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TitleDateReferenceAuthorsCall #ISSN
Die Sprache der Pauken. Marfa' und tasa als Instrumente der nonverbalen Kommunikation im jemenitischen Hochland 2023 Jemen-Report 54 (1-2): 84-9
  • Ulrike Stohrer
 H6/KWH [JEMEN-] 0930-1488
On the threshold between different worlds: the symbolic rloe of gongs in the final mortuary ritual of the Jarai (Central Highlands of Vietnam) 2023 Asian music 54 (1): 120-44
  • Vincenzo Della Ratta
 *H6/KFYV [ASIAN-] 0044-9202
Zildjian’s and Turkish cymbals 2020 Journal of folklore and literature (101): 127-39
  • Canan Aykent
 1300-7491
Learning to embody the radically empirical: performance, ethnography, sensorial knowledge and the art of tabla playing 2018 Anthropologica (New Series) 60 (2): 427-38
  • Denise Nuttall
 H6/KUB [ANTHROPOLOGICA N.S.-] 0003-5459
Milāvu - göttliches Perkussionsinstrument im südindischen Sanskrit-Drama Kūṭiyāṭṭam 2016 Anthropos (St Augustin) 111 (2): 395-414
  • Karin Bindu
 H6 [ANTHROPOS-] 0257-9774
Gong making in Vietnam: a case study in Phuoc Kieu village 2014 Bulletin of the National Museum of Ethnology (Osaka) 38 (3): 421-53
  • Eisuke Yanagisawa
 H6 [OSAKA-] 0385-180X
On the construction of the Russian percussion musical instrument 'trenzel' 2010 Zhivaia Starina (NS) 3 (): 2-4
  • O.V. Gordienko
 H6/KVY [ZHIVAIA-] 0204-3432
Bell chiming: national speciality or invented tradition? 2009 Traditiones: acta Instituti Ethnographiae Slovenorum 38 (1): 287-307
  • Mojca Kovačič
 H6/KVP [TRADITIONES-] 0352-0447
Xylophones in Thailand and Java: a comparative phenomenology of musical instruments 2008 Asian music 39 (2): 59-107
  • Jan Mrázek
 *H6/KFYV [ASIAN-] 0044-9202
The Chinese origin of the Muara Jambi gong as evidenced by a new archaeological find 2008 Archipel 76 (): 7-14, 331
  • Claudine Salmon
 *H6/KX [ARCHIPEL-] 0044-8613
O suingue Baiano: rhythmic feeling and microrhythmic phenomena in Brazilian percussion 2006 Ethnomusicology 50 (1): 99-119
  • Christiane Gerischer
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Instrumentenbau auf Bali und Java 2006 Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 23-40
  • András Varsányi
 H6 [TEN-]
The Baile del Tambor of the island of La Gomera 2006 Ethnomusicology 50 (1): 120-40
  • José Ángel López Viera
  • Peter Manuel
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
From Fanla to New York and back: recovering the authorship and iconography of a slit drum from Ambrym Island, Vanuatu 2005 Journal of museum ethnography 17 (): 118-29
  • Eric Kjellgren
 *H6 [JOURNAL-] 0954-7169
Percussion tools in Olduvai beds I and II (Tanzania): implications for early human activities 2005 Journal of anthropological archaeology 24 (2): 179-92
  • Ignacio de la Torre
  • Rafael Mora
 *H6/KE [JOURNAL-] 0278-4165
The utilization of grooved human bones: a reanalysis of artificially modified human bones excavated by Carl Lumholtz at Zacapu, Michoacán, Mexico 2005 Latin American antiquity 16 (3): 293-312
  • Grégory Pereira
 *H6/KE [LATIN-] 1045-6635
La danse sabar, une expression de l'identité féminine chez les Wolof du Sénégal 2005 Cahiers de musiques traditionnelles 18 (): 201-15
  • Luciana Penna-Diaw
 H6/KFYV [CAHIERS-] ONLY ISBN
Samul nori as traditional: preservation and innovation in a South Korean contemporary percussion genre 2004 Ethnomusicology 48 (3): 405-39
  • Nathan Hesselink
 H6/KFYV 'ETHNOMUSICOLOGY-' 0014-1836
What the Manjaco bell tells us 2004 L'Homme 171/72 (): 219-30
  • Margaret Buckner
 H6 [HOMME-] 0439-4216
Inherent patterns 2004 L'Homme 171/72 (): 249-65, [plates i-ii]
  • Gerhard Kubik
 H6 [HOMME-] 0439-4216
The African xylophone's words 2004 L'Homme 171/72 (): 313-31 [plates i-ii]
  • Hugo Zemp
 H6 [HOMME-] 0439-4216
