Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The Valdensis Codex: a historical framework and study of its material and symbolic aspects | 2024 | Estudios de cultura náhuatl 68 (): 115-74 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
Robert Lehmann-Nitsche and his unplublisehd study on tango and African languages in Argentina, around 1900 | 2024 | Indiana 41 (2): 143-76 | H6/KUL [INDIANA-] | 0341-8642 | |||
If Oskar Kolberg had had thephonograph… Or how to read the oldest archival notes of Polish traditional music through the prism of phonographic experience | 2023 | Folklore (Tartu) 91 (): 47-70 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Women’s two-part singing from the village of Varvara (modern processes in traditional practice) | 2022 | Bulgarski folklor 48 (3): 356-68 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Music performance in the religious practice of Sunni Turks from Southern Bulgaria | 2021 | Bulgarski folklor 47 (3): 303-26 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera | 2020 | Ethnomusicology 64 (1): 110-40 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Bust of Mozart scribbled by Frédéric Chopin on the manuscript of the variations on "Là ci darem la mano", Op. 2 | 2020 | Human evolution 35 (1-2): 101-7 | H6/HB [HUMAN-] | 0393-9375 | |||
The musician (Zakir / Imam Cafer) in the culture of the Alevi and Bektashi from the region of Kŭrdzhali (Bulgaria) | 2020 | Bulgarski folklor 46 (): 72-92 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Capturing sound or history? Understanding the 1928 Minzoku Geijutsu transcription debate | 2019 | Asian music 50 (1): 28-46 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Sound spectrum analysis: Ryūteki and Hichirijki techniques as performers of structure and mode in Etenraku | 2019 | Asian music 50 (1): 78-117 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Musicological aspects of 'dirges' in the regions of Prekmurje and Raba Valley | 2019 | Glasnik slovenskega etnološkega Društva 59 (1): 59-69 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
The Moravian manuscript hymn books and their importance for the research of folk Church singing in the 17th and 18th century | 2019 | Český Lid 106 (2): 139-56 | H6/KVL [CESKÝ-] | 0009-0794 | |||
Variance in the Belorussianritual spring dance songs 'Oj ne rasti kropie' | 2019 | Vestsi Akademii Navuk Belarusi 3 (): 339-45 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 | |||
Sevdalinka and Zagreb until the end of the 1950s: an attempt at a reconstruction | 2019 | Narodna umjetnost 56 (1): 149-91 | H6/KVP [NARODNA-] | 0547-2504 | |||
The Voditsi custom in the village of Dobŭrsko: rite and music | 2019 | Bulgarski folklor 45 (2): 158-84 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Rites and feasts in the villages of Dolen and Satovcha – the singing tradition of Christians and Muslims | 2019 | Bulgarski folklor 45 (2): 228-37 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Exploring creativity in traditional music | 2019 | Yearbook for traditional music 51 (): 1-15 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Paradigmatic musical structures: an approach to the "Căluş" ritual performed in Argeş, Romania | 2018 | Revista de etnografie şi folclor (NS) (1-2): 219-50 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Elements and choreographic motives that determine the style of "Învârtita in asymmetric and syncopated rhythms" | 2018 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 29 (): 349-61 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Music without social life: the garmon' player Mikhail Sorochinskiĭ - a non-revivalist musician in Smolensk province | 2018 | Traditiones: acta Instituti Ethnographiae Slovenorum 47 (2): 35-67 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
The application of digital technologies in the research of traditional instrumental music in Slovakia | 2018 | Slovenský národopis 66 (1): 29-55 | H6/KVL [SLOVENSKY-] | 1335-1303 | |||
From electroacoustic music to Byzantine cantillation and vice versa: Vladimir Jovanović, composer | 2018 | Ethno-anthropological problems journal 13 (2): 327-44 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Nikola Borota's Kameni cvijet (Stone flower) and inscriptions on stećak tombstones: semantic and poetic level | 2018 | Ethno-anthropological problems journal 13 (2): 379-94 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Improvisation, creativity, and agency in South Indian temple rāga perfromance | 2017 | Asian music 48 (2): 24-61 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The emergence of chordal accretions in the lute melodies of togāku and its implications for the historical development of the repertory | 2017 | Ethnomusicology forum 26 (2): 215-46 | H6/KFYV [BRITISH-] | 1741-1912 | |||
