Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
'You know nothing except how to read musical notation!': rethinking the use of notation in jinghu accompaniment | 2024 | Asian music 55 (1): 38-72 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Staging noh performance in contemporary opera: the dance of the shite in Toshio Hosokawa's The maiden from the sea (2017) | 2023 | Asian music 54 (1): 92-119 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Cantonese opera troupes in Southeast Asia: political mobilizations, diaspora networks, and operatic circulation, 1850s-1930s | 2022 | Asian ethnology 81 (1-2): 83-105 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Performing Chineseness overseas. Peking Opera, photography, and the KMT's Chinese nationalism during the Cold War | 2022 | Journal of Chinese overseas 18 (1): 90-117 | H6/KW [JOURNAL-] | 1793-0391 | |||
Engaging with a genre in decline: Teochew opera in western Sydney | 2021 | The Asia Pacific journal of anthropology 22 (2-3): 162-83 | H6 [CANBERRA-] | 1444-2213 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Continuity and changes in Cambodian lkhaon bassac (lakhon baasaq) opera | 2020 | Asian music 51 (2): 72-104 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Affect, language, race, voice: opera singers in nineteenth-century United States | 2020 | Ethnomusicology forum 29 (1): 40-61 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Exploring creativity in traditional music | 2019 | Yearbook for traditional music 51 (): 1-15 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Traditional opera consumption as the new game of distinction for the Chinese middle classes | 2019 | International journal of cultural studies 22 (3): 400-16 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Sanitizing Szigetvár: on the post-imperial fashioning of nationalist memory | 2019 | History and anthropology 30 (4): 434-47 | H6 [HISTORY-] | 1477-2612 | |||
Myth in 300 strokes | 2019 | Studia mythologica slavica 22 (): 107-19 | H6/KVP [STUDIA-] | 1408-6271 | |||
Music as an instrument of making sociocultural otherness | 2018 | Ethno-anthropological problems journal 13 (2): 295-325 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Heretical statements: an autoethnographic story regarding one doctoral dissertation on the anthropology of opera | 2018 | Ethno-anthropological problems journal 13 (2): 345-67 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
'My beautiful face, the enemy of Dharma practice'. Variations in the textual history of Nangsa Ohbum | 2018 | Asian ethnology 77 (1-2): 145-68 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
Sounding social justice in American opera: race and gender in Stinney: an American execution | 2018 | Folk life 56 (2): 77-92 | H6/KVC [FOLK-] | 0008-3496 | |||
Opera as social showcase: rituals of 'magic mirrors' at the Margravial Opera House in mid-eighteenth-century Bayreuth | 2016 | Ethno-anthropological problems journal 11 (1): 19-45 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
The Yakut folk song: a brief ethnographic sketch | 2016 | Anthropology and archeology of Eurasia 55 (1): 41-59 | H6/KVY [ANTHROPOLOGY-] | 1061-1959 | |||
Introduction | 2016 | Ethnomusicology forum 25 (1): 4-13 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Transnationalism and everyday practice: Cantonese opera theatres of North America in the 1920s | 2016 | Ethnomusicology forum 25 (1): 107-30 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Winnie: the opera and embodying South African opera | 2016 | African studies 75 (1): 1-9 | H6/KY [BANTU-] | 0002-0184 | |||
'The musical thread': Neo Muyanga on opera and South Africa | 2016 | African studies 75 (1): 74-97 | H6/KY [BANTU-] | 0002-0184 | |||
Embodied discordance: vernacular idioms in Winnie: the opera | 2016 | African studies 75 (1): 48-73 | H6/KY [BANTU-] | 0002-0184 | |||
