Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
“According to the possibility of the Natives, make the appropriate demonstrations of thanks and rejoicing”. Celebrations in towns and villages on the occasion of the swearing-in of Prince Luis Fernando (Philippines, 1712) | 2025 | Fronteras de la Historia 30 (1): 87-107 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Celebrations for the Truce of Nice in New Spain: the conquest of Rhodes and the conquest of Jerusalem (1539) | 2025 | Fronteras de la Historia 30 (1): 265-89 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
The episcopal entry into Puebla de los Ángeles, 1640-1774 | 2025 | Fronteras de la Historia 30 (1): 191-212 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Festive processions of the Society of Jesus in Tunja, Nuevo Reino de Granada during the 17th and 18th centuries | 2025 | Fronteras de la Historia 30 (1): 213-36 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Festivity and power in New Spain: the Festive Reform of 1789 | 2025 | Fronteras de la Historia 30 (1): 136-66 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Mourning as a First Fiesta. Sociocultural changes in Chiapas’ burial celebrations (16th-19th centuries) | 2025 | Fronteras de la Historia 30 (1): 167-90 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
The municipal councils and the Royal Festival in the Spanish monarchy: sociability and ornamentation (18th century) | 2025 | Fronteras de la Historia 30 (1): 53-86 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Preparing the fete: logistics and material management in royal oaths and Funerals in the New Kingdom of Granada in the 18th century | 2025 | Fronteras de la Historia 30 (1): 108-35 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Presentación | 2025 | Fronteras de la Historia 30 (1): 13-22 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Religious and political ceremonies: royal visits and entrances of Isabella the Catholic in the play with Indian references Todo es dar en una cosa, by Tirso de Molina | 2025 | Fronteras de la Historia 30 (1): 290-313 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
“The viceroys are copies of the majesty”. Armendáriz, alter ego of the King in Viceregal visual culture | 2025 | Fronteras de la Historia 30 (1): 24-52 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Oral literature and "lived poetry." About Michel Leiris, Jean Jamin, and others | 2024 | Gradhiva: revue de anthropology et museologie (37): 80-97 | H6 [GRADHIVA-] | 0764-8928 | |||
Erecting the submerged tree trunk: Mak Yong theatre and practices of traditioalisation in the Riau Isands, Indonesia | 2024 | Indonesia and the Malay world 52 (152): 4-28 | H6/KX [INDONESIA-] | 1469-8382 | |||
Painting with sound: performing cultural memory through Kazakh Sybyzghy cassettes in northern Xinjiang | 2024 | Asian music 55 (1): 4-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
'You know nothing except how to read musical notation!': rethinking the use of notation in jinghu accompaniment | 2024 | Asian music 55 (1): 38-72 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reimagining the past in the construction of the present: visuality in neo-traditional guqin performances in twenty-first century China | 2024 | Asian music 55 (1): 73-125 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Performing indigeneity through the musical piece 'Miti Sunai' on Yonaguni Island, Okinawa | 2024 | Asian music 55 (1): 126-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
April 25th × 50 years of writing in the city | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (1): 227-45 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Vivant aux pieds d'argile | 2024 | Techniques et culture (79): 182-94 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Memorable dances from the days of war: a study of the form and meaning of Kurdish dances in north-east Iran | 2024 | Folklore 35 (1): 201-28 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
FandangObon: amplification, counter-publics, and fugitive spaces of belonging in Los Angeles | 2024 | American anthropologist 126 (2): 260-70 | *H6 [AMERICAN-] | 0002-7294 | |||
Pocodisco: the sonic performativity of grief, grievance, and joy in diaspora | 2024 | American anthropologist 126 (2): 271-81 | *H6 [AMERICAN-] | 0002-7294 | |||
Dialogues between anthropology of law and performance | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-18 | 2525-3123 | ||||
