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TitleDateReferenceAuthorsCall #ISSN
Bamboo panpipes in processes and a makeshift recording studio: musical mediation over indigenous instruments in 'Are'are, Solomon Islands 2020 Bulletin of the National Museum of Ethnology (Osaka) 45 (3): 471-516
  • Hidenori Samoto
H6 [OSAKA-] 0385-180X
'I am not a musician, I am a folk musician': the role of Franc Laporšek in the revitalization of panpipe (trstenke) 2016 Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 83-101
  • Drago Kunej
H6/KVP [TRADITIONES-] 0352-0447
Proto-Nasca art and antaras 2015 Ñawpa Pacha 35 (2): 117-72
  • Patrick H. Carmichael
H6/KE [NAWPA-] 0077-6297
Lithuanian panpipe and trumpet festival in Utena 2010 Liaudies kultūra 6 (): 77-9
  • Algirdas Vyžintas
H6/KVT [LIAUDIES-] 0236-0551
Aerophonic musical instruments in the Mierzanowicka culture 2007 Sprawozdania archeologiczne 59 (): 335-43
  • Barbara Baczyńska
  • Jerzy Tomasz Bąbel
H6/KE [SPRAWOZDANIA-] 0081-3834
Essay on the original symbolism of the panpipe 1999 East European meetings in ethnomusicology 6 (): 25-32
  • Gilles Patrat
H6/KFYV [EAST-] 1221-9711
El rol acustico de las segundas hileras de tubos en los sikus tradicionales de Bolivia (el final de medio siglo de un polémico debate) 1997 Reunión anual de etnología 11 (2): 223-9
  • Arnaud Gerard-Ardenois
Pan pipes and modernity in the Andes. A Jalq'a example 1996 Cahiers de musiques traditionnelles 9 (): 225-39
  • Rosalia Martínez
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