'Just say the words': an operatic rendering of Winnie | 2016 | African studies 75 (1): 32-47 | H6/KY [BANTU-] | 0002-0184 | |||
Winnie, opera, and South African artistic nationhood | 2016 | African studies 75 (1): 10-31 | H6/KY [BANTU-] | 0002-0184 | |||
The question of nationalism in Mzilikazi Khumalo's Princess Magogo kaDinuzulu (2002) | 2015 | Journal of African cultural studies 27 (3): 294-310 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Nuo opera | 2015 | China's ethnic groups (4): 74-5 | H6/KWS [CHINA'S-] | 1672-3341 | |||
¿Cuántas óperas Moctezuma tuvieron como protagonista el emperador mexica? | 2015 | Arqueología mexicana 22 (132): 86-7 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Escorting Lady Jing, Home: a journey of Chinese opera, gender, and politics | 2014 | Yearbook for traditional music 46 (): 114-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Romanticism, music, nationalism | 2014 | Nations and nationalism 20 (4): 606-27 | *H6/KF [NATIONS-] | 1354-5078 | |||
Intertwinement of Croatian and Slovenian musical heritage on the oldest gramophone records | 2014 | Narodna umjetnost 51 (1): 131-53 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Why don't we take drama as facts?' - Observations on Cantonese opera in a rural setting | 2013 | Journal of the Hong Kong branch of the Royal Asiatic Society 53 (): 183-214 | H6/KWS [ROYAL-] | ||||
I.IA. Bilibin: painting and drawing | 2012 | Kul'tura i vremia 1 (): 72-105 | H6/KVY [KULTURA-] | ||||
The musical design of national space and time in Oman | 2012 | The World of Music 1 (2): 63-96 | H6/KFY [WORLD-] | 0043-8774 | |||
Guansuo: a rare opera form from Yunnan | 2012 | China's ethnic groups (4): 64-73 | H6/KWS [CHINA'S-] | 1672-3341 | |||
Posthumous life of antiquity: the Medici intermezza from 1589 | 2011 | Konteksty 65 (2/3): 216-21, 379 | H6/KVM [POLSKA-] | 1230-6142 | |||
Danny Yung in search of hybrid matter and mind: his experimental xiqu for Zuni Icosahedron | 2011 | Visual anthropology 24 (1-2): 124-38 | *H6 [VISUAL-] | 0894-9468 | |||
Slovenian composers in Serbia: Davorin Jenko, Mihovil Logar, Zlatan Vauda | 2010 | Traditiones: acta Instituti Ethnographiae Slovenorum 39 (1): 261-72 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
In memoriam: Boris Aleksandrovich Pokrovskiĭ (23.1.1912- 5.6.2009) | 2009 | Kul'tura i vremia 2 (): 230-3 | H6/KVY [KULTURA-] | ||||
Levi-Strauss and the opera | 2009 | Ethno-anthropological problems journal 4 (2): 101-20 | H6/KVP [ETNOANTROPOLOSKI-] | 0353-1589 | |||
The Second International Festival of Intangible Cultural Heritage: a feast of intangible cultural heritage, a festival for Chengdu, a party for the world | 2009 | China's ethnic groups (3): 8-39 | H6/KWS [CHINA'S-] | 1672-3341 | |||
National musical art of Belorussia: authentic features and modifications on the modern theatre stage | 2009 | Narodna tvorchist’ ta etnohrafiya 4/5 (): 75-81 | H6/KVY [NARODNA-] | 0130-6936 | |||
The relationship between A-lce lha-mo troupes and their sponsors | 2008 | Inner Asia 10 (2): 211-40 | H6/KW [INNER-] | 1464-8172 | |||
'The prince of darkness' or the mystery of Claude Debussy | 2008 | Kul'tura i vremia 4 (): 212-19 | H6/KVY [KULTURA-] | ||||
Opera and the anthropologist: an odd couple? | 2008 | Ethno-anthropological problems journal 3 (1): 39-70 | H6/KVP [ETNOANTROPOLOSKI-] | 0353-1589 | |||
When folk and elite cultures meet: Arma Launi's Sami opera Aslak Hetta | 2007 | European meetings in ethnomusicology 12 (): 255-64 | *H6/KFYV [EAST-] | 1582-5841 | |||
The Tatry highlander robbers: one myth musically transformed | 2007 | Literatura ludowa 3 (): 17-24 | H6/KVM [LITERATURA-] | 0024-4708 | |||
Gypsy stereotype in European music | 2006 | Literatura ludowa 50 (2): 41-9 | H6/KVM [LITERATURA-] | 0024-4708 |