Towards an anthropology of the urban night | 2024 | Alteridades (68): 11-23 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
Producing nocturnities: rock and fandango scenes in Xalapa, Veracruz | 2024 | Alteridades (68): 25-36 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
Nahuas stage imperial conquest: the destruction of Jerusalem in New Spain | 2024 | Ethnohistory 71 (3): 321-52 | H6/KUB [ETHNOHISTORY-] | 1527-5477 | |||
Hearing heat: Anthropocene acoustemology | 2024 | The Australian journal of anthropology 35 (1-2): 143-4 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Camp as a detonator of dramatic de-fusions: liberation and cynicism in postmodernity | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 285-308 | H6/KFY [MEXICO-] | 0185-1276 | |||
A cosmopolitan revelation: travel as a religious act with Rick Steve's Europe | 2024 | Material religion 20 (3-4): 233-56 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Worldmaking on digital platforms: a study of Cuban comedy in social media | 2024 | International journal of cultural studies 27 (6): 797-813 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Musical enchantment. Affective pragmatics and the making of intersubjective grief in Lăutari funeral performance | 2024 | Annuaire roumain d'anthropologie 61 (): 21-38 | H6/HB [ANNUAIRE-] | 0039-3886 | |||
Who knows? A speculative fabulation about knowledge politics at university and ecological subjectivities | 2024 | Cadernos de arte e antropologia 13 (): 8-30 | |||||
Music, sound, politics | 2024 | Annual review of anthropology 53 (): 261-75 | H1 [BIENNIAL-] | 0084-6570 | |||
Humanitarian assistance as performance? Expectations and mismatches between aid agencies and refugee beneficiaries | 2024 | Ethnos 89 (5): 870-88 | H6 [ETHNOS-] | 1469-588X | |||
A mosaic of exchange: history, memory, and representation of women in the borderlands captivity archive | 2024 | Colonial Latin American review 33 (3): 347-76 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Dramaturgical tactics in a Chinese tea room: tailoring self-presentation for business success | 2024 | Journal of ethnology and folkloristics 18 (2): 75-89 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Performing, teaching, and listening to ragas in Hindustani classical music | 2024 | Bulletin of the National Museum of Ethnology (Osaka) 48 (4): 429-74 | H6 [OSAKA-] | 0385-180X | |||
'Punch up, punch down o! All I know is there is punch': jokes about Africa(ns) in cross-cultural contexts | 2024 | European journal of cultural studies 27 (6): 1176-93 | H6/KF [EUROPEAN-] | 1367-5494 | |||
(Un)doing gender: the ethnographic significance of Mbube dirge | 2024 | African studies 83 (1): 40-56 | H6/KY [BANTU-] | 0002-0184 | |||
Fragments of affinity: photographic archives and the material performance of personhood in a zongo community of Ghana | 2024 | Journal of material culture 29 (3): 249-67 | H6/KF [JOURNAL-] | 1359-1835 | |||
Traditional songs and their messages in the Corona period: an experience from Serbia | 2024 | Folklore (Tartu) 94 (): 15-40 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
She sang in a beautiful light voice: musical qualities of Runosong performances in fieldwork reports | 2024 | Folklore (Tartu) 94 (): 134-68 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Theorizing performance: an embodied and multisensory communicative framework for analysis of African American children's, youth's, and young adults' rhythmic play and performance | 2024 | Journal of folklore research 61 (3): 39-80 | H6/KF [INDIANA-] | 0737-7037 | |||
Your body is a battleground – facets of feminist art (from the end of the 60s to present day) | 2024 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 31 (): 107-24 | H6/KVQ [ANUARUL-] | ||||
Editorial: « Poésies performatives : approches croisées » | 2024 | Cahiers de litterature orale (95-96): 1-19 | H6/KF [CAHIERS-] | 2266-1816 | |||
Upwards and downwards many times | 2024 | Cahiers de litterature orale (95-96): 1-33 | H6/KF [CAHIERS-] | 2266-1816 | |||
Fordlandia | 2024 | Cahiers de litterature orale (95-96): 1-9 | H6/KF [CAHIERS-] | 2266-1816 | |||
“I used to sing with a wound in the soul/ And metres of pain/ Dying the floor”*: An interview-article on poetry, translation and the performativity of bodies with Dinha | 2024 | Cahiers de litterature orale (95-96): 1-19 | H6/KF [CAHIERS-] | 2266-1816 |