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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Yopihuehuetl, the sound instrument that unleashed the Mexica War | 2025 | Revista española de antropología americana 55 (1): 43-54 | H6/KUL [MADRID-] | 0556-6533 | |||
| An Aztec omichicahuaztli from Tenochtitlan made out of a spider monkey bone | 2025 | Anthropological Science 133 (1): 17-22 | H6/KWV [ZINRUIGAKU-] | 0918-7960 | |||
| Smelly sounds: intestine material, gendered labour, and infrastructures of craft in southern India | 2025 | Journal of material culture 30 (1): 59-75 | H6/KF [JOURNAL-] | 1359-1835 | |||
| The birth of Yamatogoto culture: stringed instruments and the formation of complex society in pre- and protohistoric Japan | 2024 | Asian perspectives 63 (1): 98-128 | H6/KE [ASIAN-] | 0066-8435 | |||
| Seashells and sound waves: modelling soundscapes in Chacoan great-house communities | 2024 | Antiquity 98 (399): 777-94 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Shxwelí li te shxwelítemelh xíts'etáwtxw: the museum's confinement of Indigenous kin | 2024 | American anthropologist 126 (2): 233-47 | *H6 [AMERICAN-] | 0002-7294 | |||
| The bowed lyre of Estonia's Swedes: origin, diffusion, decline, revival | 2024 | Folklore (Tartu) 93 (): 105-42 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
| Sacralizing the gyl: myth and ritual in Dagara culture | 2024 | Folklore 135 (4): 463-82 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Maya instruments and their sound symbolism in Naachtun, Guatemala | 2024 | Boletín del Museo chileno de Arte precolombino 29 (2): 158-79 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Sounds in context: arachaeoacoustical studies of instruments from Comalcalco and Jonuta, pre-Hispanic Maya sites | 2024 | Ancient Mesoamerica 35 (2): 472-93 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Masters of places: music and territory in Makadade (Atauro, East Timor) | 2024 | Archipel (104): 111-36 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
| Sound and hallucinogens in mortuary context. New data for the identification of the Atacameño shaman, northern Chile (ca. AD 400-1400) | 2024 | Chungará 56 (3): 281-413 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
| Itzamnaaj yaxte’: analysis of a Poly-globular effigy flute of the Classic Maya Period preserved at the Musical Instruments Museum in Brussels, Belgium | 2023 | Estudios de cultura maya 61 (): 93-135 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Die Sprache der Pauken. Marfa' und tasa als Instrumente der nonverbalen Kommunikation im jemenitischen Hochland | 2023 | Jemen-Report 54 (1-2): 84-9 | H6/KWH [JEMEN-] | 0930-1488 | |||
| El Tlalpanhuéhuetl de Malinalco: pasado, identidad biológical y conservación | 2023 | Arqueología mexicana 29 (178): 62-7 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Crafting the voice of God: ceramic waylla kepa shell horn technology in the Andes | 2023 | Journal of anthropological archaeology 69 (): 1-17 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| In search of a musical past: evidence for early chrodophones from Vietnam | 2023 | Antiquity 97 (391): 141-57 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| The jew's harp in Sweden. A cultural-historical overview | 2023 | Rig (2): 86-102 | H6/KVT [RIG-] | 0035-5267 | |||
| Air and sound: Indigenous wind instruments made of bone in the Southeast United States | 2023 | Southeastern archaeology 42 (4): 311-21 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
| "Nuestros pequeños raspadores floridos": los raspadores musicales dentados y la materialización del Seaániau (mundo flor) yoeme | 2023 | Arqueología mexicana 30 (181): 34-42 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Cantos de la naturaleza: silbatos y flautas de aves entre los mayas | 2023 | Arqueología mexicana 30 (182): 46-51 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Music archaeology in Latin America: bridging method and interpretation with performance | 2023 | Journal of anthropological archaeology 72 (): 1-11 | *H6/KE [JOURNAL-] | 0278-4165 | |||
| The testimony of nuptial vases as a source for the interpretation of the social place of music in Greek antiquity | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 110-21 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| The musicians of Bahia end Jama Coaque: an approach to their social role | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 132-48 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Tubos sonoros pré-históricos: um panorama internacional preliminar | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 32-61 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| The destruction of the silver pipes from Ur: a new proposal | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 62-74 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Ancient soundscapes of the Tapajonic and Marajoara peoples: an approach bridging archaeomusicology and ethnomusicology in the collections of the Museu Paraense Emílio Goeldi and the Museum of Archaeology and Ethnology of the University of São Paulo | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 95-109 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Long-necked lutes at the Weltmuseum Wien | 2023 | Archiv Weltumseum Wien 72 (): 64-85 | H6/KF [ARCHIV-] | 0066-6513 | |||
