Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (3): 405-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Painting as relationship: interactions between people and paintings on rock walls | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (1): 1-34 | H6/KUL [BOLETIM-] | 1981-8122 | |||
In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Ruth Blalock Jones: Shawnee/Delaware/Peoria painter, educator and printmaker | 2024 | First American art magazine 42 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Diné painter Shonto Begay | 2024 | First American art magazine (43): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Karma Henry: Owens Valley Paiute painter | 2024 | First American art magazine (43): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
Winimaku ara papa wiimatjaraku and other stories | 2024 | The Australian journal of anthropology 35 (1-2): 117-34 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Cherokee Nation/Pawnee painter and sculptor Daniel Horsechief | 2024 | First American art magazine 44 (): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
Linda Infante Lyons: Alutiiq painter | 2024 | First American art magazine 44 (): 68-73 | H6/KUB [FIRST-] | 2333-5548 | |||
Gabriela Morac: Zapoteca printmaker and painter | 2024 | First American art magazine 44 (): 74-9 | H6/KUB [FIRST-] | 2333-5548 | |||
The paintings of Henok Melkamzer: Telsem symbols and imagery | 2024 | Nka: journal of contemporary African art (55): 44-60 | H6/KY [NKA-] | 1075-7163 | |||
The making of faith: human intentions and the material influences in the Orthodox Christian practice of iconography | 2023 | Material religion 19 (1): 55-78 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Painting for fools | 2023 | Theory, culture and society 40 (1-2): 179-200 | H6 [THEORY-] | 0263-2764 | |||
'Eternal convivencia': from Madrid's Painters of Africa to the School of Tetouan | 2023 | World art 13 (1): 29-61 | H6 [WORLD-] | 2150-0908 | |||
Art and environmental communication in Bangladesh: perceptions of artists and environmentalists | 2023 | World art 13 (2): 197-219 | H6 [WORLD-] | 2150-0908 | |||
On the varieties of experience of art | 2023 | Theory, culture and society 40 (4-5): 131-44 | H6 [THEORY-] | 0263-2764 | |||
The goddess’ new clothes: the carving and polychromy of the Parthenon sculptures | 2023 | Antiquity 97 (395): 1173-92 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Erin Shaw: Chickasaw/Choctaw painter | 2023 | First American art magazine 38 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
Lagos and its representation in visual arts | 2023 | African arts 56 (4): 24-41 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Morphing identity and style in contemporary Ghanaian painting: two artists from Sekondi-Takoradi | 2023 | African arts 56 (4): 42-61 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The magical dreams of Paula Nicho | 2023 | Cultural Survival quarterly 47 (2): 12-13 | H6/KD [CULTURAL-] | 0740-3291 | |||
Sharing good intentions for inner peace through kené | 2023 | Cultural Survival quarterly 47 (2): 22-3 | H6/KD [CULTURAL-] | 0740-3291 | |||
Die Verzwegung der Bergriesen. Zur Entstehung der Bergpostkarten Emil Noldes | 2023 | Schweizerisches Archiv für Volkskunde (2): 93-101 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
En-visage-ing | 2023 | Journal des anthropologues (174-175): 111-23 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
From transparency to opacity: Cheikh Ndiaye’s movie-house paintings | 2023 | Nka: journal of contemporary African art 53 (1): 64-73 | H6/KY [NKA-] | 1075-7163 | |||
