Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Shouting the Qur'an: exuberance and playfulness in the taḥzzabt - collective recitation - in Morocco | 2020 | Ethnomusicology forum 29 (2): 166-86 | H6/KFYV [BRITISH-] | 1741-1912 | |||
My music | 2019 | Ethnomusicology 63 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Do we need a concept of "musical substance"? | 2018 | Revista de etnografie şi folclor (NS) (1-2): 163-89 | H6/KVQ [REVISTA-] | 0034-8198 | |||
The timbre of Thai classical singing | 2012 | Asian music 43 (2): 88-114 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Modal pitch features of wedding songs, recorded by A.M. Listopadov in IUrov hamlet in 1904 | 2012 | Zhivaia Starina (NS) 4 (): 47-51 | H6/KVY [ZHIVAIA-] | 0204-3432 | |||
The rāgs of North Indian music, forty years later | 2011 | Ethnomusicology 55 (2): 318-24 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Music, measurements, pitch survivals, and bell shapes in Korea | 2007 | The World of Music 49 (3): 13-30 | H6/KFY [WORLD-] | 0043-8774 | |||
Universals of musical scale in ethnomusicology and psychology of music | 2006 | Tautosakos Darbai (NS) 31 (): 90-109 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Oktoēchos in the Syrian Orthodox Churches in south India | 2004 | Ethnomusicology 48 (2): 229-50 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Tuning in the instrumental music and its perception | 2004 | Tautosakos Darbai (NS) 20 (): 125-32 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Psycho-acoustical approaches of reconstruction of scales | 2004 | Tautosakos Darbai (NS) 20 (): 133-50 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
'If you have good knowledge, close it well tight': concealed and framed meaning in the funeral music of the Hmong qeej | 2003 | British journal of ethnomusicology 12 (2): 1-33 | 0968-1221 | ||||
Traditional singing and acoustical analysis: exotic subject and exotic method | 2003 | Tautosakos Darbai (NS) 18 (=): 190-210 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
The paradox of timbre | 2002 | Ethnomusicology 46 (1): 56-95 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Interethnical conflict? Reflections on the problems deriving from the vast common cultural repertoire of the cohabitating ethnic peoples in Transylvania | 2002 | European meetings in ethnomusicology 9 (): 98-113 | 1582-5841 | ||||
Universal constraints concerning the choice of stylistic rules in various cultures | 2001 | European meetings in ethnomusicology 8 (): 73-93 | 1582-5841 | ||||
Sound, pitch, and scale: from [tone measurements] to sonological analysis in ethnomusicology | 2001 | Ethnomusicology 45 (3): 489-519 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Instruments of power: Sundanese ('multi-laras') gamelan in New Order Indonesia | 2001 | Ethnomusicology 45 (2): 197-227 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
No nonsense: the logic and power of acoustic-ironic mnemonic systems | 2000 | British journal of ethnomusicology 9 (2): 93-120 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Jean-Michel Beaudet: Souffles d'Amazonie | 2000 | British journal of ethnomusicology 9 (1): 143-56 | H6/KFYV [BRITISH-] | 0968-1221 | |||
Report on pitch perception experiments carried out in Buganda and Busoga (Uganda) | 1992 | African music 7 (2): 119-25 |