| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Instrumentalised performers: the track-centred mode and gendered labour of China's platformised music industry | 2026 | International journal of cultural studies 29 (5): 877-97 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Digital music distributors in Eastern Europe: cultural intermediaries and power relations in the platformised recording industry | 2026 | International journal of cultural studies 29 (5): 823-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Streaming Hallyu in India: Cultivating cultural affinities and neoliberal subjectivities | 2025 | South Asian popular culture 23 (1): 57-71 | H6/KW [SOUTH-] | 1474-6689 | |||
| Tapes, texts and soundtracks: Between cassette cultures, music videos, digital media and intersecting media maps | 2025 | South Asian popular culture 23 (1): 37-55 | H6/KW [SOUTH-] | 1474-6689 | |||
| Chicha/sureña cumbia in El Alto: its music scene and resonances beyond the Andean highlands | 2025 | Disparidades: revista de antropologia 80 (1): 1-17 | H6/KVE [REVISTA-] | 2659-6881 | |||
| Interviewing traditional African musicians: the opportunities, threats, and challenges of AI in traditional music | 2025 | Ethnomusicology forum 34 (2): 289-94 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| AI-driven radio and cultural production: an ethnomusicological inquiry into the Off Radio Kraków experiment with artificial intelligence | 2025 | Ethnomusicology forum 34 (2): 270-6 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Music and the machine: testing the UK music industry's preparedness for AI-generated copyright challenges | 2025 | Ethnomusicology forum 34 (2): 238-44 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Digital discourse and the human experiences of AI music: an ethnomusicological perspective | 2025 | Ethnomusicology forum 34 (2): 219-24 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| A global approach to styudying platforms and cultural production | 2025 | International journal of cultural studies 28 (1): 30-8 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Dancing on a tightrope: uncertainty, risk perception and trust relationships in the live music industry | 2025 | European journal of cultural studies 28 (4): 1075-96 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The music business case for diversity: multiculturalism, pop music and the 1990s | 2025 | European journal of cultural studies 28 (6): 1667-85 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| ‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) | 2023 | Ethnomusicology forum 32 (1): 73-96 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Listening old music in modern studios: study of music market in Nepal | 2023 | International journal of anthropology 38 (3-4): 153-78 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
| Music career and sustainability: the strategies of a hiplife musician | 2023 | Ethnomusicology forum 32 (2): 183-200 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| 'Give us a voice!': voice, envoicement, and the politics of 'world music' at WOMAD | 2022 | Ethnomusicology forum 31 (2): 236-59 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| A music for all times: arabesk as a nostalgic commodity for New Turkey's ertertainment industry | 2022 | European journal of cultural studies 25 (2): 498-514 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Twists and turns in the 360 deal: spinning the risks and rewards of artist-label relations in the streaming era | 2022 | European journal of cultural studies 25 (2): 463-78 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Romani musicians in Latvia: the (un)sustainability of careers, the (in)visibility of ethnicity | 2021 | Etudes tsiganes (Nouvelle Série) (79-71): 196-227 | H6 [ETUDES-] | 0014-2247 | |||
| Taking care of business: the routines and rationales of early-career musicians in the Dutch and British music industries | 2021 | International journal of cultural studies 24 (5): 731-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Receiving and resisting: toward a market-driven cultural hybridity | 2021 | International journal of cultural studies 24 (6): 936-52 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Mobilising African music: how mobile telecommunications and technology firms are transforming African music | 2020 | Journal of African cultural studies 32 (2): 195-211 | *H6/KY [JOURNAL-] | 1369-6815 | |||
| 'Who will, if not ourselves?' (The applicability of DIY concepts on the example of the contemporary singer-songwriter scene in Zagreb) | 2020 | Narodna umjetnost 57 (2): 79-105 | H6/KVP [NARODNA-] | 0547-2504 | |||
