| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Anxious ambiguities: ritual clowning and sexual humor in Siberian bear ceremonialism | 2026 | Anthropological quarterly 99 (1): 5-36 | H6 [PRIMITIVE-] | 0003-5491 | |||
| Tears for fears: the dynamics and politics of a performative Midrash about Rachel the Matriarch | 2026 | Folklore 137 (1): 90-113 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| The performance of healing: the Copto-Arabic service 'Abu-Tarbu' against dog bites as a case study in ritual healing | 2026 | Folklore 137 (1): 114-36 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Festivities of Copacabana and Urkupiña in Puerto Madryn: census data, media publications, and photographic records for approaching migrant identity | 2026 | Runa: archivo para la ciencias del hombre 47 (1): 307-31 | 0325-1217 | ||||
| Satirical allusions and thug-of-rattan on Seram: poetic form and informal social control in Nuaulu performance of sung verse | 2026 | Bijdragen tot de taal-, land- en volkenkunde 182 (1): 33-57 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
| Japanese gastronomic imagination through rakugo performance | 2026 | Food Culture and Society 29 (3): 879-87 | H6/KF [FOOD-] | 1751-7443 | |||
| Race, border, and performance in Afro-Chilean communities: debates for the Andean region | 2026 | Chungará 58 (): 1-14 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
| Guest editors' introduction: the travelling female performer: mobility and agency in and beyond South Asia, circa 1760-1940 | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 239-53 | H6/KW [ROYAL-] | 1356-1863 | |||
| Courtesans as slave-owners: social mobility in early modern North India | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 255-71 | H6/KW [ROYAL-] | 1356-1863 | |||
| The maṣnavī of Lutf-un-Nisā 'Imtiyāz': mobility, memory, and courtly voice in the late-eighteenth-century Deccan | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 273-94 | H6/KW [ROYAL-] | 1356-1863 | |||
| Murad's travels: courtesanly mobility, honour, and defiance in late eighteenth-century Multan | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 295-321 | H6/KW [ROYAL-] | 1356-1863 | |||
| Tawa'ifs on the road: travelling female performers, middlemen, and patrons of the arts in colonial North India, circa 1857-1911 | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 323-48 | H6/KW [ROYAL-] | 1356-1863 | |||
| The travelling tawa'if: histories of travel and performance in India from the late eighteenth to the early twentieth century | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 349-67 | H6/KW [ROYAL-] | 1356-1863 | |||
| The 1838 tour: is there a 'real' bayadère? Resistance in the archives | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 369-86 | H6/KW [ROYAL-] | 1356-1863 | |||
| A dancer's plea: racial politics, gendered agency, and aethetic labour in imperial expositions | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 387-409 | H6/KW [ROYAL-] | 1356-1863 | |||
| Travelling while female: early actresses of the Parsi theatre | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 411-29 | H6/KW [ROYAL-] | 1356-1863 | |||
| Recasting 'Joymoti': in search of travelling female performers of mobile theatre in Assam | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 431-47 | H6/KW [ROYAL-] | 1356-1863 | |||
| Longitudinal study of the anthropometric profile and functional capacity of twelve high-level competitive kayakers from cadet to senior category | 2026 | Anthropologischer Anzeiger 83 (1): 61-71 | H6/HB [ANTHROPOLOGISCHER-] | 0003-5548 | |||
| Performing the Nigerian Pentecostal Global: transcending local travel restrictions toward global mega-mobility | 2026 | Journal of contemporary religion 41 (1): 21-36 | H6/KFO [JOURNAL-] | 1353-7903 | |||
| “According to the possibility of the Natives, make the appropriate demonstrations of thanks and rejoicing”. Celebrations in towns and villages on the occasion of the swearing-in of Prince Luis Fernando (Philippines, 1712) | 2025 | Fronteras de la Historia 30 (1): 87-107 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Celebrations for the Truce of Nice in New Spain: the conquest of Rhodes and the conquest of Jerusalem (1539) | 2025 | Fronteras de la Historia 30 (1): 265-89 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| The episcopal entry into Puebla de los Ángeles, 1640-1774 | 2025 | Fronteras de la Historia 30 (1): 191-212 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Festive processions of the Society of Jesus in Tunja, Nuevo Reino de Granada during the 17th and 18th centuries | 2025 | Fronteras de la Historia 30 (1): 213-36 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Festivity and power in New Spain: the Festive Reform of 1789 | 