| Early African ivories: the Ghana cluster | 2022 | African arts 55 (2): 10-19 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Unveiling a performance ritual in the Goeku: photo narratives, narrated photographs | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-27 | 2525-3123 | ||||
| The day the music died: making and playing bone wind instruments at La Real in Middle Horizon, Peru (600-1000 CE) | 2022 | Journal of anthropological archaeology 68 (): 1-12 | H6/KE [JOURNAL-] | 0278-4165 | |||
| The archaeology of musical bamboos: native bamboos and pre-Hispanic flutes on the Andean altiplano around Lake Titicaca (a first approximation) | 2022 | Journal of anthropological archaeology 68 (): 1-18 | H6/KE [JOURNAL-] | 0278-4165 | |||
| Harps on stone. Their presence in colonial churches of northern Chile | 2022 | Boletín del Museo chileno de Arte precolombino 27 (2): 69-89 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The tone of the offering to the Mallkus in the Collasuyu. Archaeological correlation for images of flutes in Guaman Poma (XIV-XVI Centuries) | 2022 | Revista española de antropología americana 52 (1): 59-80 | H6/KUL [MADRID-] | 0556-6533 | |||
| The pleasure of ambiguity: pedagogy and musical apprenticeship in an Istanbul art studio | 2022 | Journal of the Royal Anthropological Institute (New Series) 28 (2): 632-50 | H6 [JOURNAL-] | 1359-0987 | |||
| Samuel Martí and his collection of pre-Hispanic musical instruments: new approaches from organology and curatorship | 2022 | Indiana 39 (1): 37-67 | H6/KUL [INDIANA-] | 0341-8642 | |||
| The Sutton Hoo lyre and the music of the Silk Road: a new find of the fourth century AD reveals the Germanic lyre’s missing eastern connections | 2022 | Antiquity 96 (385): 208-12 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Manufacture and use: bone and tooth objects from the Late Bronze Age ‘shaman’s grave’ at Przeczyce, Poland | 2022 | Antiquity 96 (387): 737-44 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Organonscape, geography, and aural spaces of kemençe in and around Trabzon | 2022 | Ethnomusicology forum 31 (2): 260-82 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Not all "gorgets" are gorgets and not all "pendants" are pendants: actualistic study of gorget and pendant functions as bullroarers | 2022 | Archaeology of eastern North America 50 (): 109-40 | *H6/KE [ARCHEOLOGY-] | 0360-1021 | |||
| The Manufactured Series: coréographer un processus d'apprentissage technique | 2021/2022 | Techniques et culture (76): 210-25 | *H6 [TECHNIQUES-] | 0248-6016 | |||
| “Out of time” and “out of tune”: reflections of an oud apprentice in Somaliland | 2021 | Ethnomusicology 65 (2): 259-85 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
| Arching over the Atlantic: exploring links between Brazilian and Angolan musical bows | 2021 | Ethnomusicology 65 (2): 286-323 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
| Music under the ground: ethnomusicological research on the ground-bow in Africa | 2021 | Ethnomusicology 65 (2): 324-58 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
| Whale calling | 2021 | Ethnomusicology 65 (2): 350-73 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
| In search of sound thresholds: gestures, sounds and risks in folia tuning | 2021 | Revista de antropología (São Paulo) 64 (2): 1-26 | H6/KUL [REVISTA-] | 0034-7701 | |||
| Las vasijas silbadoras del preclásico en Oaxaca | 2021 | Ancient Mesoamerica 32 (2): 187-203 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| The Adat Aceh: a window into a 17th-century Malay soundscape | 2021 | Indonesia and the Malay world 49 (145): 395-411 | H6/KX [INDONESIA-] | 1469-8382 | |||
| Creating the database of 'a collection of Osamu Yamaguti (Yamaguchi)'s photographs of Asia-Pacific musicology' as a practice of applicative/applied musicology: a brief history of ethnomusicology and photographs of Okinawa and Amami musical instruments of the 1970s | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 99-130 | H6 [OSAKA-] | 0385-180X | |||
| The trumpets of howlers: on the artefactual mode of existence of person in the Upper Rio Negro | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-22 | H6/KUL [BOLETIM-] | 1981-8122 |
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