Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Identities and ethnic groups in the northern shores of Rio Grande do Sul in the Tafona de Canção Nativa festival | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-24 | 2525-3123 | ||||
How to participate in participatory music making at a contemporary folk music festival: runosong nests at the Viljandi Folk Music Festival and Pelimanni evenings at the Kaustinen Folk Music Festival | 2023 | Folklore (Tartu) 91 (): 141-64 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Popular music and Marchinha in the spring festival and other festive spaces in the Valparaiso region from a historical perspective | 2023 | Iberoamericana 23 (84): 143-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
“Celtas” na Barca: brumas, imaginações da cultura e memória de regressos | 2023 | Trabalhos de antropologia e etnologia (63): 139-51 | H6/KVE [SOCIEDADE-] | ||||
Music and sound in Toyama city up-close and from afar | 2023 | The World of Music 12 (1): 147-74 | H6/KFY [WORLD-] | 0043-8774 | |||
The Francisco Llirene National Gaita Festival and the Colombian gaita larga musical scene | 2022 | Boletín de antropología (Antioquia) 36 (62): 38-58 | H6/KUL [BOLETIN-] | 0120-2510 | |||
"I'm a New Yorker" | 2022 | The World of Music 11 (1): 63-86 | H6/KFY [WORLD-] | 0043-8774 | |||
Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
“Não dá mais só para cantar” | 2022 | Revista de antropología (São Paulo) 65 (2): 1-22 | H6/KUL [REVISTA-] | 0034-7701 | |||
From the bush to the stage: nation building in Mozambique through music | 2022 | Anuário antropológico (Rio) 47 (1): 208-27 | H6 [ANUARIO-] | 2357-738X | |||
Jalisco is Mexico: race and class in the Encuentro Internacional del Mariachy y la Charrería in Guadalajara, México (1994-2003) | 2021 | Journal of American folklore 134 (533): 292-318 | H6/KF [JOURNAL-] | 0021-8751 | |||
Carnival brass bands in New Orleans and Rio de Janeiro: disinheritance, alternative Whiteness, and musical eclecticism | 2021 | Ethnomusicology 65 (3): 519-48 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
On the musical-folklore creation and the work of some cultural institutions in the time of pandemic | 2021 | Bulgarski folklor 47 (1): 35-45 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
La déclaration de l’imagination ou l’appel au rêve de la jeunesse australienne | 2020 | Cahiers de litterature orale (): 67-74 | H6/KF [CAHIERS-] | 2266-1816 | |||
«Est-ce que vraiment nous comptons?», une question d’actualité | 2020 | Cahiers de litterature orale (): 117-26 | H6/KF [CAHIERS-] | 2266-1816 | |||
The "campeiro" concept in the gaucho regional music: a reconfiguration of the artistic/cultural order | 2020 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 5 (1): 152-69 | 2525-3123 | ||||
From headliners to hangovers: digital media communication in the British rock music festival experience | 2020 | Tourist studies 20 (1): 75-95 | H6/KD [TOURIST-] | 1468-7976 | |||
Sexual violence at live music events: experiences, responses and prevention | 2020 | International journal of cultural studies 23 (3): 368-84 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Searching for public value in innovation coordination: how the Eurovision song contest was used to innovate the public service media model in Estonia | 2019 | International journal of cultural studies 22 (3): 367-82 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The festival politics of recognition: pluralized ritual-like performances of the Woodstock festival in Poland | 2019 | Journal of ritual studies 33 (1): 12-26 | H6/KFO [JOURNAL-] | 0990-1112 | |||
Turkishness on the stage: affective nationalism in the Eurovision Song Context | 2019 | International journal of cultural studies 22 (4): 519-35 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Turbotronik - on the border between the local music scene and a genre in the making | 2019 | Ethno-anthropological problems journal 14 (1): 23-46 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Pirin Pee 2018 and the living singing tradition in the village of Breznitsa | 2019 | Bulgarski folklor 45 (2): 145-57 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Translocality, network structure, and music worlds: underground metal in the United Kingdom | 2018 | Canadian review of sociology and anthropology 55 (1): 111-35 | H6/KUB [CANADIAN-] | 1755-6171 | |||
'We achive the impossible': discourses of freedom and escape at music festivals and free parties | 2018 | Journal of consumer culture 18 (4): 477-96 | H6 [JOURNAL-] | 1469-5405 | |||
