109): 128-39 | *H6/KFY [WORLD-] | 1354-2990 | |||
Remnants of the past, fragments of histories: memory, temporality and the city in the photographs of Ricardo Rangel (1950-1975) | 2023 | Anuário antropológico (Rio) 48 (2): 144-68 | H6 [ANUARIO-] | 2357-738X | |||
Ho-Chunk photographer Tom Jones | 2023 | First American art magazine 38 (): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Collaborating with the past: the ambrotypes of Shane Balkowitsch | 2023 | Tribal art (110): 82-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
"Rimpiango proprio che l'umidità m'abbia per sempre guastata una fotografia". Elio Modigliani, le fotografie dell'isola di Nias (1886-1889) e la colorazione automatica di immagini antropologiche. Spunti e ricerche | 2023 | Archivio per l'antropologia e la etnologia 153 (): 31-46 | H6 [ARCHIVIO-] | 0373-3009 | |||
Ukrainian photography in the line of fire | 2023 | Konteksty 77 (4): 42-4, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
Making the visual record of New Guinea: William G. Lawes’s photographic encounters | 2022 | History and anthropology 33 (1): 104-22 | H6 [HISTORY-] | 1477-2612 | |||
Photography, and Afro-Brazilian sacred: modulations of difference in Pierre Verger and his contemporaries | 2022 | Revista de antropología (São Paulo) 65 (1): 1-26 | H6/KUL [REVISTA-] | 0034-7701 | |||
E.B. Snell photographer: Southern Cheyenne women, 1880s | 2022 | Whispering wind 49 (3): 20-4 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
“Africa's first woman press photographer”: Mabel Cetu's photographs in Zonk! | 2022 | African arts 55 (3): 54-69 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Decolonising responses to ‘engaged art’: disposability and neoimperialism in art, activism and academia | 2022 | Bulletin of Latin American research 41 (3): 359-72 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Black life and photographic time: LaToya Ruby Frazier's Grandma Ruby | 2022 | Nka: journal of contemporary African art (51): 87-97 | H6/KY [NKA-] | 1075-7163 | |||
James H. Wallace Little Salt Spring archive | 2022 | Florida anthropologist 75 (3): 161-91 | H6/KUB [FLORIDA-] | 0015-3893 | |||
"This is the Colombian photographer": the role of citizenship within a visual ethnography in a Parisian banlieue | 2022 | Journal des anthropologues (170-171): 85-105 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
Lwów in photographs published in 'Dodatek Ilustrowany' issued by 'Chwila' (1930–1935) | 2022 | Konteksty 76 (1/2): 283-91, 433 | H6/KVM [POLSKA-] | 1230-6142 | |||
Shadow worldling: chasing light in Yogyakarta | 2022 | American anthropologist 124 (2): 399-416 | *H6 [AMERICAN-] | 0002-7294 | |||
Photography and its many faces | 2022 | Studia Ethnological Croatica 34 (): 11-15 | H6 [STUDIA-] | 1330-3627 | |||
The 'pedantic amateur' (Karlo Dieneš and the social role of photography in the 1920s) | 2022 | Studia Ethnological Croatica 34 (): 17-44 | H6 [STUDIA-] | 1330-3627 | |||
Five dollars for plagiarism: The affair of photographer Milan Pavić’s copyright infringement (1938 – 1948) | 2022 | Studia Ethnological Croatica 34 (): 45-66 | H6 [STUDIA-] | 1330-3627 | |||
Influences from the interwar period on the photography of socialist realism in Croatia and Serbia | 2022 | Studia Ethnological Croatica 34 (): 85-101 | H6 [STUDIA-] | 1330-3627 | |||
Early writings on photography in Croatia: main aspects of the discourse about the 'New Daughter of the Sun in the Circle of Muses' | 2022 | Studia Ethnological Croatica 34 (): 137-66 | H6 [STUDIA-] | 1330-3627 | |||
Who’s looking at me? Who am I/are we loking at? | 2022 | Studia Ethnological Croatica 34 (): 167-90 | H6 [STUDIA-] | 1330-3627 | |||
Collaboration and friendship in the photography of Juno Gemes | 2022 | Visual anthropology review 38 (1): 114-40 | H6 [PROGRAM-] | 1053-7147 | |||
"COVID-19 has been good to me" | 2021/2022 | The artefact 44 (): 10-16 | H6/KE [ARTEFACT-] | 0044-9075 | |||
Potraits of the pandemic: paintings and pictures of my parents' garden | 2021 | Mundo Amazonico 12 (1): 216-34 | |||||
Sing with me, sing, brother, of América | 2021 | Current anthropology 62 (2): 124-7 | H6 [CURRENT-] | 1537-5382 | |||
Memories of Lee Marmon: a lifetime of photographic storytelling in New Mexico | 2021 | American Indian NMAI 22 (2): 20-7 | *H6/KUB [AMERICAN-] | 1528-0640 | |||
Van-Leo: the reluctant Surrealist | 2021 | Nka: journal of contemporary African art (49): 164-82 | H6/KY [NKA-] | 1075-7163 | |||
An imaging revolution? The establishment of photography in a small town in northern Sweden around the middle of the 19th century | 2021 | Rig (3): 129-57 | H6/KVT [RIG-] | 0035-5267 | |||
From invisible to actualized: imagery and identity in photos of women in the Gulf | 2021 | Hawwa: journal of women of the Middle East and the Islamic world 19 (1): 51-75 | H6/KW [HAWWA-] | 1569-2078 | |||
Iñupiaq photographer Brian Adams | 2020 | First American art magazine 25 (): 44-9 | H6/KUB [FIRST-] | 2333-5548 | |||
The ethnographer who never was: Eulalia de Abaitua as a lens on Fin-de-Siècle Basque society | 2020 | Visual anthropology 33 (3): 260-77 | *H6 [VISUAL-] | 1545-5920 | |||
Themes in early south Indian commercial photography | 2020 | Visual anthropology 33 (4): 348-62 | *H6 [VISUAL-] | 0894-9468 | |||
A disputed legacy. The Boggiani collection and the Robert Lehmann-Nitsche-Vojtěch Frič litigation | 2020 | Runa: archivo para la ciencias del hombre 41 (2): 279-99 | 0325-1217 |