Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
A global approach to styudying platforms and cultural production | 2025 | International journal of cultural studies 28 (1): 30-8 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Listening old music in modern studios: study of music market in Nepal | 2023 | International journal of anthropology 38 (3-4): 153-78 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) | 2023 | Ethnomusicology forum 32 (1): 73-96 | H6/KFYV [BRITISH-] | 1741-1912 | |||
A music for all times: arabesk as a nostalgic commodity for New Turkey's ertertainment industry | 2022 | European journal of cultural studies 25 (2): 498-514 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Twists and turns in the 360 deal: spinning the risks and rewards of artist-label relations in the streaming era | 2022 | European journal of cultural studies 25 (2): 463-78 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'Give us a voice!': voice, envoicement, and the politics of 'world music' at WOMAD | 2022 | Ethnomusicology forum 31 (2): 236-59 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Romani musicians in Latvia: the (un)sustainability of careers, the (in)visibility of ethnicity | 2021 | Etudes tsiganes (Nouvelle Série) (79-71): 196-227 | H6 [ETUDES-] | 0014-2247 | |||
Receiving and resisting: toward a market-driven cultural hybridity | 2021 | International journal of cultural studies 24 (6): 936-52 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Taking care of business: the routines and rationales of early-career musicians in the Dutch and British music industries | 2021 | International journal of cultural studies 24 (5): 731-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
From ‘our pot’ to ‘my pot’: reflections on ownership and long-term fieldwork with the Suyá/ Ksêdjê 1971-2019 | 2020 | Etnográfica: revista do Centro de Estudos de Antropologia Social 24 (3): 799-816 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
East Asian pop music idol production and the emergence of data fandom in China | 2020 | International journal of cultural studies 23 (4): 493-511 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels | 2019 | Ethnomusicology forum 28 (3): 260-82 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Social imaginary, memory sticks, and plastic bags in Cuba | 2019 | American anthropologist 121 (3): 750-5 | *H6 [AMERICAN-] | 0002-7294 | |||
El archivo inasible: hacia una nueva conceptualización del archivo sonoro de la industria discográfica antioqueña | 2019 | Studies in Latin American popular culture 37 (): 51-65 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Making a living from music: cultural entrepreneurship and job insecurity | 2018 | Cadernos de estudos sociais 33 (1): 82-100 | H6/KUL [CADERNOS-] | 0102-4248 | |||
Grasping intangible heritage and reimagining Inner Mongolia: folk-artist albums and a new logic for musical representation in China | 2018 | Journal of folklore research 55 (1): 21-48 | H6/KF [INDIANA-] | 0737-7037 | |||
Reluctant entrepreneurs: musicians and entrepreneurship in the 'new' music industry | 2018 | British journal of sociology 69 (2): 459-82 | H6/KF [BRITISH-] | 0007-1315 | |||
Radios, ringtones, and memory cards or, how the mobile phone became our favourite playback device | 2017 | South Asian popular culture 15 (1): 41-56 | H6/KW [SOUTH-] | 1474-6689 | |||
The business of DIY. Characteristics, motives and ideologies of micro-independent record labels | 2017 | Cadernos de arte e antropologia 6 (1): 17-35 | |||||
'You're born to be brave': Lady Gaga's use of social media to inspire fans' political awareness | 2017 | International journal of cultural studies 20 (6): 603-19 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Siding with vinyl: record store day and the branding of independent music | 2017 | International journal of cultural studies 20 (6): 585-602 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The success of k-pop. How big and why so fast? | 2017 | Asian journal of social science 45 (4-5): 409-39 | H6/KW [ASIAN-] | 1568-4849 | |||
Eat what your hear: gustasonic discourses and the material culture of commercial sound recording | 2017 | Journal of material culture 22 (1): 93-109 | H6/KF [JOURNAL-] | 1359-1835 | |||
