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TitleDateReferenceAuthorsCall #ISSN
A global approach to styudying platforms and cultural production 2025 International journal of cultural studies 28 (1): 30-8
  • Robert Prey
  • Seonok Lee
H6/KF [INTERNATIONAL-] 1367-8779
Listening old music in modern studios: study of music market in Nepal 2023 International journal of anthropology 38 (3-4): 153-78
  • B.P. Dahal
H6/HB [INTERNATIONAL-] 0393-9383
‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) 2023 Ethnomusicology forum 32 (1): 73-96
  • Marco Roque de Freitas
H6/KFYV [BRITISH-] 1741-1912
A music for all times: arabesk as a nostalgic commodity for New Turkey's ertertainment industry 2022 European journal of cultural studies 25 (2): 498-514
  • Erdinç Erdem
  • Filiz Başkan
  • Funda Sarıcı
  • Ünsal Doğan Başkır
H6/KF [EUROPEAN-] 1367-5494
Twists and turns in the 360 deal: spinning the risks and rewards of artist-label relations in the streaming era 2022 European journal of cultural studies 25 (2): 463-78
  • Yngvar Kjus
H6/KF [EUROPEAN-] 1367-5494
'Give us a voice!': voice, envoicement, and the politics of 'world music' at WOMAD 2022 Ethnomusicology forum 31 (2): 236-59
  • James Nissen
H6/KFYV [BRITISH-] 1741-1912
Romani musicians in Latvia: the (un)sustainability of careers, the (in)visibility of ethnicity 2021 Etudes tsiganes (Nouvelle Série) (79-71): 196-227
  • Ieva Tihovska
H6 [ETUDES-] 0014-2247
Receiving and resisting: toward a market-driven cultural hybridity 2021 International journal of cultural studies 24 (6): 936-52
  • Rachel Guldin
H6/KF [INTERNATIONAL-] 1367-8779
Taking care of business: the routines and rationales of early-career musicians in the Dutch and British music industries 2021 International journal of cultural studies 24 (5): 731-48
  • Jo Haynes
  • Rick Everts
H6/KF [INTERNATIONAL-] 1367-8779
From ‘our pot’ to ‘my pot’: reflections on ownership and long-term fieldwork with the Suyá/ Ksêdjê 1971-2019 2020 Etnográfica: revista do Centro de Estudos de Antropologia Social 24 (3): 799-816
  • Anthony Seeger
H6 [ETNOGRAFICA-] 0873-6561
East Asian pop music idol production and the emergence of data fandom in China 2020 International journal of cultural studies 23 (4): 493-511
  • Keith Negus
  • Qian Zhang
H6/KF [INTERNATIONAL-] 1367-8779
Arid fidelity, reluctant capitalists: salvage, curation, and the circulation of Tuareg music on independent record labels 2019 Ethnomusicology forum 28 (3): 260-82
  • Eric J. Schmidt
H6/KFYV [BRITISH-] 1741-1912
Social imaginary, memory sticks, and plastic bags in Cuba 2019 American anthropologist 121 (3): 750-5
  • Alexandrine Boudreault-Fournier
*H6 [AMERICAN-] 0002-7294
El archivo inasible: hacia una nueva conceptualización del archivo sonoro de la industria discográfica antioqueña 2019 Studies in Latin American popular culture 37 (): 51-65
  • Carolina Santamaría-Delgado
*H6/KUL [STUDIES-] 0730-9139
Making a living from music: cultural entrepreneurship and job insecurity 2018 Cadernos de estudos sociais 33 (1): 82-100
  • Amanda Coutinho Cerqueira
H6/KUL [CADERNOS-] 0102-4248
Grasping intangible heritage and reimagining Inner Mongolia: folk-artist albums and a new logic for musical representation in China 2018 Journal of folklore research 55 (1): 21-48
  • Charlotte D'Evelyn
H6/KF [INDIANA-] 0737-7037
Reluctant entrepreneurs: musicians and entrepreneurship in the 'new' music industry 2018 British journal of sociology 69 (2): 459-82
  • Jo Haynes
  • Lee Marshall
H6/KF [BRITISH-] 0007-1315
Radios, ringtones, and memory cards or, how the mobile phone became our favourite playback device 2017 South Asian popular culture 15 (1): 41-56
  • Aditi Deo
  • Vebhuti Duggal
H6/KW [SOUTH-] 1474-6689
The business of DIY. Characteristics, motives and ideologies of micro-independent record labels 2017 Cadernos de arte e antropologia 6 (1): 17-35
  • Erik Hitters
  • Robin den Drijver
'You're born to be brave': Lady Gaga's use of social media to inspire fans' political awareness 2017 International journal of cultural studies 20 (6): 603-19
  • Holly Willson Holladay
  • Hyunji Lee
  • Melissa A. Click
H6/KF [INTERNATIONAL-] 1367-8779
Siding with vinyl: record store day and the branding of independent music 2017 International journal of cultural studies 20 (6): 585-602
  • Eric Harvey
H6/KF [INTERNATIONAL-] 1367-8779
The success of k-pop. How big and why so fast? 2017 Asian journal of social science 45 (4-5): 409-39
  • Patrick A. Messerlin
  • Wonkyu Shin
H6/KW [ASIAN-] 1568-4849
Eat what your hear: gustasonic discourses and the material culture of commercial sound recording 2017 Journal of material culture 22 (1): 93-109
  • Kyle Barnett
  • Shawn VanCour
H6/KF [JOURNAL-] 1359-1835
A long tail in the digital age: music commerce and the mobile platform in India 2017 Asian music 48 (1): 85-113
