Title | Date | Reference | Authors | Call # | ISSN | ||
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Interrogating the ‘African troupe’: the construction of Africanness and Blackness in Chinese consumption of K-pop videos | 2025 | International journal of cultural studies 28 (2): 389-407 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Girl-instrument: posthumanism, producers, and virtual performers in Japanese music | 2025 | International journal of cultural studies 28 (2): 481-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Cruzando las fronteras de sur a norte y de norte a sur: Mexican wind bands, politics, and revolution across the US-Mexico border, circa 1900–1930 | 2024 | Mexican studies 40 (1): 131-72 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Reimagining the past in the construction of the present: visuality in neo-traditional guqin performances in twenty-first century China | 2024 | Asian music 55 (1): 73-125 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Tensiones raciales y visuales en el trópico colombiano: discografías de orquestras sabaneras Pedro Laza y sus playeros y La Sonora Cordobesa | 2024 | Studies in Latin American popular culture 42 (): 145-71 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Between tradition and innovation: transformations in wind music in the Slovácko region since the early 20th century | 2024 | Český Lid [electronically indexed] 111 (4): 397-420 | H6/KVL [CESKY-] | 0009-0794 | |||
Jurjevanje festival from ritual to festival | 2024 | Český Lid [electronically indexed] 111 (4): 421-40 | H6/KVL [CESKY-] | 0009-0794 | |||
In memoriam: Dr. Mira Omerzel - Mirit (1956–2024) | 2024 | Etnolog (New Series) 34 (): 267-8 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
Beatles, sex, drugs, science and rock 'n' roll | 2023 | Ciência & Trópico 47 (1): 123-36 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Consensus process in the decision-making of a North American alternative brass band | 2023 | Ethnomusicology forum 32 (1): 28-51 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Crossing borders and crossing the line: Nusantara mobilities of Search and the Malay rock phenomenon (1980s and 1990s) | 2023 | Indonesia and the Malay world 51 (151): 257-78 | H6/KX [INDONESIA-] | 1469-8382 | |||
The changing nature of instrumental music and musicians in folk dance ensembles | 2023 | Traditiones: acta Instituti Ethnographiae Slovenorum 52 (2): 69-90 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Zpěváček folk singing competition: regional identity and heritage performance in the Czech Republic | 2023 | Traditiones: acta Instituti Ethnographiae Slovenorum 52 (2): 105-24 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
In the beginning was the rock, and the rock was in the Caverna de Adulão, and the rock was the Caverna de Adulão | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-30 | 2525-3123 | ||||
‘On standby’: Malagasy social relatedness between ‘on’ and ‘off’ | 2022 | Journal of southern African studies 48 (4): 639-52 | H6/KY [JOURNAL-] | 1465-3893 | |||
Inuktut on the airwaves | 2022 | Inuit art quarterly 36 (3): 50-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
"Between respect and impertinence": cross-cultural engagement with Sardinian Cantu A Tenore | 2022 | Journal of folklore research 59 (3): 39-86 | H6/KF [INDIANA-] | 0737-7037 | |||
The Turnarounds: identity of the third and fourth generation Viennese Czechs and Austrian musical interculture | 2022 | Český Lid [electronically indexed] 109 (1): 9-33 | H6/KVL [CESKY-] | 0009-0794 | |||
Musicking Aymara and Quechua immigrants translocalities in São Paulo | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-27 | 2525-3123 | ||||
Carnival brass bands in New Orleans and Rio de Janeiro: disinheritance, alternative Whiteness, and musical eclecticism | 2021 | Ethnomusicology 65 (3): 519-48 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
A tale of two cities (and two ways of being inauthentic): the politics of college Jazz in “Official Cleveland” and in the “Other Cleveland” | 2021 | Ethnomusicology 65 (3): 549-73 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Role play in ethnographic production among the ludar “gypsies” of Mexico | 2021 | Etnografías Contemporáneas 7 (12): 94-116 | 2451-8050 | ||||
Musical resistance and musical bodies in the making: a worker-band from southern China | 2021 | International journal of cultural studies 24 (6): 953-73 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Rituals: 'Alma Pinkillo' reed flute's ethnography. From YouTube to the Titicaca Lake | 2021 | Revista española de antropología americana 51 (): 155-68 | H6/KUL [MADRID-] | 0556-6533 | |||