| From ‘our pot’ to ‘my pot’: reflections on ownership and long-term fieldwork with the Suyá/ Ksêdjê 1971-2019 | 2020 | Etnográfica: revista do Centro de Estudos de Antropologia Social 24 (3): 799-816 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
| East Asian pop music idol production and the emergence of data fandom in China | 2020 | International journal of cultural studies 23 (4): 493-511 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| El archivo inasible: hacia una nueva conceptualización del archivo sonoro de la industria discográfica antioqueña | 2019 | Studies in Latin American popular culture 37 (): 51-65 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Social imaginary, memory sticks, and plastic bags in Cuba | 2019 | American anthropologist 121 (3): 750-5 | *H6 [AMERICAN-] | 0002-7294 | |||
| Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels | 2019 | Ethnomusicology forum 28 (3): 260-82 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Making a living from music: cultural entrepreneurship and job insecurity | 2018 | Cadernos de estudos sociais 33 (1): 82-100 | H6/KUL [CADERNOS-] | 0102-4248 | |||
| Reluctant entrepreneurs: musicians and entrepreneurship in the 'new' music industry | 2018 | British journal of sociology 69 (2): 459-82 | H6/KF [BRITISH-] | 0007-1315 | |||
| Grasping intangible heritage and reimagining Inner Mongolia: folk-artist albums and a new logic for musical representation in China | 2018 | Journal of folklore research 55 (1): 21-48 | H6/KF [INDIANA-] | 0737-7037 | |||
| A long tail in the digital age: music commerce and the mobile platform in India | 2017 | Asian music 48 (1): 85-113 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Eat what your hear: gustasonic discourses and the material culture of commercial sound recording | 2017 | Journal of material culture 22 (1): 93-109 | H6/KF [JOURNAL-] | 1359-1835 | |||
| The success of k-pop. How big and why so fast? | 2017 | Asian journal of social science 45 (4-5): 409-39 | H6/KW [ASIAN-] | 1568-4849 | |||
| Siding with vinyl: record store day and the branding of independent music | 2017 | International journal of cultural studies 20 (6): 585-602 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| 'You're born to be brave': Lady Gaga's use of social media to inspire fans' political awareness | 2017 | International journal of cultural studies 20 (6): 603-19 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Radios, ringtones, and memory cards or, how the mobile phone became our favourite playback device | 2017 | South Asian popular culture 15 (1): 41-56 | H6/KW [SOUTH-] | 1474-6689 | |||
| The business of DIY. Characteristics, motives and ideologies of micro-independent record labels | 2017 | Cadernos de arte e antropologia 6 (1): 17-35 | |||||
| Sevdah celebrities narrate sevdalinka: political (self-)contextualization of sevdalinka performers in Bosnia-Herzegovina | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (1): 163-79 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
| The art of representing the Other: industry personnel in the world music industry | 2016 | Ethnomusicology 60 (2): 329-55 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
| Ethnomusicology, ecology and the sustainability of music cultures | 2015 | The World of Music 4 (1): 9-19 | H6/KFY [WORLD-] | 0043-8774 | |||
| Music entrepreneurship and family bisinesses: the case of Avsenik | 2015 | Narodna umjetnost 52 (1): 31-57 | H6/KVP [NARODNA-] | 0547-2504 | |||
| 'So that we look more Gypsy': strategic performances and ambivalent discourses of Romani brass for the world music scene | 2015 | Ethnomusicology forum 24 (2): 260-85 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique's lyrics | 2015 | International journal of cultural studies 18 (4): 395-411 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The vinyl: the analogue medium in the age of digital reproduction | 2015 | Journal of consumer culture 15 (1): 3-27 | H6 [JOURNAL-] | 1469-5405 | |||
| Música e experiência na era da reprodução digital | 2014 | Anuário antropológico (Rio) 39 (1): 219-40 | H6 [ANUARIO-] | 2357-738X | |||
| K-popped: South Korean media exports in the Philippines | 2014 | Slovenský národopis 62 (4): 522-33 | H6/KVL [SLOVENSKY-] | 1335-1303 | |||
| Intertwinement of Croatian and Slovenian musical heritage on the oldest gramophone records | 2014 | Narodna umjetnost 51 (1): 131-53 | H6/KVP [NARODNA-] | 0547-2504 | |||
| Augusta Danilova, the interpreter of folk and literary songs on gramophone records: between the identification, hybridization and popularization of the tradition | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 191-211 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
| Gramophone records and their labels | 2014 | Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 175-90 | H6/KVP [TRADITIONES-] | 0352-0447 |