  • Gregory D. Booth
*H6/KFYV [ASIAN-] 0044-9202
The art of representing the Other: industry personnel in the world music industry 2016 Ethnomusicology 60 (2): 329-55
  • Aleysia Whitmore
H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Sevdah celebrities narrate sevdalinka: political (self-)contextualization of sevdalinka performers in Bosnia-Herzegovina 2016 Traditiones: acta Instituti Ethnographiae Slovenorum 45 (1): 163-79
  • Alenka Bartulović
  • Miha Kozorog
H6/KVP [TRADITIONES-] 0352-0447
Ethnomusicology, ecology and the sustainability of music cultures 2015 The World of Music 4 (1): 9-19
  • Dan Bendrups
  • Huib Schippers
H6/KFY [WORLD-] 0043-8774
'So that we look more Gypsy': strategic performances and ambivalent discourses of Romani brass for the world music scene 2015 Ethnomusicology forum 24 (2): 260-85
  • Alexander Marković
H6/KFYV [BRITISH-] 1741-1912
Who said hip-hop was dead? The politics of hip-hop culture in Immortal Technique's lyrics 2015 International journal of cultural studies 18 (4): 395-411
  • Christopher Vito
H6/KF [INTERNATIONAL-] 1367-8779
The vinyl: the analogue medium in the age of digital reproduction 2015 Journal of consumer culture 15 (1): 3-27
  • Dominik Bartmanski
  • Ian Woodward
H6 [JOURNAL-] 1469-5405
Music entrepreneurship and family bisinesses: the case of Avsenik 2015 Narodna umjetnost 52 (1): 31-57
  • Mojca Ramšak
H6/KVP [NARODNA-] 0547-2504
Recordings of music society Glasbena matica vocal ensembles and the represeantation of folk music at the time of the earliest gramophone recordings 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 75-96
  • Mojca Kovačič
H6/KVP [TRADITIONES-] 0352-0447
1908: the beginning of Slovenian music discography? 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 51-73
  • Drago Kunej
H6/KVP [TRADITIONES-] 0352-0447
The world's greatest sound archive: 78 rpm records as a source for musicological research 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 31-49
  • Pekka Gronow
H6/KVP [TRADITIONES-] 0352-0447
Slovenian recordings on 78 rpm records 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 11-29
  • Drago Kunej
H6/KVP [TRADITIONES-] 0352-0447
Slovenian recordings made in America prior to World War II 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 97-117
  • Charles F. Debevec
H6/KVP [TRADITIONES-] 0352-0447
Gramophone records and their labels 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 175-90
  • Marjeta Pisk
H6/KVP [TRADITIONES-] 0352-0447
Augusta Danilova, the interpreter of folk and literary songs on gramophone records: between the identification, hybridization and popularization of the tradition 2014 Traditiones: acta Instituti Ethnographiae Slovenorum 43 (2): 191-211
  • Marjetka Golež Kaučič
H6/KVP [TRADITIONES-] 0352-0447
Intertwinement of Croatian and Slovenian musical heritage on the oldest gramophone records 2014 Narodna umjetnost 51 (1): 131-53
  • Drago Kunej
H6/KVP [NARODNA-] 0547-2504
Música e experiência na era da reprodução digital 2014 Anuário antropológico (Rio) 39 (1): 219-40
  • Juliana Baz Dias
H6 [ANUARIO-] 2357-738X
K-popped: South Korean media exports in the Philippines 2014 Slovenský národopis 62 (4): 522-33
  • Sam Pack
H6/KVL [SLOVENSKY-] 1335-1303
Between uptown and river road: the making and undoing of Kenya's 1960s Zilizopendwa 2014 The World of Music 3 (1): 25-45
  • Ian Eagleston
H6/KFY [WORLD-] 0043-8774
Music, memory, and economy: NGO initiatives of East Africa's Zilizopendwa progenitors 2014 The World of Music 3 (1): 63-79
  • Matthew M. Morin
H6/KFY [WORLD-] 0043-8774
Pirate cosmopolitics and the transnational consciousness of the entertainment industry 2014 Ethnic and racial studies 37 (12): 2226-42
  • Olga Sezneva
H6/KD [ETHNIC-] 0141-9870
British Asian music and its networks: notes from a music-making workshop at the Apache Indian Music Academy, Handsworth, UK 2014 South Asian popular culture 12 (3): 181-8
  • Monia Acciari
H6/KW [SOUTH-] 1474-6689
Ples and popular music production: a typology of home-based recording studios in Port Moresby, Papua New Guinea 2014 Ethnomusicology forum 23 (3): 425-44
  • Oli Wilson
H6/KFYV [BRITISH-] 1741-1912
The art of grieving: west Sumatra's worst earthquake in music videos 2013 Ethnomusicology forum 22 (2): 129-59
  • Jennifer Fraser
H6/KFYV [BRITISH-] 1741-1912
Guitar hero: from icon of popular culture to nostalgic self-design 2013 Glasnik Etnografskog Instituta 61 (1): 187-99
  • Milan Popadić
H6/KVP [SRPSKA-] 2334-8259
Of lack and loss: assessing cultural and musical poverty in Uttarakhand 2013 Yearbook for traditional music 45 (): 83-96
  • Stefano Fiol
H6/KFYV [YEARBOOK-] 0740-1558
Early music and the Mediterranean world: the exploration of hypothetical worlds 2012 Journal of Mediterranean studies 21 (2): 235-60
  • Britta Sweers
H6 [JOURNAL-] 1016-3476