Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Angbangbang, Two Leg Rock and Dendrobium affine: Aboriginal painting on two rock surfaces in Arnhem Land | 2023 | Rock art research 40 (1): 105-7 | H6/KE [ROCK-] | 0813-0426 | |||
Overlapping memories. Analysis of the superimpositions in the rock art of Cerro Colorado as instances of social negotiation (Sierras del Norte, Córdoba, Argentina) | 2022 | Chungará 54 (4): 719-37 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
The use of ochre in the prehistory of Serra da Capivara, Piauí, Brazil | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (3): 1-19 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Who painted that? The authorship of schematic rock art at the Los Machos rockshelter in southern Iberia | 2020 | Antiquity 94 (377): 1133-51 | H6/KE [ANTIQUITY-] | 0003-598X | |||
El registro en dibujo. Una herramienta para el estudio y la conservación de la pintura mural prehispánica | 2020 | Arqueología mexicana 27 (162): 74-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Técnica y arte en los murales mesoamericanos | 2020 | Arqueología mexicana 27 (162): 44-51 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
An occurrence of appliqué in Wardaman rock art | 2019 | Rock art research 36 (1): 110-13 | H6/KE [ROCK-] | 0813-0426 | |||
Paintings and painters at Pachacamac: a multidisciplinary study of building B15 | 2019 | Boletin de arqueologia PUCP (26): 9-32 | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 2304-4292 | |||
Paintings and painters at Pachacamac: a multidisciplinary study of building B15 | 2019 | Boletin de arqueologia PUCP (26): 9-32 | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 2304-4292 | |||
The murals of Tlayacapan: history, technique and materials | 2019 | Anales del Instituto de Investigaciones Estéticas 41 (115): 197-241 | H6/KFY [MEXICO-] | 0185-1276 | |||
The Ädel painting dispute 1839-1841. Forensic analyses of a historic case | 2018 | Rig 101 (2-3): 85-103 | H6/KVT [RIG-] | 0035-5267 | |||
General considerations on the pictorial representations of the Virgen de Guadalupe (18th c.). Techniques and materials | 2018 | Anales. Museo de América (Madrid) (26): 119-32 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Characterising the unique polychrome sinopia under the Lod mosaic, Israel: pigments and painting technique | 2014 | Journal of archaeological science 46 (): 68-74 | H6/KE [JOURNAL-] | 0305-4403 | |||
Earliest evidence for asbestos composites linked to Byzantine wall paintings production | 2014 | Journal of archaeological science 44 (): 148-53 | H6/KE [JOURNAL-] | 0305-4403 | |||
Human depiction in Vindhyan rock art | 2013 | American Indian rock art 40 (): 251-60 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Some clues from Borneo for deciphering hand stencils | 2013 | American Indian rock art 40 (): 363-72 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
The paintings of Ana Kai Tangata cave, Easter Island | 2013 | Rapa Nui journal 27 (2): 11-32 | *H6/KX [RAPA NUI-] | 1040-1385 | |||
Paintings at Sigiriya, Sri Lanka: art painted in a rock shelter; but is it rock art? | 2013 | American Indian rock art 39 (): 188-94 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Characterization of organic media in the wall-painting of the "Palace of Nestor" at Pylos, Greece: evidence for a secco painting technique in the bronze age | 2012 | Journal of archaeological science 39 (9): 2866-76 | H6/KE [JOURNAL-] | 0305-4403 | |||
Contextos "publicos" y "privados" para la ejecucion del arte rupestre en el Valle de Guasapampa (Cordoba, Argentina) | 2012 | Latin American antiquity 23 (3): 327-45 | *H6/KE [LATIN-] | 1045-6635 | |||
The Temple of Venus (Pompeii): a study of the pigments and painting techniques | 2011 | Journal of archaeological science 38 (10): 2633-43 | H6/KE [JOURNAL-] | 0305-4403 | |||
A question of style: reconsidering the stylistic approach to dating Palaeolithic parietal art in France | 2011 | Antiquity 85 (330): 1165-83 | H6/KE [ANTIQUITY-] | 0003-598X | |||
La pintura mural y su conservación | 2011 | Arqueología mexicana 18 (108): 33-7 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Reflected light and the perspective of light and time in the art of Kuznetsov | 2011 | Kul'tura i vremia 4 (): 76-87 | H6/KVY [KULTURA-] | ||||
