Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Colonialities, postcolonialities, and heritages in/from Cameroon. Foumban, Douala, Stuttgart | 2023 | Cahiers d'études africaines (251-252): 879-909 | H6/KY [CAHIERS-] | 0008-0055 | |||
Three contemporary art stories about missing objects. Undertaking in Nigeria from the point of view of restitutions | 2023 | Cahiers d'études africaines (251-252): 747-80 | H6/KY [CAHIERS-] | 0008-0055 | |||
Políticas e poéticas das expressões das formas sensíveis: performance, imagens e sons | 2023 | Cadernos de arte e antropologia 12 (): | |||||
'That's old school trick': ethnography of nights and drag arts in Pelota-RS | 2020 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 18 (2): 651-67 | |||||
The subversive icon of pregnancy in opposition to the culture of fear: visual practices in a local context | 2020 | Narodna umjetnost 57 (1): 197-216 | H6/KVP [NARODNA-] | 0547-2504 | |||
Postdramatic tragedy and fear: the case of Socìetas Raffaello Sanzio’s Tragedia Endogonidia | 2020 | Narodna umjetnost 57 (1): 217-34 | H6/KVP [NARODNA-] | 0547-2504 | |||
Performer’s body: cross-gender casting as an estrangement technique in theatre | 2020 | Ethno-anthropological problems journal 15 (3): 879–97 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Ambivalent emotional registers of subversive affirmation as a political and artistic act: the Janez Janša Project | 2019 | Narodna umjetnost 56 (2): 41-56 | H6/KVP [NARODNA-] | 0547-2504 | |||
No "blank canvas": public art and gentrification in Houston's Third Ward | 2018 | City and society 30 (1): 89-116 | H6/KD [CITY-] | 0893-0465 | |||
With respect: James Luna. February 9, 1950 - March 4, 2018 | 2018 | News from native California 31 (3): 54-9 | *H6/KUB [NEWS-] | 1040-5437 | |||
Performing the historical moment: Nadia Seboussi's Hidad | 2018 | Cahiers d'études africaines 58 (2): 455-67 | H6/KY [CAHIERS-] | 0008-0055 | |||
Residential schools and "reconciliation" in the media art of Skeena Reece and Lisa Jackson | 2017 | SAIL: studies in American Indian literatures (Series 2) 29 (1): 116-38 | *H6/KUB [SAIL-] | 0730-3238 | |||
The idea of feminist art | 2017 | Konteksty 71 (4): 98-101 | H6/KVM [POLSKA-] | 1230-6142 | |||
Silent bodies: Japanese taciturnity and image thinking | 2017 | Ethno-anthropological problems journal 12 (1): 113-28 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
'Naija Halloween or wetin?': Naija superheroes and a time-traveling performance | 2016 | Journal of African cultural studies 28 (3): 275-82 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Have performance, will travel: contemporary artistic networks in Southeast Asia | 2016 | Asian journal of social science 44 (6): 725-39 | H6/KW [ASIAN-] | 1568-4849 | |||
Antonin Artaud's Theatre of Cruelty and its legacy | 2016 | Ethno-anthropological problems journal 11 (4): 1153-67 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Ga ni tha, three Native women at the Venice Biennale | 2015 | First American art magazine 8 (): 26-30 | H6/KUB [FIRST-] | 2333-5548 | |||
The National Festival of Folklore in Koprivshtitsa within the context of a local community | 2015 | Bulgarski folklor 41 (2): 237-57 [plates i-iv] | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The National Festival of Folklore in Koprivshtitsa - a unique Bulgarian fête | 2015 | Bulgarski folklor 41 (2): 269-76 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Two faces of the monument: politics and practices in the usages of the Monument to the Peasant Revolt and Matija Gubec in Gornja Stubica | 2015 | Studia Ethnological Croatica 27 (): 157-87 | H6 [STUDIA-] | 1330-3627 | |||
The origin of the aesthetic elements in traditional forms of Far-eastern martial arts | 2014 | Ethno-anthropological problems journal 9 (1): 145-56 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Nature in (of) performance art | 2014 | Etnološka tribina 37 (44): 89-108 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Aboriginal day: APTN rocks in Iqualuit | 2013 | Above & beyond 25 (5): 17-23 | H6/KE [ABOVE-] | 0843-7815 | |||