The act of singing: women, music, and the politics of truth and reconciliation in Indonesia | 2021 | Yearbook for traditional music 53 (): 1-44 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Blackbirds in the archive: genealogy and media in a century of Georgian folk song | 2020 | Ethnomusicology 64 (2): 274-300 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Institutions, music, youth people and children in orchestras and musical bands | 2020 | Runa 41 (1): 167-81 | |||||
Uṟumi Mēḷam: a musical sanctuary for at-risk Tamil youth in Singapore | 2020 | Ethnomusicology forum 29 (3): 311-32 | H6/KFYV [BRITISH-] | 1741-1912 | |||
From folk musicians to popular icons: the resilient uṟumi mēḷam Tamil folk drumming ensemble in Singapore | 2020 | Asian music 51 (2): 105-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
A dissonant education: marching bands and indigenous musical traditions at Sherman Institute, 1901–1940 | 2020 | American Indian culture and research journal 44 (4): 41-57 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Redefining gendered spaces: the case of the Indofijian female qawwal | 2020 | Pacific studies 43 (2): 191-230 | *H6/KX [PACIFIC-] | 0275-3596 | |||
“Haciendo un freestyle con los qompas”: verbal play and the recontextualization of speech genres in qom rap | 2020 | Journal de la Société des Américanistes 106 (1): 127-53 | H6/KUB [SOCIETE-] | 0037-9174 | |||
The repertoire of Alcones del Foklore in Jaiña. Practice of correspondence that weaves together versatility, tradition and modernity within Tarapacá | 2020 | Estudios Atacameños (66): 319-45 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
'The knack was in the barrel' or how the urban schlager outlived socialism | 2020 | Bulgarski folklor 46 (1): 40-58 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Singing to Buddha: the case of a Buddhist rock band in contemporary Indonesia | 2020 | Archipel (100): 175-97 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Reflection of ethnomusicological orientations in tape recordings of instrumental traditional music | 2020 | Glasnik slovenskega etnološkega Društva 60 (2): 58-69 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
My music | 2019 | Ethnomusicology 63 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
'Timbeando en Nueva York': Cuban Timba takes root abroad | 2019 | Ethnomusicology 63 (1): 105-36 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Pakistani popular music: a call to reform in the public sphere | 2019 | South Asian popular culture 17 (2): 197-211 | H6/KW [SOUTH-] | 1474-6689 | |||
"Gracias a la vida": Violeta went to heaven and came back wearing a K-Pop miniskirt | 2019 | Studies in Latin American popular culture 37 (): 25-50 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Introduction: brass bands in the Pacific | 2019 | The World of Music 8 (2): 5-12 | H6/KFY [WORLD-] | 0043-8774 | |||
"We are like someone completely dead and lack a father, Your Exellency;' bandsmen sucking up and blowing out in German Samoa | 2019 | The World of Music 8 (2): 13-26 | H6/KFY [WORLD-] | 0043-8774 | |||
Exploring Samoan brass bands: notes on their development and performance practices after independence | 2019 | The World of Music 8 (2): 27-38 | H6/KFY [WORLD-] | 0043-8774 | |||
Tongan brass bands: an expanding tradition | 2019 | The World of Music 8 (2): 39-56 | H6/KFY [WORLD-] | 0043-8774 | |||
A brief history of brass bands in Palau | 2019 | The World of Music 8 (2): 57-72 | H6/KFY [WORLD-] | 0043-8774 | |||
Brass band music in the Cook Islands: a biographical account | 2019 | The World of Music 8 (2): 73-84 | H6/KFY [WORLD-] | 0043-8774 | |||
Anything goes? Recognising norms, leadership and moderating behaviours at folk clubs in England | 2019 | Ethnomusicology forum 28 (3): 338-61 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Dancing transnationally: Croatian immigrants in Sydney, Australia | 2019 | Narodna umjetnost 56 (1): 129-47 | H6/KVP [NARODNA-] | 0547-2504 | |||
'Turbo-folk rocks!': new readings of turbo-folk | 2019 | Ethno-anthropological problems journal 14 (1): 47-78 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Representing the Yugoslav New Wave in the documentary film 'The new wave in Socialist Federal Republic of Yugoslavia as a social movement' | 2019 | Ethno-anthropological problems journal 14 (1): 79-96 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 |