The context and process of Pueblo mural painting in the historic era | 2010 | Kiva 76 (1): 83-116 | *H6/KE [KIVA-] | 0023-1940 | |||
Ancient bird stencils discovered in Arnhem Land, Northern Territory, Australia | 2010 | Antiquity 84 (324): 516-27 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Apparition painting | 2009 | Res (55-56): 61-86 | *H6 [RES-] | 0277-1322 | |||
Hutsul obraznyky. Glass paintings | 2009 | Rocznik Muzeum Etnograficznego w Krakowie 15 (): 241-69 | H6/KVM [ROCZNIK-] | ONLY ISBN | |||
Analysis of Nasrid polychrome carpentry at the hall of the Mexuar palace, Alhambra complex (Granada, Spain), combining microscopic, chromatographic and spectroscopic methods | 2009 | Archaeometry 51 (4): 637-57 | H6/KE [ARCHAEOMETRY-] | 0003-813X | |||
A technical study of the Rosebud winter count | 2009 | Plains anthropologist 54 (209): 3-16 | H6/KUB [PLAINS-] | 0032-0447 | |||
Breaking ground: oil stick drawings from Cape Dorset | 2009 | Inuit art quarterly 24 (1): 24-32 | *H6/KFY [INUIT-] | 0831-6708 | |||
The Szwedzicki portfolios of American Indian art, 1929-1952: Kiowa Indian art, Pueblo Indian painting and Pueblo Indian pottery | 2009 | American Indian art magazine 34 (2): 36-45 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
Los colores de la selva: procedimientos, materiales, y colores en la pintura mural maya | 2008 | Arqueología mexicana 16 (93): 46-50 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
From Byzantine to post-Byzantine art: the painting technique of St. Stephen's wall paintings at Meteora, Greece | 2008 | Journal of archaeological science 35 (9): 2474-85 | H6/KE [JOURNAL-] | 0305-4403 | |||
A comparative study of wall paintings at the Cypriot monastery of Christ Antiphonitis: one artist or two? | 2008 | Journal of archaeological science 35 (6): 1695-707 | H6/KE [JOURNAL-] | 0305-4403 | |||
Characterisation of materials and techniques used in Mexican rock paintings | 2008 | Rock art research 25 (2): 131-5 | H6/KE [ROCK-] | 0813-0426 | |||
Haryadi Suadi et la peinture sous verre. Un art populaire au service des académies | 2008 | Archipel 76 (): 99-126, 332 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
The Byzantine wall paintings from the Protaon Church on Mount Athos, Greece: tradition and science | 2007 | Journal of archaeological science 34 (12): 1971-84 | H6/KE [JOURNAL-] | 0305-4403 | |||
Balck organic pigments. Known, prepared and used by the Romanian medieval painters | 2007 | Etudes et documents balkaniques et méditerranéens 31 (): 79-83 | H6/KF [ETUDES-] | 1269-1720 | |||
Colours and techniques of Mayan mural paintings | 2007 | Anales. Museo de América (Madrid) 15 (): 55-66 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
The graphic process in the Cantabrian dotted paintings: toward the identification of an artistic operative chain | 2007 | Munibe 58 (): 155-76 | H6/KE [MUNIBE-] | 1132-2217 | |||
Further analyisis on fresco and tempera: an analysis of the structure of murals in South Asia | 2007 | Journal of the Sri Lanka branch of the Royal Asiatic Society (New Series) 53 (): 109-32 | H6/KW [ROYAL-] | 1391-720X | |||
The fresco technique used by the Romanian medieval painters | 2006 | Etudes et documents balkaniques et méditerranéens 30 (): 21-35 | H6/KF [ETUDES-] | 1269-1720 | |||
An experimental approach to pigment analysis - six years on | 2006 | American Indian rock art 32 (): 25-30 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
La latéralisation des figures animales dans les arts rupestres: un exemple de toposensivité | 2005/2006 | Munibe 57 (3): 79-93 | H6/KE [MUNIBE-] | 1132-2217 | |||
National form | 2004 | British Museum magazine 48 (): 30-4 | 0965-8297 | ||||
Estudio anatómico de la madera en cuatro soportes de pintura colonial sobre tabla | 2003 | Antropología (Mexico) 69 (): 61-8 | H6/KUL [ANTROPOLOGIA-] | 0188-462X | |||
The 'Zograph' model of Orthodox painting in Southeast Europe 1830-1870 | 2003 | Balcanica 34 (): 385-405 | H6/KVO [BALCANICA-] | 0350-7635 | |||
El tapiz: pintar con hilos. El arte textil como expresión vigente de la cultura | 2003 | Reunión anual de etnología 15 (2): 271-6 | |||||
La pintura mural hispano-musulmana. ¿Tradición o innovación? | 2003 | Al-Qanṭara 24 (1): 109-37 | H6/KW 'AL-QANTARA-' | 00211-3589 |