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TitleDateReferenceAuthorsCall #ISSN
Staging noh performance in contemporary opera: the dance of the shite in Toshio Hosokawa's The maiden from the sea (2017) 2023 Asian music 54 (1): 92-119
  • Paulo Brito
 *H6/KFYV [ASIAN-] 0044-9202
Yamauba and oni-women. Devouring and helping yamauba are two sides of the same coin 2019 Asian ethnology 78 (2): 403-27
  • Noriko Reider
 H6/KWS [FOLKLORE-] 1882-6865
Interpreting an Edo-period atsuita at the Weltmuseum Wien 2018 Archiv für Völkerkunde 67 (): 100-17
  • Kate Walker
 H6/KF [ARCHIV-] 0066-6513
Stages of transformation 2018 Hali (196): 70-7
  • Iwao Nagasaki
 *H6/KGG [HALI-] 0142-0798
The Nō stage of the Buke Hinagata: the historical context and background of its production 2015 Archiv für Völkerkunde 65 (): 100-17
  • Michi Shigeta
 H6/KF [ARCHIV-] 0066-6513
From Noh theater to pscyhodrama. Using the masked Japanese theater for the pathology of acting out 2015 L'Autre: cliniques, cultures et sociétés 16 (3): 306-14
  • Xavier Blondelot
 H6 [AUTRE-] 1626-5378
Chromatopes of noh: an analysis of timbral progressions in the introductions to three plays 2014 Asian music 45 (2): 84-128
  • Joyce S. Lim
  • Michael Gardiner
 *H6/KFYV [ASIAN-] 0044-9202
Tsuchigumo sōshi. The emergence of a shape-shifting killer female spider 2013 Asian ethnology 72 (1): 55-83
  • Noriko T. Reider
 H6/KWS [FOLKLORE-] 1882-6865
Patterns of long ago: reflections of China in Japanese Noh costume 2010 Ornament 33 (3): 24-5
  • Robin Updike
 *H6 [BEAD-] 0148-3897
Reading music/playing music: the musical notations of the Kyoto Gion festival and the noh flute 2008 Ethnomusicology forum 17 (2): 249-68
  • Kawori Iguchi
 H6/KFYV [BRITISH-] 1741-1912
The true history of Shido temple 2007 Asian folklore studies 66 (1-2): 55-82
  • Royall Tyler
 H6/KWS [FOLKLORE-] 0385-2342
Horizontes imaginativos e o aquém e além 2005 Revista de antropología (São Paulo) 48 (1): 363-84
  • Vincent Crapanzano
 H6/KUL [REVISTA-] 0034-7701
Butoh 2004 Konteksty 1/2 (): 122-8, 249
  • Maciej Rożalski
 H6/KVM [POLSKA-] 1230-6142
The culture of play: kabuki and the production of texts 2003 Bulletin of the School of Oriental and African Studies 66 (3): 358-79, iii-iv
  • C. Andrew Gerstle
 0041-977X
Living tones: on my cross-cultural dance-music drama Dragon bond rite 2003 The World of Music 45 (2): 127-31
  • Jin-Hi Kim
 0043-8774
Japanese Noh and Kyōgen robes 2002/2003 Ornament 26 (2): 62-5
  • Nancy Ukai Russell
 *H6 [BEAD-] 0148-3897
Song as a nucleus of actor's work on stage 2001 Konteksty 1/4 (): 168-79, 564
  • Jadwiga Rodowicz
 1230-6142
A white and a black mask: the religious play of the Nô theatre 2001 Etnofoor 14 (2): 89-102
  • Erika de Poorter
 0921-5158
Reading about practice: amateur students of the noh flute in Kyoto 2000 Journal of the Anthropological Society of Oxford 31 (2): 133-48
  • Kawori Uguchi
 H6/KF [OXFORD-] 0044-8370
Common motifs and effects in shamanic passage rites and Nō theatre 2000 Shaman 8 (2): 99-129
  • John A. Dooley
 *H6/KFO [SHAMAN-] 1216-7827
Kotoba ('sung' speech) in Japanese Nō theater: gender distinctions in structure and performance 2000 Asian music 31 (2): 129-66
  • Zvika Serper
 0044-9202
Invented origins: Muromachi interpretations of okina sarugaku 1998 Bulletin of the School of Oriental and African Studies 61 (3): vi, 492-518
  • Noel J. Pinnington
 H6/KW [LONDON-]
Der schamanistische Ursprung des japanischen Nō-Spiels - nach Hondas Forschungen 1992 Műveltség és hagyomány 25-6 (): 81-5
  • W Kazuhiro
Japanese no-noh: the crosstalk of public culture in a rural festivity 1990 Public Culture 2 (2): 65-81
  • W W Kelly
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