Julie Buffalohead: Ponca draftsperson, painter, and printmaker | 2023 | First American art magazine (40): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Bonnie Divine: Serpent River Ojibwa installation artist, painter and sculptor | 2023 | First American art magazine (40): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Spirit Lake Dakota/Diné painter and ledger artist Avis Charley | 2023 | First American art magazine 39 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Melanie Yazzie: Navajo printmaker, painter, sculptor and jeweler | 2023 | First American art magazine 39 (): 88-93 | H6/KUB [FIRST-] | 2333-5548 | |||
Down the (digital) rabbit hole: mapping and decolonizing Safavid women's imagery in digital museums | 2023 | Journal of material culture 28 (4): 559-75 | H6/KF [JOURNAL-] | 1359-1835 | |||
Catching the urban atmosphere of Taichung, Taiwan | 2023 | Visual anthropology review 39 (2): 388-415 | H6 [PROGRAM-] | 1053-7147 | |||
The stories we tell | 2023 | Art Asia Pacific Magazine (136): 48-55 | H6/KFY [ART] | 1039-3625 | |||
Images of Sindanglaya and its surroundings in the 19th century | 2023 | Archipel (105): 37-59 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Re-presenting encounters: the drawings of Jean Piron | 2022 | History and anthropology 33 (1): 44-66 | H6 [HISTORY-] | 1477-2612 | |||
El temprano arte de la tradición de tejer esteras en fibra vegetal en la sociedad Chinchorro (10.000-3500 aP): extremo norte de Chile | 2022 | Latin American antiquity 33 (2): 355-75 | *H6/KE [LATIN-] | 1045-6635 | |||
Monumental bodies: the work of Dawit Abebe | 2022 | Nka: journal of contemporary African art (51): 48-60 | H6/KY [NKA-] | 1075-7163 | |||
Poto-Poto, 1946-1960s. Narrative frictions, esthetic attributions | 2022 | Gradhiva: revue de anthropology et museologie (34): 164-82 | H6 [GRADHIVA-] | 0764-8928 | |||
Art, anthropology and non-Han bodies: Pang Xunquin's paintings of Miao people in Guizhou province in the 1940s | 2022 | Visual anthropology 35 (4-5): 358-89 | *H6 [VISUAL-] | 1545-5920 | |||
'Lifting the veil from the face of depiction': a Festschrift in honour of Barbara Brend | 2022 | Journal of the Royal Asiatic Society 32 (4): 713-20 | H6/KW [ROYAL-] | 1356-1863 | |||
The study of Persian painting | 2022 | Journal of the Royal Asiatic Society 32 (4): 721-9 | H6/KW [ROYAL-] | 1356-1863 | |||
Painting in the Fatimid period: a reconsideration | 2022 | Journal of the Royal Asiatic Society 32 (4): 730-42 | H6/KW [ROYAL-] | 1356-1863 | |||
The Hamadan Qu'ran of Öljaytü: vestiges of a binding tradition | 2022 | Journal of the Royal Asiatic Society 32 (4): 743-61 | H6/KW [ROYAL-] | 1356-1863 | |||
Power and politics of representation: picturing elite women in Ilkhanid painting | 2022 | Journal of the Royal Asiatic Society 32 (4): 762-91 | H6/KW [ROYAL-] | 1356-1863 | |||
The official and personal seals of Tipu Sultan of Mysore | 2022 | Journal of the Royal Asiatic Society 32 (4): 792-807 | H6/KW [ROYAL-] | 1356-1863 | |||
'Chinese' paper and margins of gold in a fifteenth-century Shiraz anthology | 2022 | Journal of the Royal Asiatic Society 32 (4): 808-26 | H6/KW [ROYAL-] | 1356-1863 | |||
The Shiraz connection: a Shāhnāma of 1440 from the library of Muḥammad Shāh, Sultan of Gujarat | 2022 | Journal of the Royal Asiatic Society 32 (4): 827-60 | H6/KW [ROYAL-] | 1356-1863 | |||
A palette for a prince: the colours in the Shahnamah for Muhammad Juki | 2022 | Journal of the Royal Asiatic Society 32 (4): 861-76 | H6/KW [ROYAL-] | 1356-1863 | |||
Three ways of reading a frontispiece: the example of the Cairo Būstān | 2022 | Journal of the Royal Asiatic Society 32 (4): 877-96 | H6/KW [ROYAL-] | 1356-1863 | |||
The illustration of Mīrkhwānd's Rauḍat al-ṣafā, RAS Ms. P. 38 | 2022 | Journal of the Royal Asiatic Society 32 (4): 897-911 | H6/KW [ROYAL-] | 1356-1863 |