Silencing the other within: Metis music at Manitoba's Old-Time Fiddle competitions | 2018 | Ethnomusicology 62 (2): 265-90 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Voices of ambiguity - the GDR folk music revival movement (1976-1990): exploring lived musical experience and post-war German folk music discourses | 2018 | Folk life 56 (2): 116-29 | H6/KVC [FOLK-] | 0008-3496 | |||
The 'heavy' music festivals between the fans and the local community: the 'Kavarna' case | 2018 | Bulgarska etnologiia 44 (3): 346-61 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Cilende: the mask dance at the Luvale Culture Festival (Angola) | 2018 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 3 (1): 218-57 | 2525-3123 | ||||
The Dravsko proljeće folklore festival in Sopje | 2018 | Narodna umjetnost 55 (1): 39-65 | H6/KVP [NARODNA-] | 0547-2504 | |||
“From identity to alliance”: challenging Métis “inauthenticity” through alliance studies | 2018 | Yearbook for traditional music 50 (): 91-117 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
The significance of Ìrìráábú musical satire in the Ékpè Dance Festival amongst the Obohia-Ndoki oeople of Nigeria | 2018 | Yearbook for traditional music 50 (): 119-39 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Producing space and locality through cultural displays: a Creole case study | 2017 | Space and culture 20 (1): 81-93 | H6 [SPACE-] | 1206-3312 | |||
Staging jazz pasts within commercial European jazz festivals: the case of the North Sea Jazz Festival | 2017 | European journal of cultural studies 20 (2): 141-66 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'The most atypical experience of my life': the experience of popular music festivals on cruise ships | 2017 | Tourist studies 17 (3): 245-62 | H6/KD [TOURIST-] | 1468-7976 | |||
Out of thin air: configurability, coreography, and the air guitar world championships | 2017 | Ethnomusicology 61 (3): 419-45 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Fiestas indígenas y populares, calendario 2018 | 2017 | Arqueología mexicana (77): 7-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Po(o)pular culture: measuring the 'shit' in Moroccan music festivals | 2016 | Journal of African cultural studies 28 (3): 327-42 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Musicians in street festivals on northeastern Brazil: recent changes in Forró music and St. John's Day festivities | 2016 | The World of Music 5 (1): 159-79 | H6/KFY [WORLD-] | 0043-8774 | |||
"Afro-Pacific" cultural industries: crossroads of multiculturalism in Cali, Colombia | 2016 | Antipoda: revista de antropología y arqueología 24 (): 75-90 | H6/KUL [REVISTA-] | 0124-485X | |||
Jazz festivals and the post-apartheid public sphere: historical precedents and the contemporary limits of freedom | 2016 | The World of Music 5 (2): 107-23 | H6/KFY [WORLD-] | 0043-8774 | |||
Festivals of folk music bands as a form of shaping the culture of West Pomerania | 2016 | Literatura ludowa 60 (6): 3-11 | H6/KVM [LITERATURA-] | 0024-4708 | |||
The Gypsy musicians in the city of SHumen (Bulgaria) from the early 19th century to the present | 2016 | Bulgarski folklor 42 (4): 462-80 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Locating the choreomusical: the case of European and American dance fiddling | 2016 | Český Lid 103 (4): 515-36 | H6/KVL [CESKY-] | 0009-0794 | |||
Research on traditional Istrian music and dance with an emphasis on revitalizing and presenting traditional Church (Glagolitic) singing practice | 2016 | Traditiones: acta Instituti Ethnographiae Slovenorum 45 (2): 123-43 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
Fascination, musical tourism, and the loss of the Balkan village (notes on Bulgaria's Koprivshitsa Festival) | 2015 | Ethnomusicology 59 (2): 227-61 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Jean Jenkins, music and the 1976 World of Islam festival | 2015 | Journal of museum ethnography (28): 184-97 | *H6 [JOURNAL-] | 0954-7169 | |||
Open air music festivals and the environment: a framework for understanding ecological engagement | 2015 | The World of Music 4 (1): 61-71 | H6/KFY [WORLD-] | 0043-8774 | |||
Ahiajiọkụ in Chicago: festival, music, and the performance of Nigerian Igbo identity in a North American city | 2015 | The World of Music 4 (2): 99-118 | H6/KFY [WORLD-] | 0043-8774 | |||
Multiculturalism and imaginary identities in music and dance | 2015 | Alteridades 25 (50): 117-28 | H6/KF [ALTERIDADES-] | 0188-7017 |