Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Bamboo panpipes in processes and a makeshift recording studio: musical mediation over indigenous instruments in 'Are'are, Solomon Islands | 2020 | Bulletin of the National Museum of Ethnology (Osaka) 45 (3): 471-516 | H6 [OSAKA-] | 0385-180X | |||
'I am not a musician, I am a folk musician': the role of Franc Laporšek in the revitalization of panpipe (trstenke) | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 83-101 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Proto-Nasca art and antaras | 2015 | Ñawpa Pacha 35 (2): 117-72 | H6/KE [NAWPA-] | 0077-6297 | |||
Lithuanian panpipe and trumpet festival in Utena | 2010 | Liaudies kultūra 6 (): 77-9 | H6/KVT [LIAUDIES-] | 0236-0551 | |||
Aerophonic musical instruments in the Mierzanowicka culture | 2007 | Sprawozdania archeologiczne 59 (): 335-43 | H6/KE [SPRAWOZDANIA-] | 0081-3834 | |||
Essay on the original symbolism of the panpipe | 1999 | East European meetings in ethnomusicology 6 (): 25-32 | H6/KFYV [EAST-] | 1221-9711 | |||
El rol acustico de las segundas hileras de tubos en los sikus tradicionales de Bolivia (el final de medio siglo de un polémico debate) | 1997 | Reunión anual de etnología 11 (2): 223-9 | |||||
Pan pipes and modernity in the Andes. A Jalq'a example | 1996 | Cahiers de musiques traditionnelles 9 (): 225-39 |