'Geschehen lassen'. Herausforderungen neuerer Produktions- und Rezeptionsweisen in den performativen Künsten | 2013 | Paragrana: internationale Zeitschrift für historische Anthropologie 22 (2): 201-12 | H6/KF [PARAGRANA-] | 0938-0116 | |||
Performance and terrorism or performing terrorism | 2013 | Narodna umjetnost 50 (2): 102-27 | H6/KVP [NARODNA-] | 0547-2504 | |||
Arrest for attempted street theatre | 2012 | Anthropology today 28 (1): 24-6 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
The role and importance of branding in traditional performance art, taking the example of the Lado Ensemble | 2012 | Etnološka istraživanja 17 (): 171-202 | H6/KVP [ETNOLOSKA-] | 0351-4323 | |||
Towards non-replaceability: from the authentic performance material to the neutral receptive body through the shop window (izlog) by Bobo Jelčić and Nataša Rajković | 2012 | Narodna umjetnost 49 (2): 139-55 | H6/KVP [NARODNA-] | 0547-2504 | |||
Domestic post-socialism's art of vexilology, or, flags as a subversive artistic symbol | 2012 | Narodna umjetnost 49 (2): 157-83 | H6/KVP [NARODNA-] | 0547-2504 | |||
Culture or heritage? The problem of intangibility | 2012 | Etnološka tribina 35 (42): 71-3 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Aristocrats of all countries - unite! A sketch to an anthropological story of 'Łódź Kalinska' | 2011 | Konteksty 65 (1): 81-92, 208-9 | H6/KVM [POLSKA-] | 1230-6142 | |||
Political kitchen performance or performance arts in which food is used to demonstrate a political stance | 2011 | Studia ethnologica Croatica 23 (): 93-123 | H6 [STUDIA ETHNOLOGICA (ZAGREB)]- | 1330-3627 | |||
Can one get rid of a child in a cultured manner at last? | 2010 | Etnografia nowa 2 (): 222-8 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
A short remark to creative unrest of Milan Leščák | 2010 | Etnologické rozpravy 1/2 (): 10-11 | H6/KVL [ETNOLOGICKÉ-] | 1335-5074 | |||
Transgressing boundaries | 2010 | Public culture 22 (3): 486-505 | H6/KF [PUBLIC-] | 0899-2363 | |||
Minstrelsy and mimesis in the South China Sea: Filipino migrant musicians, Chinese hosts, and the disciplining of relations in Hong Kong | 2009 | Asian music 40 (2): 72-99 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
LeVasa: Dan Taulapapa McMullina dn Shigeuyki Kihara in conversation with Tressa Berman on sea changes, transnationalism, transgender and cultural translation | 2009 | Pacific arts 8 (): 40-51 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
'Two theatres, two worlds': an introduction | 2008 | Konteksty 62 (1): 61, 185 | H6/KVM [POLSKA-] | 1230-6142 | |||
An emotional gloss | 2008 | Konteksty 62 (1): 62, 185 | H6/KVM [POLSKA-] | 1230-6142 | |||
Two theatres, two worlds | 2008 | Konteksty 62 (1): 63-8, 185-6 | H6/KVM [POLSKA-] | 1230-6142 | |||
The travelling theatre | 2008 | Konteksty 62 (1): 69-72, 186 | H6/KVM [POLSKA-] | 1230-6142 | |||
What has 'Gardzienice' taught me? | 2008 | Konteksty 62 (1): 73-7, 186 | H6/KVM [POLSKA-] | 1230-6142 | |||
Osterwa and the poets from the group Skamander | 2008 | Konteksty 62 (1): 78-83, 186 | H6/KVM [POLSKA-] | 1230-6142 | |||
Mieczysław Limanowski: the precursor of the 'Cultural Forefathers' | 2008 | Konteksty 62 (1): 84-9, 186 | H6/KVM [POLSKA-] | 1230-6142 | |||
The Reduta of Juliusz Osterwa and Vieux Colombier of Jasques Copeau | 2008 | Konteksty 62 (1): 90-4, 186-7 | H6/KVM [POLSKA-] | 1230-6142 | |||
'Each Shakespearean adaptation brings about a discussion': Juliusz Osterwa's Hamlet | 2008 | Konteksty 62 (1): 95-100, 187 | H6/KVM [POLSKA-] | 1230-6142 | |||
Up to the eyes | 2008 | Konteksty 62 (1): 120-3, 188 | H6/KVM [POLSKA-] | 1230-6142 | |||
The theatre in the spirit of music: 'Gardzienice' | 2008 | Konteksty 62 (1): 124-8, 188 | H6/KVM [POLSKA-] | 1230-6142 | |||
Dramaturgy of the body: an outline of a research project on the example of an analysis of spinal training at the Centre for Theatre Practices 'Gardzienice' | 2008 | Konteksty 62 (1): 129-35, 188-9 | H6/KVM [POLSKA-] | 1230-6142 |