A long tail in the digital age: music commerce and the mobile platform in India | 2017 | Asian music 48 (1): 85-113 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The art of representing the Other: industry personnel in the world music industry | 2016 | Ethnomusicology 60 (2): 329-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Sevdah celebrities narrate sevdalinka: political (self-)contextualization of sevdalinka performers in Bosnia-Herzegovina | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (1): 163-79 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Ethnomusicology, ecology and the sustainability of music cultures | 2015 | The World of Music 4 (1): 9-19 | H6/KFY [WORLD-] | 0043-8774 | |||
'So that we look more Gypsy': strategic performances and ambivalent discourses of Romani brass for the world music scene | 2015 | Ethnomusicology forum 24 (2): 260-85 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique's lyrics | 2015 | International journal of cultural studies 18 (4): 395-411 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The vinyl: the analogue medium in the age of digital reproduction | 2015 | Journal of consumer culture 15 (1): 3-27 | H6 [JOURNAL-] | 1469-5405 | |||
Music entrepreneurship and family bisinesses: the case of Avsenik | 2015 | Narodna umjetnost 52 (1): 31-57 | H6/KVP [NARODNA-] | 0547-2504 | |||
Recordings of music society Glasbena matica vocal ensembles and the represeantation of folk music at the time of the earliest gramophone recordings | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 75-96 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
1908: the beginning of Slovenian music discography? | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 51-73 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
The world's greatest sound archive: 78 rpm records as a source for musicological research | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 31-49 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Slovenian recordings on 78 rpm records | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 11-29 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Slovenian recordings made in America prior to World War II | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 97-117 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Gramophone records and their labels | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 175-90 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Augusta Danilova, the interpreter of folk and literary songs on gramophone records: between the identification, hybridization and popularization of the tradition | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 191-211 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Intertwinement of Croatian and Slovenian musical heritage on the oldest gramophone records | 2014 | Narodna umjetnost 51 (1): 131-53 | H6/KVP [NARODNA-] | 0547-2504 | |||
Música e experiência na era da reprodução digital | 2014 | Anuário antropológico (Rio) 39 (1): 219-40 | H6 [ANUARIO-] | 2357-738X | |||
K-popped: South Korean media exports in the Philippines | 2014 | Slovenský národopis 62 (4): 522-33 | H6/KVL [SLOVENSKY-] | 1335-1303 | |||
Between uptown and river road: the making and undoing of Kenya's 1960s Zilizopendwa | 2014 | The World of Music 3 (1): 25-45 | H6/KFY [WORLD-] | 0043-8774 | |||
Music, memory, and economy: NGO initiatives of East Africa's Zilizopendwa progenitors | 2014 | The World of Music 3 (1): 63-79 | H6/KFY [WORLD-] | 0043-8774 | |||
Pirate cosmopolitics and the transnational consciousness of the entertainment industry | 2014 | Ethnic and racial studies 37 (12): 2226-42 | H6/KD [ETHNIC-] | 0141-9870 | |||
British Asian music and its networks: notes from a music-making workshop at the Apache Indian Music Academy, Handsworth, UK | 2014 | South Asian popular culture 12 (3): 181-8 | H6/KW [SOUTH-] | 1474-6689 | |||
Ples and popular music production: a typology of home-based recording studios in Port Moresby, Papua New Guinea | 2014 | Ethnomusicology forum 23 (3): 425-44 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The art of grieving: west Sumatra's worst earthquake in music videos | 2013 | Ethnomusicology forum 22 (2): 129-59 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Guitar hero: from icon of popular culture to nostalgic self-design | 2013 | Glasnik Etnografskog Instituta 61 (1): 187-99 | H6/KVP [SRPSKA-] | 2334-8259 | |||
Of lack and loss: assessing cultural and musical poverty in Uttarakhand | 2013 | Yearbook for traditional music 45 (): 83-96 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Early music and the Mediterranean world: the exploration of hypothetical worlds | 2012 | Journal of Mediterranean studies 21 (2): 235-60 | H6 [JOURNAL-] | 1016-3476 |