La musique en silence. Des instruments javanais en France avant 1889 2003 Archipel: études interdisciplinaires sur le monde insulindien 65 (): 163-79, 222
  • Jean-Pierre Chazal
 0044-8613
Articulating blackness in Afro-Ecuadorian marimba performance 2003 Selected reports in ethnomusicology 11 (): 143-53
  • Jonathan Ritter
Figures on a drum 2002 Arts and cultures 3 (): 203-17
  • Philippe Peltier
Wajid revisited: a reassessment of Robert Gottlieb's tabla study, and a new transcription of the solo of Wajid Hussein Kahn of Lucknow 2002 Asian music 33 (2): 111-74
  • James Kippen
 0044-9202
Robert Grant's Karuk drums 2002 News from native California 15 (4): 4-6
  • Beverly R. Ortiz
 1040-5437
Dropping the bomb: steelband performance and meaning in 1960s Trinidad 2002 Ethnomusicology 46 (1): 135-64
  • Shannon Dudley
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
'Re-reading' Curt Sachs: Lithuanian folk musical instruments and their links with the instruments of the world 2002 Liaudies kultûra 1 (): 20-9
  • Marija Baltrėnienė
 0236-0551
Statue of two Balafon players 2002 Kaos: parcours des mondes 1 (): 64-97
  • Helene Leloup
 H6/KFY [KAOS-]
Shepherd's rattles: fragments from the [Atlas of shepherd's sound producing implements and musical instruments] 2002 Zhivaia Starina (NS) 3 (): 43-5
  • Oleg Vasil'evich Gordienko
 H6/KVY 'ZHIVAIA-' 0204-3432
Geste individuel, mémoire collective: le jeu du pan dans les steelbands de Trinidad and Tobago 2001 Cahiers de musiques traditionnelles 14 (): 181-202
  • Aurelie Helmlinger
Raison morphologique et langage musical: musiques de xylophone en Afrique centrale 2001 Cahiers de musiques traditionnelles 14 (): 203-19
  • Sylvie Le Bomin
Musical behaviour and the archaeology of the mind 2001 Archaeologia polona 39 (): 111-26
  • Ezra Zubrow
  • Frank Cowan
  • Ian Cross
 0066-5924
Alvino Silva: bird singing and gourd rattles 2001 News from native California 14 (4): 40-1
  • Beverly R. Ortiz
 1040-5437
A musical instrument travels around the world: jenbe playing in Bamako, West Africa, and beyond 2000 The World of Music 42 (3): 7-46
  • Rainer Polak
 H6/KFYV [WORLD-] 0043-8774
Melodic paradoxes in the music of the Thai pi-phat and Javanese gamelan 2000 Yearbook for traditional music 32 (): 67-80
  • Bussakorn Sumrongthong
  • Neil Sorrel
 H6/KFYV [YEARBOOK-] 0740-1558
Ethnomusicology's bronze age in Y2K 2000 Ethnomusicology 44 (3): 365-75
  • Ki Mantle Hood
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
The development of the Gamelan Semara Danai and the expansion of the modal system in Bali, Indonesia 1999/2000 Asian music 31 (1): 62-93
  • Andrew C. McGraw
 0044-9202
Xylophone music of Uganda: the embaire of Nakibembe, Busoga 1999 African music 7 (4): 29-46, [insert, i-viii]
  • James Micklem
 0065-4019
How Kanak is kaneka music? The use of traditional percussion instruments in the modern music of the Melanesians in New Caledonia 1998 The World of Music 40 (2): 9-27
  • Raymond Ammann
 0043-8774
Korean music: percussion, power, history and youth 1998 East European meetings in ethnomusicology 5 (): 61-71
  • Robert C. Provine
 H6/KFYV [EAST-]
Recent steelband recordings from Trinidad 1997 Journal of American folklore 110 (435): 73-83
  • Stephen Stuempfle
 H6/KF [JOURNAL-]
Tsntsgha: a musical and a magical instrument 1992 Istoriko-filologicheskiy zhurnal 135-6 (): 215-24
  • R V Pikichian
Why do it that way? Rhythmic models and motifs in Korean percussion bands 1991-2 Asian Music 23 (1): 1-59
  • K Howard
The autonomous percussion rhythm as a distinct system in Romanian folk rhythmics, 1 1991 Revista de etnografie si folclor 36 (): 9-32
  • C Cristescu
La forme architectonique des signaux de symandre: polyphonies de symandres 1990 Revista de etnografie si folclor 35 (): 225-38
  • C Cristescu
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