2025 | Fronteras de la Historia 30 (1): 136-66 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Mourning as a First Fiesta. Sociocultural changes in Chiapas’ burial celebrations (16th-19th centuries) | 2025 | Fronteras de la Historia 30 (1): 167-90 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| The municipal councils and the Royal Festival in the Spanish monarchy: sociability and ornamentation (18th century) | 2025 | Fronteras de la Historia 30 (1): 53-86 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Preparing the fete: logistics and material management in royal oaths and Funerals in the New Kingdom of Granada in the 18th century | 2025 | Fronteras de la Historia 30 (1): 108-35 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Presentación | 2025 | Fronteras de la Historia 30 (1): 13-22 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Religious and political ceremonies: royal visits and entrances of Isabella the Catholic in the play with Indian references Todo es dar en una cosa, by Tirso de Molina | 2025 | Fronteras de la Historia 30 (1): 290-313 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| “The viceroys are copies of the majesty”. Armendáriz, alter ego of the King in Viceregal visual culture | 2025 | Fronteras de la Historia 30 (1): 24-52 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Carnival in Trinidad: the Pierrot and the Pisse-en-lit in the late nineteenth century | 2025 | New West Indian guide 99 (1-2): 31-55 | H6/KUL [NWIG-] | 0028-9930 | |||
| Inventing cultural heritage: revalorization in two popular music scenes through nostalgic-themed live concerts in Taiwan | 2025 | Asian music 56 (1): 103-32 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Performing conservative politics | 2025 | Journal of contemporary ethnography 54 (2): 278-310 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Time and microbes, tides and bodies: on fermentation as artistic practice and culinary cruising | 2025 | Food Culture and Society 28 (2): 346-63 | H6/KF [FOOD-] | 1751-7443 | |||
| Reweaving language and lifeways in the western Amazon | 2025 | American Indian culture and research journal 48 (1): 113-36 | H6/KUB [AMERICAN-] | 0161-6463 | |||
| Taki Onqoy o Ayra: culto de los Lucanas y Soras | 2025 | Ñawpa Pacha 45 (1): 1-19 | H6/KE [NAWPA-] | 0077-6297 | |||
| Do masquerade: reflections on history, ethnicity, and religion in the Bandouku region of Côte d’Ivoire and beyond | 2025 | African arts 58 (2): 66-76 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Nsibidi knowledge: the artistic philosophy of the Ekpe secret society | 2025 | African arts 58 (2): 80-90 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Performance: revoicing and re-embodiment in performance genres | 2025 | Cahiers de litterature orale 97 (): 20-43 | H6/KF [CAHIERS-] | 2266-1816 | |||
| Turning gender relationships on the head. The ritual clown's art of gender mixing in Mali | 2025 | Cahiers de litterature orale 97 (): 45-66 | H6/KF [CAHIERS-] | 2266-1816 | |||
| The Azriat in the Aurès, between emancipation and national injunctions | 2025 | Cahiers de litterature orale 97 (): 67-92 | H6/KF [CAHIERS-] | 2266-1816 | |||
| Ethnographies, gender and performances in Saint-Alban Psychiatric Hospital. An illustration of "gender trouble" | 2025 | Cahiers de litterature orale 97 (): 93-118 | H6/KF [CAHIERS-] | 2266-1816 | |||
| “Sing, younger brothers of mine!” The Tlaxcalan memory of the conquest through performance in Tlaxcaltecayotl song | 2025 | Estudios de cultura náhuatl 70 (): 13-55 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Rising up: digital traces and performative Indigenous culture in Australian rock art | 2025 | Antiquity 99 (405): 624-37 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| As the spirit moves you: Angela Goh's divine choreography | 2025 | Art Asia Pacific Magazine (143): 58-67 | H6/KFY [ART] | 1039-3625 | |||
| 'Say cheese!' Exploring consent and performance in the 'shutter moment' of School Photo Day | 2025 | Qualitative research 25 (2): 899-920 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Possession, performance, and the rhetoric of belonging: urban cemeteries as spaces of cultural citizenship | 2025 | International journal of cultural studies 28 (4): 778-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Tennis and accelerated culture: post-athlete as a media performer | 2025 | Journal of consumer culture 25 (2): 171-89 | H6 [JOURNAL-] | 1469-5405 | |||
| Quantities of qualia: stone athletes and the ethnography of intensity | 2025 | Current anthropology 66 (1): 29-49 | H6 [CURRENT-] | 1537-5382 | |||
| Payment as performances: the affective turn in the commodification of value transfer | 2025 | Anthropology today 41 (4): 6-10 | H6 [ANTHROPOLOGY-] | 0268-540X |