On the relict scales and melodic structures in the Seto shepherd tune Kar'ahääl | 2017 | Folklore (Tartu) 68 (): 43-68 | H6/KVT [FOLKLORE-] | 1406-0957 | |||
Manuscript archival collections with notated folklore songs - cultural facts and contexts of the musical past | 2017 | Bulgarska etnologiia 43 (4): 409-22 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Some aspects of polymorphism in the asymmetrical rhythms of traditional music | 2017 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 28 (): 35-74 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
From tabulatures to diagrams. A diachronic perspective on the notation of musical folklore in Romania | 2017 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 28 (): 75-98 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Analytical musical transcription, a tool for configuring the structures of the "Cǎluş" tunes | 2017 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 28 (): 99-122 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Theoretical options of singing na tretko | 2017 | Glasnik slovenskega etnološkega Društva 57 (3/4): 43-54 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
'Twas Tír no nÓg itself': the muckross music collection: fieldwork in north Kerry 1980-1990 | 2016 | Folk life 54 (2): 132-61 | H6/KVC [FOLK-] | 0008-3496 | |||
Tracing the development of the South African alto saxophone style | 2016 | The World of Music 5 (2): 31-46 | H6/KFY [WORLD-] | 0043-8774 | |||
Paradigmatic musical structures of the "walks" ("Plimbări") in the Argeş "Căluş" | 2016 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 27 (): 305-37 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
The musician (Zakir/Imam Jafer) in the culture of the Alevis and Bektashis from the region of Kardzhali | 2016 | Bulgarski folklor 42 (2): 142-61 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Changes and novelties in the traditional tamboura individual performance style | 2016 | Bulgarski folklor 42 (2): 162-78 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The musical treasure-trove of Uzbekistan: the phenomenon of Uzbek classical music | 2016 | Anthropology and archeology of Eurasia 55 (1): 60-105 | H6/KVY [ANTHROPOLOGY-] | 1061-1959 | |||
The instant composers pool: music notation and the mediation of improvising agency | 2016 | Cadernos de arte e antropologia 5 (1): 39-58 | |||||
Minuet in the folk music: analysis and the musical type | 2016 | Český Lid 103 (4): 597-622 | H6/KVL [CESKY-] | 0009-0794 | |||
Music and ritual | 2016 | Český Lid 103 (4): 635-54 | H6/KVL [CESKY-] | 0009-0794 | |||
'Perhaps this melody could still be found somewhere': transcription orientations in Slovenia in the context of Slavic connections | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 53-81 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Weihnachtswünsche und -Rundgänge bei sesshaften Romanies in der ehemaligen Tschechoslowakei | 2016 | Folia ethnographica 50 (1): 111-30 | H6/KVL [ETHNOGRAPHICA-] | 0862-1209 | |||
Transculturación y apropiación cultural: el patrimonio musical de las reducciones jesuíticas de Chiquitos, Bolivia | 2015-2016 | Thule (38-39/40-41): 323-50 | H6/KUL [THULE-] | 1126-8611 | |||
Authority, critique, and revision in the Sanskrit music-theoretic tradition: rereading the Svara-mela-kalānidhi | 2015 | Asian music 46 (1): 39-77 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Is eastern Insulindia a distinct musical area? | 2015 | Archipel 90 (): 153-87 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Dance music in the manuscripts of the teacher Jiří Hartl (1781-1849) from Stará Paka | 2015 | Bulgarski folklor 41 (4): 491-512 [insert i-iv] | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Children's games in the Volgograd Oblast | 2015 | Zhivaia Starina (NS) 2 (): 8-10 | H6/KVY [ZHIVAIA-] | 0204-3432 | |||
Weihnachtswiegenlied im handgeschriebenen Kanzional des Rektors von Kuželov und in Volksspielen. Zu Perspektiven von Regionalstudien | 2015 | Folia ethnographica 49 (1): 7-22 | H6/KVL [ETHNOGRAPHICA-] | 0862-1209 |